Jett

Marie Lamontagne, a widowed mother of two in her forties, confesses to a murder she didn't commit to protect her daughter. Thrust into brutally unfamiliar and hostile surroundings, she first learns survival, then confronts the biggest challenge of her life: bonding with her fellow inmates and helping them take back control of their lives.

A comic action drama in which a veiled cultural asset thief 'Skunk' and an unofficial cultural asset recovery team 'Karma' unite against those who cannot be judged by the law.

A peaceful island turns into a prison, when a group of armed activists take the whole population of the quaint, isolated place off the coast of Brittany hostage one morning. They are highly organized – yet their motives remain a secret. Who are they? What do they want? Who can stop them? There’s only one thing Alpha, their leader, hasn’t taken into account: Five passengers of the shuttle that links the island to the mainland manage to escape and hide. As the islanders face this extraordinary, deadly situation, secrets surface, sources of conflict. But who among them will become a hero, a coward, or a traitor? Who is the stranger who returned after ten years of absence? Will Chris, Dorian, Kelly, Mado, Alex, and the others succeed in thwarting Operation Ocean Storm? Will Candice find the love of her life? And are the goals of the activists really as bad as their actions make it seem?

With his ill father medical bills piling up, a cash-stapped banker devises an elaborate scheme to steal one cent from every customer's account.

An honest lawyer reaches a moral crossroads after the cops force her to inform on her incarcerated brother, the leader of a rising criminal faction.

Two nefarious schemes taking place 10 years apart entangle a dauntless triad member, who must break out of prison to rescue a loved one.

Cha Su-yeol, a police officer who has long despised his mother, the notorious 'Mantis' serial killer, must reluctantly turn to her for help when a copycat killer emerges.

Colditz is a British television series co-produced by the BBC and Universal Studios and screened between 1972 and 1974. The series deals with Allied prisoners of war imprisoned at the supposedly escape-proof Colditz Castle when designated Oflag IV-C during World War II, and their many attempts to escape captivity, as well as the relationships formed between the various nationalities and their German captors.

Though Bobby Stevens appears to be a regular family man with a nine-to-five job, he's actually an expert thief who is seeking a few last big jobs so he can finally leave the business for a comfortable, lawful lifestyle with his wife, Hope, and their two children. While they never discuss Bobby's illegal pursuits, Hope is growing weary of turning a blind eye.

Nick Atwater, the leader of a robbery crew, is balancing his personal life with the planning of a major heist while being targeted by a relentless cop and the Chinese mafia.

A motley group of London con artists pull of a series of daring and intricate stings.

A crime she committed in her youthful past sends Piper Chapman to a women's prison, where she trades her comfortable New York life for one of unexpected camaraderie and conflict in an eccentric group of fellow inmates.

Four young people have been arrested for crimes they did not commit. When one of them learns that his daughter is in a critical condition because of an incurable heart ailment, he decides to break out of the jail. He is joined by three other prisoners who also decide to break out of jail. Although their motives and backgrounds are different, all of them are innocent and there are reasons why they cannot wait till their release. They have to get out of jail as soon as they can. So they band together and begin to plan their escape in order to accomplish their goals. Bound for Tokyo, they have to overcome frequent challenges for the sake of their families and loved ones.

Fate led Bell, an unfortunate young woman, into prison, where she had to struggle for survival alone, without hope. That was until Claire, a mysterious female inmate, appeared to help her. And from that moment on... the encounter between these two souls began to fill this dark and desolate place with a small glimmer of light, one that gradually grew into love.

Lupin III, a bored junior high schooler in Tokyo, takes an interest in a young Daisuke Jigen, a mysterious and impressive marksman. After striking up a conversation with Jigen at a nightclub, the latter concludes that Lupin is simply a privileged and naïve boy from a well-to-do family and doesn’t want anything to do with him. However, while helping the nightclub singer Yoko, who is being pursued by the yakuza, Jigen learns that Lupin is the grandson of a legendary thief…

Two high-class thieves caught red-handed strike a deal with the FBI to avoid imprisonment: put their skills at the service of an inter-agency task force whose mission is to recover missing and stolen government property.

The six-part series opens with a daring diamond heist before quickly delving into the dark heart of Europe where a shadowy alliance of gangsters and 'banksters' now rules. Naomi is the British loss adjustor charged with recovering the stolen diamonds whatever the cost. Also in pursuit is French-Algerian policeman Khalil.

Searching for his kidnapped daughter, Antonio sets off a series of events affecting scores of people when he maneuvers to be sent to prison in Colombia.

Caught in a prison riot, a human rights lawyer poses as an inmate to survive. As he blends in, chaos and personal loss unveil the darkness within him.

Made in Britain is a 1983 British television play written by David Leland, and directed by Alan Clarke, about a 16-year-old racist skinhead named Trevor, and his constant confrontations with authority figures. It was originally broadcast on ITV on 10 July 1983 as the fourth in an untitled series of works by Leland, all loosely based around the British educational system, which subsequently acquired the overall title of Tales Out of School. As with many Alan Clarke works, the director attempts to depict English working-class life, realistically without moralising or complex plots. The play features strong language, violence, racism and an anti-establishment feeling. Cinematographer Chris Menges's use of the Steadicam contributed to the fluid and gritty atmosphere of the play.