Angie Tribeca

Agony is a British sitcom that aired on ITV from 1979 to 1981. It starred Maureen Lipman as a successful agony aunt but whose own personal life and marriage is a disaster. It was written by Len Richmond, Anna Raeburn, Stan Hey and Andrew Nickolds. It was made for the ITV network by LWT. Although a comedy, Agony sometimes dealt with issues that were seen as taboo at the time such as drug use, racism, abortion, interracial relationships, and swinging, and was the first British sitcom to portray a gay couple as non-camp, witty, intelligent and happy people. It also openly mocked the government, the ruling classes, and religion, and occasionally contained dark and dramatic storylines.

The everyday life of Moesha Mitchell, a vivacious young woman juggling romance, school, ever-changing family dynamics, and friendships.

A British television comedy series of the 1970s and early 1980s, combining surreal sketches and situation comedy.

The Bill Cosby Show is an American situation comedy that aired for two seasons on NBC's Sunday night schedule from 1969 until 1971, under the sponsorship of Procter & Gamble. There were 52 episodes made in the series. It marked Bill Cosby's first solo foray in television, after his co-starring role with Robert Culp in I Spy. The series also marked the first time an African American starred in his or her own eponymous comedy series.

Serial monogamist Brian O'Hara hits his mid-30s and suddenly realizes he's the last bachelor standing in his circle of friends. Not averse to the happily ever after his friends have achieved, Brian wonders whether he'll ever find Mrs. Right. The fact that he's in love with his best friend's girlfriend doesn't help his chances.

A bald, lollipop sucking police detective with a fiery righteous attitude battles crime in New York City.

A young hacker who has never wanted anything out of life goes to a police academy to figure himself out — and help a cop take down a gambling ring.

After a foreign teenage tourist goes missing in a misty village, Kasturi, a frazzled local cop, is forced to team up with her city-bred successor, Angad, on a high-profile case that unearths skeletons and resurrects a long-forgotten legend of a savage serial killer in the woods.

Complex, offbeat Detective Charlie Crews returns to the force after serving time in prison for a crime he didn’t commit. Crews’ new lease on life has provided him with a Zen-like outlook, peace of mind and no need for vengeance, an attitude which can be challenging to maintain when someone he cares about is threatened — or when he is investigating the mystery surrounding the murder he was falsely accused of.

El Privilegio de Mandar was a successful Mexican political parody broadcast by Televisa on Canal de las Estrellas. It started as a sketch on another Televisa show, called La Parodia, that parodies political, social and cultural events happening in Mexico. High ratings kept the show running. It was first broadcast on October 25, 2004, during La Parodia. Soon, the high success of the program encouraged the producers to separate it from the other show, so on January 3, 2005, it became an independent show. Televisa broadcast what is considered the last episode of the series on July 9, 2006, just after the federal elections in Mexico. However, some of the actors who performed leading roles stated that in a few years, when political events have advanced, they will make a return to see how things are.

Rags to Riches is an American musical comedy drama series that was broadcast on NBC for two seasons from 1987 to 1988. Set in the 1960s, the series tells the story of Nick Foley, a self-made millionaire who adopts five orphan girls. Each episode included music videos of hit songs from the era sung by the cast integrated into the plot.

A realistic glimpse into the daily lives of the officers and detectives at an urban police station.

Tony Scali is a former Brooklyn cop now the Police Commissioner of a small upstate city. But for Scali, this is no desk job. He's a tough yet compassionate boss, a loving husband and father, and a hands-on law enforcer with an unorthodox style of bending the rules. From parenthood to politics, from sex crimes to murder cases, one man takes it day-to-day with offbeat humor and street- smart skill.

Newspaper reporter Tim O'Hara finds a crashed alien spaceship that contains one live alien. Not wanting to be discovered by the authorities, the Martian assumes the identity of Tim's Uncle Martin and begins to repair his spaceship so that he can return to Mars.

In 1999, advanced science and technology enriched people's lives, but the damage caused when they were misused for crimes or went out of control and went out of control was also great. The Special Rescue Police Winspector (abbreviated as WSP) was established to deal with such a situation. Their purpose is not only to investigate crimes and arrest suspects but also to save the lives of those involved in crimes and disasters.

CLUELESS is a television series spun off from the 1995 teen film of the same name. The series originally premiered on ABC on September 20, 1996 as a part of the TGIF lineup during its first season. The show then spent its last two seasons on UPN ending on May 25, 1999.

Revolving around the life of Vivienne Vyle, a daytime TV presenter/agony aunt in the mold of Trisha, the show focuses on not only the problems of her guests but the problems Vivienne faces herself in regards to her love and home life.

Explore a gang world we've never seen before: gangs that are made up of the very men and women sworn to uphold the law – cops. Only select officers make the cut, but once inside, gang members will do what they must to protect each other from enemies inside and outside their ranks.

The Val Doonican Music Show

On a freezing December night in 1963, 13-year-old Alison Carter took her dog for a walk and was never seen again. As the entire country watched, newly-promoted Detective Inspector George Bennett turned up enough evidence to see his suspect hanged and was hailed a hero by the people of Scardale. More than four decades later, the lingering cloud left by the missing body of Alison Carter compels controversial filmmaker Catherine Heathcote to turn her camera to Bennett.