The murder of a young boy in a small coastal town brings a media frenzy, which threatens to tear the community apart.
A gripping anthological relationship thriller series exploring the emotional fallout of a child's abduction not only on the family but on the wider community, told over two time frames.
In-ha and Ha-myeong become reporters for different reasons: one aspires to follow in her mother's footsteps and the other seeks to do honest news.
Adaptation of Denise Mina's thriller set in 1982. When the story of a murder has huge implications for her family, newspaper copy boy Paddy Meehan battles prejudices to get to the truth. As she inches closer to revealing the truth, her investigations place her in mortal danger.
Gary Hobson thinks he may even be losing his mind when tomorrow's newspaper mysteriously arrives today giving him a disconcerting look into the future. What will he do with tomorrow's news?
Working from his home in a converted windmill, Jonathan Creek is a magician with a natural ability for solving puzzles. He soon puts this ability to the use of solving impossible crimes and mysterious murders.
Urban Angel is a Canadian television drama series, which aired on CBC Television from 1991 to 1993. Based on the memoirs of real-life Canadian journalist Victor Malarek, the show starred Louis Ferreira as Victor Torres, a crusading journalist for the Montreal Tribune. The series aired in the United States as part of CBS's late-night Crimetime After Primetime line up. The show's cast also included Vittorio Rossi, Dorothée Berryman, Vlasta Vrana, Ellen David, Dean Marshall, Michael Rudder, Macha Grenon and Sophie Lorain.
Peter Verås is an uncompromising journalist in the most respected newspaper in Norway. He makes his life’s biggest mistake when he gets hold of evidence of a financial fraud from an anonymous source. It turns out the evidence points to his own brother. As he still pursues and the story breaks, the brother commits suicide. Peter tries to track down the anonymous source, only to discover that the source was the brother himself. A search for the truth has commenced that involves media, high – ranked politicians as well as the financial elite. The closer he gets to the truth, the more dangerous it becomes for him and his brother’s family.
Audacious entrepreneur or con artist? A journalist chases down the story of Anna Delvey, who convinced New York's elite she was a German heiress.
Fragile tells the story of two diametrically opposite families: the wealthy, influential Bachands, and the salt-of-the-earth Coutures. It’s also the story of an unlikely friendship, that of Dominic Couture (Pier-Luc Funk) and Félix Bachand (Marc-André Grondin). The pair’s mysterious death sends shock waves through their families and community, exposing jealously guarded secrets, dangerous liaisons, and hidden agendas.
Deadline is a television series which was shown on NBC in the 2000–2001 season. It starred Oliver Platt as Wallace Benton, who worked for the fictional New York Ledger. This was a daily newspaper which was seen in many episodes of Law & Order.
There is not only fresh air in Black Lake, there are also very mysterious things happening there... Valérie, a police officer from town, arrives with her son Dave to assist Adrien, the chief of police of a small village whose partner has been missing for 3 weeks.
Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.
A story about Emīlija Benjamiņa, the “queen of the press” in interwar Latvia, whose wealth and tragic fate have since become folklore. The film’s narrative covers the period from the beginnings of Emīlija’s magazine Atpūta (Recreation), to her arrest and slow demise in a train en route to Siberia. The most prominent clairvoyant of the time - Eugene Fink’s prophecy that Emīlija would die from starvation in a foreign land (which served to be true) weaves through the narrative as a red thread. With this strong woman at the centre of the story, the film shows Latvian society in all its richness and gives the audience the opportunity to meet many well-known historical figures.
A terrible child kidnapping incident takes place in a mansion complex, where only the top 1% of the most luxurious population reside. With no time to be shocked, the child returns dead and the killer is unknown. However, this incident was just the start of a tragedy. While the crowd is hiding the truth, there are some who start to reveal the twisted hypocrisy and ugly secret inside the mansion.
With humour and compassion, Annie et ses hommes shows us the ups and downs of a modern family, focusing on the emotions and experiences of a woman in her forties. This dramatic comedy is a subtle portrait of a singular woman, Annie, and her clan. It’s a thought-provoking exploration of family life.
Nathalie Lapointe is in her early forties, a single mother of three with a successful career as columnist at a major newspaper. Just as she’s starting to think she might be able to pay more attention to her own needs, she gets terrible news: the cancer from which she recovered two years previously is back. How can she break the news to her kids? How can the family plan for the future with this sword of Damocles hanging over them? Despite the shock, life goes on. Nathalie must cope with evolving circumstances at the paper as well as at home. She wonders if she can allow herself to fall in love with her daughters’ school principal. As for her children, they must deal with their own teenage life challenges, all the while knowing that their mother may soon be gone. Nathalie’s best friend and neighbor is particularly hard-hit by the news: she’s already suffering from her husband’s infidelity and from the absence of her son, who is overseas. Nathalie’s misfortune also has a powerful effect on her three siblings. They must re-think their priorities at a time when all three are facing crucial choices in their emotional and professional lives. For Nathalie’s parents Janine and Gérard, her illness makes no sense. How do you face the very real possibility that your child will die before you?
Marie Lamontagne, a widowed mother of two in her forties, confesses to a murder she didn't commit to protect her daughter. Thrust into brutally unfamiliar and hostile surroundings, she first learns survival, then confronts the biggest challenge of her life: bonding with her fellow inmates and helping them take back control of their lives.
The story of families haunted, despite themselves, by a past that has not died.
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