The story of Israel's first fifty years of statehood, TKUMA brings to the screen the tragedies and joyful milestones of Israel's first half century: the ingathering of the exiles as the fledgling state becomes a haven for Jews around the word. Dramatic, personal accounts and documentary footage of the wars fought over five decades, along with rare behind-the-scenes insights into Israel's efforts to make peace. Who is a Jew Israel wrestles with its national identity. Israel's economic revolution takes the country from the orange to the computer chip in a few years. The people, the places, the spirit of Israel in its first fifty years.
Pillar of Fire focuses on the History of Zionism, beginning in 1896, in the wake of Theodor Herzl's revival of the concept of Jewish nationalism and continues to follow the Jewish People in the 20th century, the early stages of Zionism, followed by the waves of Aliyah prior to the founding of Israel, the Revival of the Hebrew language, the Ottoman Empire's rule in over the Land of Israel, the British Mandate, Anti-Semitism in Europe, the rise of Nazism and The Holocaust, the history of the Yishuv, the Jewish struggle for independence, and ends in 1948, with the Israeli Declaration of Independence.
Azize finds herself with her 3 children and mother-in-law in a difficult fight. She raises her children while fighting the difficulties of the war period and her husband's absence whom she loves more than anything. It's about war, love, greed, treason and sacrifice.
Gritos de Muerte y Libertad
Michael Portillo charts the War of Independence in Ireland, following the journey from the Peace Conference in Versailles to the historic ceasefire in 1921.
Amid the stark discord of twin cities Piltover and Zaun, two sisters fight on rival sides of a war between magic technologies and clashing convictions.
Afrique(s), une autre histoire du XXème siècle
Documentary from 1976 about the Indonesian struggle for independence. Unique archive footage and interviews with former vice-president Mahammed Hatta (the only existing interview with him on film), journalist/writer Johan Fabricius, the physician dr. Abu Hafina, the nationalist youth leader Roelan Abgulgani, dr. P. J. Koets, at the time political adviser of the Lt. Governor-General, the Indonesian generals Nasution and Simaupang, and the planter couple Marsman.
Ο επισκέπτης της ομίχλης
The series revolves around the two brothers Hafez and Shawqi, the sons of Haj Radwan, whose life paths are completely different, while Shawky indulges in the life of fun and luxury, his brother Hafez is busy working in trade with his father, and begins signs of conflict between them on several levels, and at the same time Hafez marries Dolat, and Shawky from Zainab, to ignite the ground of a new conflict.
Copenhagen thirtysomethings Nikolaj and Julie struggle with marriage, baby and work, plus friends of varying maturity.
Karrusel
Γιούγκερμαν
This thriller and coming-of-age drama follows the journey of an extraordinary young girl as she evades the relentless pursuit of an off-book CIA agent and tries to unearth the truth behind who she is. Based on the 2011 Joe Wright film.
会有天使替我爱你
Din is a good-natured orphan boy raised in a Buddhist temple. Apichat, a businessman, likes Din’s character and invites him to work at his company with Sai, Din’s female friend. Apichat wants to give his son and daughter, Akanee and Fahsai, life lessons, so he assigns a new project to four of them to invent a new lot of furniture promising a rocket sale. Fahsai starts to fall for Din during the challenge.
A North Holland amateur soccer team (Swiftboys 8) consists of boys who since childhood enjoy the game itself -only gay captain Bram, a lawyer, takes the trouble to spend time on official club business- less then the camaraderie as none has the making of anything resembling a star player, to put it kindly, so they usually end their season by demotion. The point is having fun on the field, in the locker-room, in the canteen, and whenever something happens in one's life one or more of the others are likely to get involved, which also goes for some players' female partners, while male bonding seems only to stimulate their flirtatious lust. The chairman is a cigar-smoking fat rat, who intends to exploit the various teams using his infrastructure, and comes to employ as barmaid ex-con Nadja, a red-hair harpy nevertheless considered sexy by most straight boys.
It sounds like the rehash version of William Shakespeare’s “The Taming of the Shrew” where the main girl must marry first before her younger sister can. It’s a romantic comedy. The same concept goes for Noon Woranuch and Vee Veeraphap’s upcoming lakorn “Sentai…Salai Soht (A deadline….to end being single)” for Ch7. Noon is playing a woman by the name of “Fah”, she has a younger sister who wants to get marry, but the main rule in their family is that Fah (being the eldest sister) must marry first before her younger sister can. Fah also has a pestering mother who badly wants her to get marry. Her mother even resorts to trickrey in order to do so, she lies to Fah that she dying and begged Fah to find a husband within 2 months. For the sake of her ‘ailing’ mother, Fah uses her talent as the head of the creative department in her company to find a husband. You can guess that Vee is playing the guy that Noon must snatch up to marry.
The Story of a Thai fold hero, but few people have a folk hero these days. This drama takes place in a time when money was scarce ..and when the culture is about to be swallowed by globalization. They still stand by their love and pride in the culture of Thailand! Because that is what their parents and grandparents did.
Irina is a poor Thai-Russian girl. Jetrin is a Thai diplomat who meets Irina while he's in Russia. His mother wants him to marry the girl she chose, but he's against it, so he offers Irina a fake marriage. She accepts it because she's in trouble with the Russian mafia and wants to get away from them. They get married and he takes her to Thailand.