Overview
Detective Matthew Sikes, a Los Angeles police officer reluctantly works with "Newcomer" alien George Francisco. Sikes also has an 'on again off again' flirtation with a female Newcomer, Cathy Frankel.
Reviews
**Score: 9/10 — A Pioneering, Profound, and Perfectly Portrayed Sci-Fi Masterpiece**
*Alien Nation* is that rare gem: a television sequel that not only honours its source film but deepens, enriches, and transcends it. Premiering in 1989, this series was decades ahead of its time, using the brilliant, high-concept premise of alien integration as a flawless lens to examine the most pressing and permanent human issues. It is a **grossly overlooked** classic that deserves to be ranked among the greats of socially conscious science fiction.
**A Seamless, Superior Continuation:**
The transition from James Caan's film detective to **Gary Graham's Matthew Sikes** was a masterstroke. Graham was **perfectly cast**, bringing a more nuanced, world-weary, yet open-hearted humanity to the role. His **chemistry with Eric Pierpoint's George Francisco was second to none**—a partnership built on growing respect, clashing perspectives, and a profound, unshakeable loyalty. Their dynamic was the show's beating heart, a buddy-cop blueprint elevated by genuine dramatic heft.
**The "Perfectly Portrayed" Premise:**
The show’s enduring genius lies in its execution. Its depiction wasn't just good; it was scrupulously thoughtful and consistent.
* **Co-existence:** The daily reality of the "Newcomers" in Los Angeles—their jobs, their homes, their attempts to blend or maintain their culture—was rendered with tangible, lived-in detail.
* **Relationships:** From the deep friendship of Sikes and Francisco to the complex, beautiful human-alien romance of Sikes and Cathy (the superb Terri Treas), these connections were treated with absolute sincerity and emotional truth, never as gimmicks.
* **Speciesism (Alienism):** The prejudice faced by the Newcomers was the show's central, unflinching focus. It mirrored real-world bigotry with startling clarity, exploring it on systemic, violent, and casually personal levels.
* **Political & Social Issues:** Every episode was a compelling sci-fi parable for issues like immigration, racism, addiction, terrorism, and assimilation. It was never preachy, always letting the powerful allegory speak through its engrossing police procedurals.
**Legacy and Resolution:**
While the series was tragically **cut short by network cancellation, leaving a myriad of unexplained situations**, its passionate fanbase was rewarded. The subsequent **series of five tele-movies** (1994-1997) provided the necessary closure, tying up arcs and delivering the emotional payoff the characters and audience deserved. This completed the journey, making *Alien Nation* a rare example of a franchise that got to finish its story **cleanly and brilliantly**.
**The Verdict:**
From its bold movie to its groundbreaking single season to its satisfying movie sequels, *Alien Nation* is a complete, brilliant triumph. It is a masterpiece of world-building, character-driven drama, and social commentary disguised as a police procedural. Gary Graham and Eric Pierpoint delivered one of television's finest partnerships. It earns its **9/10** for its fearless intelligence, its emotional depth, and its timeless, humane vision. To overlook it is to miss one of sci-fi television's most important and rewarding treasures.
**Watch if:** You love intelligent sci-fi, social allegory, perfect buddy-cop dynamics, and deeply developed alien world-building.
**Skip if:** You require non-stop action or prefer your science fiction devoid of earthly politics. This is thoughtful, character-first storytelling of the highest order.
