아스팔트 사나이

Asphalt Man is a 1995 South Korean television series starring Lee Byung-hun, Choi Jin-shil, Jung Woo-sung, and Lee Young-ae. Based on the 1991 comic of the same title by manhwa artist Huh Young-man, it aired on SBS from May 17 to July 6, 1995 on Wednesdays and Thursdays at 21:55 for 16 episodes.

Another agonizing project reminding me how much I miss Choi Jin Shil. May she rest in peace. This drama was a real wild ride for all kinds of reasons. Right from the beginning you will notice the gigantic production value, one of the main reasons was their official sponsor Hyundai who funded it for more than 1.6 billion won (3.5 billion won today) in production costs, not to mention the provided cars, factories and locations in the US. It didn't come as a surprise since this was during the economical boom in the 90s, they were swimming in gold. They were even throwing some shade at Honda for sending industrial spies. In reality, they wanted to beef with another company but they didn't want to generate bigger controversy. I don't remember any other drama doing such a move! More on the production, copyright laws didn't matter back then so it was no surprise they had tracks by Michael Jackson for example. Speaking of which, the soundtrack was so damn good especially with the jazz pieces, it's also the same composer who worked on Sandglass (1995). The scenes that were attached to these jazz pieces were interesting, dramatic and theatrical. The drama stood out as a compelling piece that combined powerful storytelling with deeply resonant themes, making it a memorable experience. It traced their journey with authenticity that felt raw while exploring the conflict of ambition, resilience, and the human spirit. There were a handful of diverse characters each one brought something unique to the table, their intertwined relationships were equally interesting as well. Visually, the drama captured the essence of the mid-90s, with its gritty urban settings and evocative cinematography enhancing the storytelling. It also had some wild scenes on some views and depictions, including violence and two sided racism in the US, extreme misogyny and other socio-political spectacles. It would've been absolutely wild to see this coming out today. Nonetheless, not everything was sunshine and rainbows, the drama had a few hiccups that held it back from achieving true cinematic greatness. The drama had a cruel side to it with how it killed some of the characters, merciless and unexpected. The narrative had an interesting blend of drama and introspection, highlighting the challenges faced by those striving to achieve their dreams against all odds. However, there were major gaps in the narrative with some of the characters and events. Some decisions and directions in the story didn't fit the overall view of the drama. Additionally, although there were a handful of repeated flashbacks but these weren't too offensive due to the accompanied soundtrack and the general 90s vibes. One last thing, I really wish the drama had more dialogue in the last episode with a better wrap up to other key characters (especially and specifically Choi Jin Shil character), it deserved a better refined and fine-tuned send off. Despite its imperfections, the drama was a great watching experience.