娘と私

Suzume is a girl born to a family running a small restaurant in Gifu Prefecture. She loses her hearing in one ear from a disease. Encouraged by her loving parents and childhood friend, she lives through an eventful life with a tenacious spirit.

The 97th NHK asadora is about Ten who becomes the first female comedian.

The 17-year-old Yatabe Mineko grew up in a family of seven in a mountain village in northeastern Ibaraki Prefecture. Her father Minoru has gone to Tokyo to work in order to earn extra money. However, her life completely changes when her father does not come back for the New Year. Mineko asks her family to let her go to Tokyo to find him and promises to send money home. In the autumn of 1964, she and two childhood friends Tokiko and Mitsuo are hired to start working at a small factory in Tokyo’s working class neighborhood. After work each day, Mineko searches for her father and gets disheartened at times. Mineko overcomes challenges and starts to lay down roots in Tokyo as she experiences many meetings and farewells amid the laughter and tears with regulars, people of the shopping street, friends, and colleagues. But will she be able to find her father?

The twin girls Tajima Megumi and Ichijo Nozomi was separated at birth after their parents had divorced. Years later they meet each other. Both of them have a career within the entertainment industry. Megumi who lives in Matsue, Shimane sings in the band Shijimijiru, and Nozomi is a maiko, an apprentice geisha in Kyoto.

In the early Showa era, the town of Choshi in Chiba Prefecture was divided by the conflicts between the worlds of "land" and "sea". Born to Kyubei Bando, the owner of a long-established soy sauce brewery, and his mistress Rui, Kaworu was taken in by her father and raised as a prim and proper lady. As she grew up, she fell in love with Sokichi, the eldest son of an established fisherman; alas, their two families were in conflict. This is a story of pure love between two people that grew beyond the boundaries of the old customs that they were brought up with. It is a drama that depicts their turbulent journey of love and the bonds of the people from an old and established family working tirelessly to protect their naturally brewed soy sauce business through the ups and downs.

The 3rd NHK Asadora. Starring Shin Saburi as a professor who quits the university to become a painter.

The 2nd NHK Asadora and the first Asadora to be broadcast in 15-minute episodes Monday through Saturday. Starring Fumiko Watanabe in a drama of a poor family after the war.

A woman who lost her memory after experiencing the atomic bombing of Hiroshima.

The 13th NHK Asadora. Starring Youko Takahashi in a story about a brother and sister coming of age in Hakodate and Kanazawa.

The 12th NHK Asadora. Set in Amakusa, Kumamoto Prefecture, at the end of the Pacific War. Maki is the heroine, married to Shuichi who must go to war. She stays home and takes on the role of other war widows, managing business and a Chinese restaurant.

The 22nd NHK Asadora. Starring Tomoko Aihara. About a woman raising war orphans.

The 21st NHK Asadora. Starring Chikako Yuri in a dramatization of the life of Sadako Sawamura.

The 20th NHK Asadora. Starring Harumi Arai as a woman who marries a German and starts a bakery in Kobe.

The 17th NHK Asadora. Starring Youko Asaji as a woman who wants to become a pilot.

The 16th NHK Asadora. Starring Yoko Akino in a contemporary story about a woman who is an office worker.

ウェルかめ

Mizuki is a would-be actress who has yet to attain her goal, struggles to keep the dream in her heart alive while dealing with the reality of her normal life, far away from lights, cameras, and action she longs for. Despite words of warnings from her family, which includes her birth and step mothers, intended to keep her from reaching her destiny, she actually makes it onto a set of one of the film companies in Tokyo. She experiences the peaks and valleys of a starting actress, but receives a blow when news of the company collapses and eventually closes. Mizuki returns home, but, the fire once lit, still burns.

The 61st NHK Asadora Drama is Asuka. Set in Kyoto in the home of a traditional Japanese candy-maker, Asuka is the story of one young girl's dream to one day walk in her father's shoes and become a top candy-maker in the male-dominated world of wagashi (Japanese confectionery). Asuka grows to be a healthy, adventurous young girl with a deep curiosity and, a desire to become a candy-maker like her father. This NHK drama is one of the best in years with an excellent cast, a well-developed story based on extensive research into the traditional worlds of candy making and the tea ceremony in Kyoto, and beautiful scenery and settings in Kyoto and the surrounding areas.

The 59th NHK Asadora Drama is Yanchakure. Location includes Osaka. In Osaka, "yanchakure" is a bit of an old word which is used to describe tomboyish or mischievous young girls. Mizushima Nagisa happens to be such a girl, that, no matter how well-intentioned her motives nor how hard she tries, Nagisa just seems to end up failing. In fact, she has failed at different things in her life so many times that she has come to see it as a source of personal strength, her philosophy being one of, "It's natural for a human being to fail many times in the course of their life and thanks to those failures we can become adults."

This drama is the tale of one high spirited, strong-willed young woman and her struggle to fulfill her lifelong ambition of becoming a carpenter and building homes. The story takes place from the later part of the Showa era to present day Heisei rule. The heroine of the story, Kawashima Urara, lost her father at the tender age of seven and this drama depicts her life as she grows from a young school girl, through puberty and adolescence and on into her adult years as an independent woman who owns her own carpentry business. As Urara grows into a beautiful and strong woman and a talented carpenter, her family around her goes through many difficult and trying times. This story of becoming an independent businesswoman in the male-dominated world of carpentry accurately reflects the lives and struggles of the young women in present day Japan who are trying to make a career for themselves in addition to balancing the demands of family obligations, friends, and lovers.