The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.
Comedic short featuring Shakespeare's notable characters; many performing musical numbers. An assistant director is told to read all Shakespeare’s works in order to mine them for potential film plots. Falling asleep on the job, he dreams of various Shakespearean characters coming to life from the pages of giant books and singing and dancing in celebration of their "goin’ Hollywood." The characters appearing include Romeo, Juliet, Juliet’s Nurse, Puck, Peter Quince, Hamlet, Old Hamlet’s Ghost, Falstaff, Antony, Cleopatra, and Macbeth. Shakespeare appears toward the end of the film to object, but he is quickly convinced by his characters to join a big song and dance routine. Includes passing references to a number of familiar Shakespearean scenes including Hamlet’s "to be or not to be" soliloquy, Romeo and Juliet’s balcony scene, Hamlet with Yorick’s skull, and Enobarbus’ speech on Cleopatra’s barge.
A documentary about the 1978 stage production of The Taming of the Shrew by the New York City Shakespeare company at the Delacorte Theatre in Central Park. Includes scenes from the production, interviews with Meryl Streep (Kate) and Raul Julia (Petruchio) as well as an introduction by producer Joseph Papp and audience commentary.
Prospero, Duke of Milan, usurped and exiled by his own brother, holds sway over an enchanted island. He is comforted by his daughter Miranda and served by his spirit Ariel and his deformed slave Caliban. When Prospero raises a storm to wreck this perfidious brother and his confederates on the island, his long contemplated revenge at last seems within reach. - Shakespeare's Globe
Vincentio, Duke of Vienna, disgusted by the immorality in his city, announces his withdrawal from public life and leaves his deputy, the puritanical Angelo, in charge. Angelo, in his zeal for observing the letter of the law, begins a ruthless programme to stamp out sexual licence, in the course of which he condemns one Claudio to death. Surely Claudio’s virginal sister Isabella, a novice nun seeking mercy for her brother, could not awake the lust of this cold, censorious man?
A modernized adaptation of William Shakespeare's "Twelfth Night".
What really happened during Shakespeare's 'Lost Years'? Hopeless lute player Bill Shakespeare leaves his home to follow his dream.
Cut-out animated parody of Hamlet by pioneering British animator Anson Dyer.
Baptista has two daughters: Kate and Bianca. Everyone wants to wed the fair Bianca, but nobody's much interested in problem child, Kate. Baptista declares that he won't give Bianca away in a marriage until he's found a husband for Kate, so all the suitors begin busily hunting out a madman who's willing to do it, and they find Petruchio: a man who's come to wive it wealthily in Padua. And Petruchio marries Kate with a plan to tame her, while everybody else begins scheming to win Bianca's hand.
Puck is introduced to the twentieth century and is as amused by the contemporary obsession with television as he was by the lovers' antics.
When Juliet Capulet (of Shakespearean fame) is plucked from death and turned into a vampire, she is forced to live all eternity without her sweet Romeo. Now, 800 years later, Juliet meets a young woman who captures her heart again and teaches her that love and loss are all a part of life, and that a life without love is no life at all.
Dominic Dromgoole’s production brings refreshing clarity to one of Shakespeare’s most famous and best-loved tragedies, drawing out the contemporary relevance of this passionate teenage love story. Ellie Kendrick, a truly youthful Juliet, and Adetomiwa Edun, a boyish Romeo, head an excellent cast whose period costumes point to the timelessness of parental disapproval, adolescent temperament, rivalry and violence. Filmed before a live audience at Shakespeare’s Globe in the heart of London, its intimate and atmospheric setting adds immediacy and vitality to the humour and passion of Shakespeare’s verse. Filmed in High Definition and true surround sound.
Reason and judgement prove no match for the tsunami of mutual passion engulfing Mark Antony, one of the three joint rulers of the Roman republic, and Cleopatra, the seductive queen of Egypt. Surrendering everything to their desires, they open the floodgates to a civil conflict that will shake the very foundations of their world.
A rich American businessman in London makes believe he's lost all his money so that his daughter will marry a composer.
A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.
The tale begins when a brother and sister are separated in a shipwreck, but survive to be washed up on the shore of Illyria. The sister, Viola, disguises herself as a man and takes service with Duke Orsino, who has fallen in love with Lady Olivia. Entrusted with pleading on her master's behalf, Viola is utterly disconcerted to find that Olivia has fallen in love with her. Thus begins the confusion of this delightful comedy.
A film adaptation of Shakespeare's comedy, based on a popular stage production by the Royal Shakespeare Company. A small boy dreams the play, which unfolds in a surreal landscape of umbrellas and lightbulbs.
Two households, both alike in dignity, in fair Verona, where we lay our scene. Through the modern lens of equality, Romeo and Juliet change on screen.
After the overthrowing of Duke Senior by his tyrannical brother, Senior's daughter Rosalind disguises herself as a man and sets out to find her banished father while also counseling her clumsy suitor Orlando in the art of wooing.
One of the earliest hits for the newly established RSC, Michael Elliott’s sparkling version of Shakespeare's comedy is still remembered with joy by a generation of theatre-goers. The design was dominated by a huge oak tree, but the production is most memorable for Vanessa Redgrave’s luminous Rosalind, supported by Max Adrian and Ian Bannen.