Arcadia

During a perilous 24-hour mission on the moon, space explorers try to retrieve samples from an abandoned research facility steeped in classified secrets.

One day in the distant future. Humans live shoulder to shoulder in “colonies” separated by rock. Outside the colonies, a dangerous undeveloped area called “the Labyrinth” is expanding. Those who risk their lives to develop “the Labyrinth”, who mark out the undeveloped areas, are known as “Markers”. A young girl, Memempu, who wants to be a Marker one day, and a man, Gagumber, who used to be one. This mismatched father and daughter now take on the Labyrinth! “If there’s no path, dig one!”

A girl is looking at a remote island on the ocean named The Yatter Kingdom, a country that is said to be ruled by the hero Yatterman. The girl wants to ask the Yattermans for some help to cure her sick mother and decides to venture to the kingdom. She gets kicked out from the kingdom though and her mother dies without receiving any help. Under Dokurobei, the boss of the Dorombo thieves that existed, lies a beauty named Doronjo. The two men, Boyacky and Tonzura, worked under Doronjo but got kicked out from the Yatter Kingdom along with the Doronbo thieves as they lost a fight against the Yatterman. This is the new generation of Dorombo—Doronjo, Boyacky, Tonzura, and new Yatterman—a story of the birth of Gan-chan and Ai-chan.

As humans turn into savage monsters and the world plunges into terror, a handful of survivors fight for their lives — and to hold on to their humanity.

Explore what it would be like if the Allied Powers had lost WWII, and Japan and Germany ruled the United States. Based on Philip K. Dick's award-winning novel.

The future, probably Japan. Robots have long been put into practical use, and androids have just come into use. Influenced by the Robot Ethics Committee, it's become common sense for people to treat androids like household appliances. Their appearance – indistinguishable from humans except for the ring over each android's head – has led some people to empathize unnecessarily with androids. Known as "android-holics", such people have become a social problem. Rikuo, a high school student, has been taught from childhood that androids are not to be viewed as humans, and has always used them as convenient tools. One day, Rikuo discovers some strange data in the behavior records of his family's household android, Sammy. Rikuo and his friend Masaki trace Sammy's movements, only to discover a mysterious café that features a house rule that "humans and robots are to be treated the same".

In the year 2267, more than 160 years after the Skyport orbital station fell to Earth and wiped out all of humanity, Eden is a thriving lunar colony home to young Takeru, who tries to make the most of the brief hiatus of freedom granted to the colony's inhabitants between the end of compulsory education and the rite of becoming a full citizen.

Honnouji Academy is forcefully ruled by the iron-fisted control of its student council and its president, Satsuki Kiryuin. Transfer student, Ryuko Matoi, arrives on campus carrying a giant sword, that is actually half of a scissor. She is looking for the woman who holds the other half of her sword who killed her father. It is said that Satsuki Kiryuin knows the identity of the killer but when Ryuko confronts her she is beaten by the student council and their powerful "Goku Uniforms" whom she cannot match in strength. However, once Ryuko receives her own "Kamui" by the name of Senketsu, the odds are lifted in her favor.

Super soldier Max Guevera tries to live a normal life in post-apocalyptic Seattle while eluding capture by government agents from the covert biotech facility she escaped from as a child and searching for her genetically-enhanced brothers and sisters who have dispersed after escape.

In the near future a family must make difficult decisions as they balance staying together with trying to survive. They live in Los Angeles, which has been occupied by a force of outside intruders. While some people have chosen to collaborate with the authorities and benefit from the new order, others have rebelled — and suffer the consequences.

When a group of billionaires takes shelter in a luxury bunker, an old feud between two families resurfaces amid an unprecedented global conflict.

The future’s looking bleak. It’s a good thing there’s a new sheriff in town. Her name is Jo and she’s an enigma even to herself. Alongside her partners Sei, Amy, and Meg, Jo fights for the citizens who can’t defend themselves. Confronting corruption and twisted science, these gals are on fire—and they’re the best chance the wounded city’s got.

In the early 2050s, unknown life forms called “Oracle cells” begin their uncontrolled consumption of all life on Earth. Their ravenous appetite and remarkable adaptability earn them first dread, then awe, and finally the name “aragami”. In the face of an enemy completely immune to conventional weapons, urban civilization collapses, and each day humanity is driven further and further toward extinction. One single ray of hope remains for humanity. Following the development of “God Arcs”—living weapons which incorporate Oracle cells—their wielders are organized into an elite force.

When an English professor becomes obsessed with a handsome new colleague, her already complicated marriage and career are thrown into total chaos.

The economic situation is a nightmare: only 20% of the population is employed. The Actives live inside the city. On the fringes, in the Zone, live the Jobless. Separating them is a wall.

A portal to another dimension is suddenly discovered. What spread out beyond the nondescript door was a parallel world with a history different from this one. This year marks 50 years since the world behind the door was named "PORTAL" and observations of its interior began. "PORTAL-X" is a program that has been broadcast for many years with the aim of utilizing the failure cases of various portals in our society. Kaif is a new program director who reports on all sorts of parallel worlds, and Luna is a program cameraman. The various parallel worlds and portals that the two of them cover are all worlds where people have made wrong choices at turning points in history and have fallen into irreversible situations. What is shown on camera are food shortages, a world where immortality has been achieved, a society that has not achieved true diversity, an extremely low birthrate, and a world that relies entirely on luck.

Many years ago, a Great Civil War ravaged Japan, leaving the country fragmented between two regions: Kansai and Kanto. In Kansai, a group of six Akudama carry out missions given to them by a mysterious black cat, while evading the police. But a dangerous journey is about to unfold when a civilian girl becomes twisted into the Akudama's way of life and witnesses their criminal drives.

In feudal Japan, Kurou and his servant Benkei are fleeing from Kurou's elder brother, who has recently ascended to the throne. In a forest, they come across a house and a strange woman by the name of Kuromitsu, who agrees to harbor them under one condition: that they do not peer into the inner chambers. Soon, they are attacked by the Red Army; they are searching for Kuromitsu, whose blood holds immortality. Fatally wounded, Kurou drinks some of Kuromitsu's blood and gains immortality along with strange abilities; but shortly after, Kurou is seemingly decapitated and wakes up centuries later in a ruined city. In this twisted future the Red Army is omnipresent and still searching for Kuromitsu’s blood, while a rebel army seeks to keep them from acquiring it. With threats at every turn and fueled by his obsession, Kurou sets forth to find Kuromitsu and seek his revenge on the Red Army.

Reality and fantasy seem to be breaking down for student Kyo Sogoru. Is he really a smart but unpopular swim enthusiast at Maihama High School, or is he a pilot of a giant robot in a war-devastated world? Which life is real and which is fantasy?

RoboCop: The Series is a 1994 television series based on the film of the same name. It stars Richard Eden as the title character. Made to appeal primarily to children and young teenagers, it lacks the graphic violence that was the hallmark of RoboCop and RoboCop 2. RoboCop has several non-lethal alternatives to killing criminals, which ensures that certain villains can be recurring. The OCP Chairman and his corporation are treated as simply naïve and ignorant, in contrast to their malicious and immoral behavior from the second film onward.