Detroit 1-8-7

Sassy sitcom centering on radio and television personality Martin Payne. Series focuses on his romantic relationship with girlfriend Gina, her best friend Pam and escapades with best friends Tommy and Cole.

RoboCop: The Series is a 1994 television series based on the film of the same name. It stars Richard Eden as the title character. Made to appeal primarily to children and young teenagers, it lacks the graphic violence that was the hallmark of RoboCop and RoboCop 2. RoboCop has several non-lethal alternatives to killing criminals, which ensures that certain villains can be recurring. The OCP Chairman and his corporation are treated as simply naïve and ignorant, in contrast to their malicious and immoral behavior from the second film onward.

In the headquarters of a major American automotive company in Detroit, a floundering group of executives at Payne Motors must adapt to the changing times or be sent to the junkyard.

Cyborg cop Alex Murphy, with his partner Officer Anne Lewis fight to save the city of Old Detroit from assorted rogue elements, and to reclaim aspects of his humanity.

Seemingly the perfect crime, the murder of a cop by a fellow Detroit detective activates forces that will forever alter the detective's life, and pull him into the heart of the Detroit underworld.

Cheer on the kids from the Detroit Youth Choir as they prepare for the performance of a lifetime!

Shea and her husband Terry want to see their native Detroit blossom into the crowning gem of Michigan, and now they've made it their mission to help the next generation of Detroiters buy their first homes and bring back the community they know and love.

Will and Corey are Detroit-area actors trying to pay their dues in the business, while juggling full time jobs and dealing with the pitfalls of the independent film industry.

Home renovation experts Keith Bynum and Evan Thomas fulfill their dream of restoring Motor City's iconic American neighborhoods one house at a time in the new series.

Best friends and fledgling ad men Sam and Tim may not have the money, connections or talent that the big guys do, but they have ambition out the wazoo. Together, they’re out to build a local advertising empire and restore their home city of Detroit to its former glory in this new show from executive producers Lorne Michaels and Jason Sudeikis.

The evil Decepticons have appeared in Detroit. With the all powerful Allspark, Megatron can use it to turn all of Earth's robots into Decepticons. However, Optimus Prime and his Autobots arrive and plan to stop Megatron and his evil plan in Transformers Animated.

Ripley Holden is a small-time entrepreneur desperate to make it big with his new state-of-the-art amusement arcade. The opening extravaganza is overshadowed by the find of a dead body on the premises. DI Carlisle is called in and quickly finds he has more on his mind than murder, when he falls in love with Ripley's long-suffering wife.

The XYY Man began life as a series of novels by Kenneth Royce, featuring the character of William 'Spider' Scott, a one-time cat-burglar who leaves prison aiming to go straight but finds his talents still to be very much in demand by both the criminal underworld and the British secret service. Scott has an extra "y" chromosome that supposedly gives him a criminal predisposition - although he tries to go straight, he is genetically incapable of doing so. Royce's original books were : The XYY Man; Concrete Boot; The Miniatures Frame; Spider Underground and Trap Spider, though he returned to the character in the 80s with The Crypto Man and The Mosley Receipt. Regular characters included Scott's long-suffering girlfriend Maggie Parsons; British secret service head Fairfax; Detective Sergeant George Bulman, the tenacious policeman who wants nothing more than to see Scott back behind bars; journalist Ray Lynch; gay photographer Bluie Palmer and KGB chief Kransouski. In 1976 the first of Royce's novels was transferred to British television by Granada TV, in a three-part adaptation with Stephen Yardley playing Scott. The adventures of Scott caught the public imagination and ten more episodes followed in 1977. He is often co-opted into working for shadowy civil-servant and MI5 officer Fairfax. Doggedly on his trail is his nemesis Bulman and his assistant, Detective Constable Derek Willis.

A truly amazing, fantastical, science fiction, funny and odd, and sometimes scary, sad and endearing anthology series presented by Steven Spielberg with guest appearances by many famous actors, actresses, and directors.

Drama series about life on the wards of Holby City Hospital, following the highs and lows of the staff and patients.

"Bourbon Street Beat" is a private detective series produced by Warner Brothers Television which aired on the ABC network from October 5, 1959, to July 4, 1960. It featured Richard Long as Rex Randolph, Andrew Duggan as Cal Calhoun, Van Williams as Kenny Madison, and Arlene Howell as Melody Lee Mercer, the secretary at the New Orleans detective agency in which they worked. The show is set in New Orleans, Louisiana, USA and revolves around the lives of Rex Randolph (Long) and Cal Calhoun (Duggan), who run a detective agency called Randolph and Calhoun — Special Services. The agency is based in the Absinthe House, a French Quarter nightclub on Bourbon Street.

Aída is a Spanish comedy sitcom set in Madrid, that spin off from another sitcom called 7 Vidas. The show first aired on January 16, 2005 and is produced by Globomedia for the Spanish network Telecinco. It currently started its ninth season. The show stars Carmen Machi as the title character, Aída García, a working, single mother with two teenage children, forced to move in with her mother and brother to make ends meet. The show has received favorable criticism from the audience and has been the most viewed show in Spain since 2007. It has also received several awards like the Ondas Award for Best Spanish Sitcom. The Polish re-make of the series began airing in March 2012 on TVP2 channel.

United States is a short-lived half-hour comedy-drama that NBC added to its Tuesday primetime schedule in March 1980. Larry Gelbart, the show's executive producer and chief writer, said the name United States was not a reference to the country but rather to "the state of being united in a relationship". Gelbart envisioned a series that would be "a situation comedy based on the real things that happen in my marriage and in the marriages of my friends". Episodes tackled such topics as marital infidelity, household debt, friends who drink too much, death within the family, and sexual misunderstandings. United States focused on Richard and Libby Chapin, an upwardly mobile couple who lived in a Los Angeles suburb. Beau Bridges played Richard, and Helen Shaver played Libby. Gelbart reverted to black-and-white script for the show's titles. He said that was to convey the mood of "a sophisticated '30s film." Gelbart also avoided use of background music and a laugh track. Scripts featured dialogue such as, "Just for once I'd like to be treated like a friend instead of a husband," and "Maybe you and Bob can go out and get yourselves one redhead with two straws." United States premiered at 10:30 p.m. on March 11, 1980. NBC pulled it from the schedule within two months, after only six of 13 episodes had aired. The remaining episodes were not broadcast until 1986, when the A&E cable channel aired United States.

Trapper John, M.D. is an American television medical drama and spin-off of the film MASH, concerning a lovable doctor who became a mentor and father figure in San Francisco, California. The show ran on CBS from September 23, 1979, to September 4, 1986.

Mireille Bouquet is a professional assassin, and a very good one at that. But when she follows up an E-mail from a young Japanese girl named Kirika Yumura, inviting her to take "a pilgrimage to the past", her life becomes even more dangerous than it already is. Now, with a haunting melody invoking the memory of an event long past, Mireille and Kirika decide to work together to find the truth about a thousand-year-old organization that has controlled both of their lives since before they were born. And the only clue in their search, the only thing Kirika remembers about herself, becomes their working codename: a name designating an ancient fate, of two maidens who reign over death—Noir.