Korean
6.8
2022
South Korea
Yu Kyung is a successful woman who is proficient enough to become an executive director of Chunha Group when she started as a secretary. She recently found out her daughter is alive, so she plans to get her back and take her revenge. Meanwhile, Hye Soo is a strong girl who faces challenges head-on. She has a daughter with Ji Ho, and she would do anything for her. However, she gets tragically betrayed by Ji Ho, the love of her life, over power and money. How will those two mothers end their fierce revenge?
Overview
Reviews
ParkMin wrote:Right from the first 8 minutes introduction they failed to.... no, just failed. The entire story's setup involving the kids was absurd even for a silly makjang. It quickly became apparent that the drama was attempting to do something different from other daily makjang but the execution was nothing but comical, even while adding hints of unintentional parody. I couldn't stand how the drama was structured with its storytelling, it was really tiring how every single key information had 3 layers of truths that kept throwing the blame onto 3 parties. It was really exhausting repeating the same pattern 30-40 times. There's a lot to be said while breaking down everything but I would be repeating myself so here are some random bits. I found it particularly cringe when characters called themselves and each others witches with nicknames, for example 'The White-Haired Witch'. Despite being the face of the drama, Yoo Kyung's lifelong revenge wasn't finalized due to some events which is disappointing. It felt like the male lead suddenly confessed his love with no proper build up or showing prior interest beyond some sympathy, it happened too early in the story even though he was a womanizer a couple of episodes ago. Moreover, the male lead was mostly useless and didn't play as big of a part as most of the other characters. Midway through he was just there wasting time while occasionally being an unfunny clown. I guess he was just there to give the female lead a hug every now and then. On the flip side, the other male lead, Ji Ho, was in every other scene more than any character in the drama. One last thing, the overall vibe and tone later on was very detached and different from the few first episodes (after the kids story setup). If I had to mention something positive other than the cinematography being up to the modern standard with the majority of projects, that would be how secrets don't linger for too long which is because of the aforementioned repeated pattern.
