Gabriela, giros del destino

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

A comedy-drama following a chaste young woman who is accidentally impregnated via artificial insemination as she struggles to inform her devoutly religious family and make the right choices concerning the child. Based on the telenovela "Juana la virgen."

Ajuste de Contas

A musically talented teenager returns to her native Buenos Aires with her father, Herman, after living in Europe for several years, navigating the trials and tribulations of growing up.

This show is located in the picturesque Oštrovac, a village on the edge of the national park. Katarina, Tomislav and Krešo will get a million euros from his grandfather - but only if they spend a year in his ruined house in Oštrovac. Otherwise, the money belongs to the locals.

After their father's death, Sofía Ripoll, the oldest of three sisters, takes over the family's fictional successful chocolate factory. Though she is engaged to a man who uses her for money, she quickly falls in love with Salvador Cruz, a former racecar driver who takes a job as her chauffeur.

Alisa Lenz and luck? Her boyfriend cheats on her, then leaves her with a mountain of debts... She ruins her job application by angering the company's CEO... She loses the cut-glass pendant that was the only keepsake from her biological parents - and that was her good-luck charm... Decidedly, luck does not seem to smile on Alisa. But if you think this is enough to keep her from pursuing her goal of happiness and fulfillment, you don't know Alisa!

The story of Renata Flores del Angel, a young woman from a wealthy family who falls for Pablo Ramos, the foreman of her father's estate.

After a fall, intelligent young Plácido becomes a little slow. As an adult he works at a bank and his keen intelligence returns when he drinks the soft drink "Super Plá". Other side stories include the love relationship between Baby Stompanato and Joana Martini, and the life of Majô Prado, a neurotic millionairess and prominent personality living in São Paulo.

A remake of the Argentine series of the same name about a group of four partners who solve common problems through advanced simulation operations.

Lo Que Es el Amor

A spirited, humble woman named Tita vows to do everything she can to make her son Rey's dream of becoming a professional soccer player come true.

Acacias 38, the address of a stately apartment building where our stories unfold, is set in 1899 and tells the story of a group of maids and the bourgeois families they serve, in a single block in a distinguished neighborhood of a large Spanish city. Two worlds colliding in a universe of crossed lives.

Caminos de Guanajuato

Martín (Iván Sánchez) hurries to Mina Escondida after getting an urgent letter from his brother begging to be rescued from the hell in which he's living. On arrival, Martin despairs upon finding out that Demetrio (Pablo Montero), his brother, has committed suicide. His sorrow is transformed into hatred and a thirst for vengeance against the woman who caused his brother suffering and brought him to death.

In Ambitious Women, all levels of ambition are revealed in a plot full of greed, revenge and struggle for power, through the conflicts of three strong women with very different personalities.

A teenager who dreams with a career as a top model becomes part of a prostitution scheme and meets a powerful and obsessive businessman. As a last resort, he marries the girl's mother just to be near her. This series explores the limits of obsession, wealth and pleasure, using the fashion world as backdrop.

El amor no tiene precio is an American telenovela. It aired in 2005 until the series finale in 2006.

La vecina, is a comedy-telenovela produced by Lucero Suárez for Televisa. It is the remake of the telenovela La costeña y el cachaco produced in 2003 by RCN TV.

It follows the lives of four housewives and the everyday problems and mysteries that surround their husbands, friends, and neighbors, which are sometimes more sinister than they appear.