The $treet is an American television drama series about a small brokerage house called Belmont Stevens located in New York and the lives of its employees. Freddie Sacker was one of the most notable characters played by Rick Hoffman.
Seven-year-old Jess is removed from her peculiar Pentecostal home and sent to school.
In the swing of the 70s, two women fight for the love of the same man without knowing their fates were already intertwined.
An American television series originally produced between 1982 and 1987. The show is based on the 1980 motion picture of the same name. With a mixture of drama and music, it followed the lives of the students and faculty at the New York City High School for the Performing Arts. Although fictional, it was based heavily on the actual Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York. Most interior scenes were filmed in Hollywood, California, and in all seasons but the third, several exterior scenes were shot on location in New York City. The popularity of the series, particularly in the UK, led to several hit records and live concert tours by the cast. Despite its success, very few of the actors maintained high-profile careers after the series was cancelled. A number of the cast members were seen again briefly in Bring Back...Fame, a reunion special made for British television in 2008.
The story of Song Yunhui, Lei Dongbao, and Yang Xun as they take part in China’s economic reform from the 1980s to the 1990s.
A successful New York entrepreneur lives a double life as the head of a drug empire that serves only the rich and influential, all while wanting to escape the underworld and keep his family safe.
Standa Pekárek has three wishes in life: to drive a volga, to drive for the Humour and Folk Entertainment editorial office and to drive Got'ák. The five-part miniseries Volha is an adaptation of the novel of the same name by Karel Hynia, written in an extraordinary, bizarre and precisely echoed language. It can be perceived as a peculiar history of Czechoslovak television with a number of incredible, albeit real, "stories from the set". At the same time, however, it is a portrait of its main character - a limited egocentric who excels in inventing small tricks and deceptions - how to steal petrol, fake mileage, cheat his wife, get rid of the competition. Logically, he then also becomes a StB collaborator (with the code name Volha) who informs on all his co-workers and passengers without any remorse.
A lighthearted romantic comedy about post-collegiate life, love and career in New York City.
Six very different New Yorkers go about their lives without realizing the impact they're having on one another—yet. A mysterious web of coincidences will gradually draw these strangers closer, changing the course of their lives forever.
At Bedford University, six students are brought together in seminar called Sex and the Human Condition.
Kate & Allie is an American television situation comedy which ran from March 19, 1984, to May 22, 1989. Kate & Allie first aired on CBS as a midseason replacement series and only six episodes were initially commissioned, but the favorable response from critics and viewers alike easily convinced CBS to commit to a full season in the fall of 1984. The series was created by Sherry Coben.
The true story of the movement to ratify the Equal Rights Amendment, and the unexpected backlash led by a conservative woman named Phyllis Schlafly, aka “the sweetheart of the silent majority.”
From the day two decades ago that young John Clayton's parents died and left him alone in the African jungle, he was raised by apes and has emerged as the fearless Tarzan. Captured by his billionaire uncle, Richard Clayton, the CEO of powerful Greystoke Industries, Tarzan is returned, against his will, to his family's home in New York City. Resisting captivity, he escapes into the concrete jungle of New York City where he encounters the strong-willed NYPD detective Jane Porter. Jane's perfectly ordered life is turned upside-down by Tarzan's dangerous yet profoundly untainted morality. Romantically involved with another member of the force, Detective Michael Foster, Jane is left to choose between reason and instinct, civilization and pure humanity, her head and her heart.
Louie De Palma is a cantankerous, acerbic taxi dispatcher in New York City. He tries to maintain order over a collection of varied and strange characters who drive for him. As he bullies and insults them from the safety of his “cage,” they form a special bond among themselves, becoming friends and supporting each other through the inevitable trials and tribulations of life.
The Beat delves into the personal and professional lives of two young police recruits who patrol New York's streets. The city's daily machinations are seen through the often bloodshot eyes of Officers Mike Dorigan and Zane Marinelli, two youthful, irreverent partners who are truly products of their generation and unique urban environment. Issues of race, excessive police force – and the unpredictable quirkiness of New York's outspoken locals – compel both men to rely on their sense of humor just to make it to the end of their shift.
Workaholic Mike Flaherty is the Deputy Mayor of New York City, serving as Mayor Randall Winston's key strategist and much-needed handler. Mike runs the city with the help of his oddball staff: an anxious and insecure press secretary; a sexist, boorish chief of staff; an impeccably groomed gay activist running minority affairs; a sharp and efficient, man-crazy accountant; and an idealistic young speechwriter. Like Mike, they are all professionally capable but personally challenged.
Justice is an NBC half-hour drama television series about attorneys of the Legal Aid Society of New York, which aired from April 8, 1954 to March 25, 1956. In the 1954-1955 season, Justice starred Dane Clark as Richard Adams and Gary Merrill as Jason Tyler. In the 1955-1956 season, William Prince replaced Clark in the role of Richard Adams. Westbrook Van Voorhis was the series narrator.
During the Suez Crisis of 1956, two young clerks at the stuffy Foreign Office in Whitehall display little interest in the decline of the British Empire. To their eyes, it can hardly compete with girls, rock music, and the intrigue of romantic entanglements.
The exploits of a group of men and women who serve the City of New York as police officers, firemen, and paramedics, all working the same fictional 55th precinct during the 3pm to 11pm shift - the 'Third Watch'.
Molly Dodd — a mid-30s, divorced woman living in New York — faces the comedy and drama of a widely changing career, difficulties of apartment living, love life and its consequences, and more.