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Masaharu "Masaji" Tachibana was a brilliant programmer who got burnt out and suddenly stopped showing up to work. He now lives at home with his parents and spends his time sleeping and playing video games. He only ventures out of his room to visit the local convenience store for more energy drinks and snacks, until one day he learns that his parents have decided to build a "2.5 family" house with his sister and her family joining them. Masaji is forced to acclimate and with the change of environment begins to venture out of his room and his own head.

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Xiao Wen and Su Xi took an instant dislike to each other, but soon discovered they’re actually similar people in their bones, with similar fears. Xiao Wen's company hasn’t paid her salary for half a year. Her father has found a new partner, Zhu Yun, just six months after her mother’s fatal car accident. Her mother had called her, which she ignored, causing her mother to go directly to her grandmother's house where she got into the accident. Su Xi is a highly- strung perfectionist. Her parents' divorce made her feel rejected by her mother, and pity for her father who had been the one abandoned. Su Xi has always endured the scumbag and pursued a perfect life attitude. The encounters between the two girls at this life intersection, progress from loathing to understanding, to finally supporting one another.

After losing a project bid, locomotive designer Lin Zhenyi faces failure when her leadership role is taken over by Tan Qingchuan, an overseas returnee. As they work together, Lin Zhenyi learns from Tan and his assistant Jian Aixing’s approach, gaining insight into her own shortcomings. She uses this newfound knowledge to succeed in her next project while navigating romantic pursuits from both Tan Qingchuan and her new neighbor, Li Yanfeng, a research test pilot.

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Following a chance encounter overseas, a woman with much to lose and a man with little to his name meet again as employer and employee.

The young girl Saori beats all other applicants and is hired as a nanny for arrogant superstar Su Dahao. But what nobody knows is that she is actually a robot. Dahao continuously tries to make her leave but fails at every attempt. Things turn complicated when he eventually develops feelings for Saori.

Wong Tin (Adam Cheng) is a wealthy businessman in Hong Kong. Although he is honest and righteous, he is framed by a business rival. Pau Man-lung (Ekin Cheng) is a ICAC agent tasked with investigating the case. Mutual respect soon develops among Wong Tin and Man-lung. After Man-lung loses his job, he start to work under Wong Tin with his best friend Poon Long-ching (Roger Kwok). Although Wong Tin is a successful businessman, his personal life is not in good shape. He is divorced and his eldest daughter Wong Lui (Amy Kwok) resents him. Wong Lui develop feelings for Man-lung after her mother died in a car crash. However, Man-lung had already fallen in love with Lam Ching-lit (Adia Chan).

Morimura Tomomi is a housewife scorned by her husband and two sons, and yet she continues to protect the family. On her 46th birthday, she leaves home in disgust and embarks on a 1,200 km journey. It is Tomomi’s first time driving onto the highway and she speeds along to the west. On the road, she encounters a series of traumatising episodes. She detects her husband’s affair, is faced with a truck driver who mistakes her for a prostitute housewife, and finally her car gets stolen. While Tomomi is at a loss, a good-looking young man and an elderly person give her a ride, and she arrives in Nagasaki. As she meets various people in this town which was once transformed into a wasteland because of the atomic bomb, she becomes aware of a “wilderness” within her and starts to explore the path to rebirth

Tamahiko Shima has been exiled to the country because of his disability, but the sudden arrival of an arranged bride upends his lonely life.

That Peter Kay Thing is a series of six spoof documentaries shown on Channel 4 in January 1999. Set in and around Bolton, these follows the lives of different characters and stars Peter Kay as the subject of each documentary. All of the episodes display Kay's penchant for nostalgic humour and unsympathetic lead characters. The series was narrated by Andrew Sachs. Many of the plot lines were based around actual events from Kay's life. At least six of the characters appear in the spin-off series Peter Kay's Phoenix Nights.

The Games was an Australian mockumentary television series about the 2000 Summer Olympics in Sydney. The series was originally broadcast on the ABC and had two seasons of 13 episodes each, the first in 1998 and the second in 2000. 'The Games' starred satirists John Clarke and Bryan Dawe along with Australian comedian Gina Riley and actor Nicholas Bell. It was written by John Clarke and Ross Stevenson. The series centred on the Sydney Organising Committee for the Olympic Games and satirised corruption and cronyism in the Olympic movement, bureaucratic ineptness in the New South Wales public service, and unethical behaviour within politics and the media. An unusual feature of the show was that the characters shared the same name as the actors who played them, to enhance the illusion of a documentary on the Sydney Games.

Yurie is just an ordinary middle school girl in the 1980's - until overnight she finds out that she is a Kami, or God, in the Shinto sense. When Yurie announces this fact to her best friend Mitsue, their classmate Mitsuri takes advantage of Yurie's new divinity to revitalize her family's dying shrine. Yurie is nicknamed Kamichu and now must go on with her godly duties while going to school and winning the heart of her crush, Kenji, while Mitsuri tries to replace her old shrine god Yashima with her.

Set in 1960-1970 New York, this sexy, stylized and provocative drama follows the lives of the ruthlessly competitive men and women of Madison Avenue advertising.

Executive Stress is a British sitcom that aired on ITV from 1986 to 1988. Produced by Thames Television, it first aired on 20 October 1986. After three series, the last episode aired on 27 December 1988. Written by George Layton, Executive Stress stars Penelope Keith as Caroline Fairchild, a middle-aged woman who decides to go back to work. Her husband, Donald, is played by Geoffrey Palmer in the first series. However, Palmer was unable to return for the second series, so Peter Bowles played Donald in the last two series. Keith and Bowles had previously appeared in together in To the Manor Born.

The story follows a group of high school girls who are in the 'Going-Home Club'. Instead of doing regular club activities, the 'Going-Home Club' is dedicated to having as much fun as possible, by doing such things as playing video games or even simply feeding pigeons in the park.

Set in Beijing in the 1970s, this drama tells an inspirational story of how a group of young people grew up, chased their dreams and struggled in their life. The leading male character went through a lot together with his friends. They took the college entrance examination, went into business, started their own business, went abroad and entered politics. In this process, they supported each other all the time and found the meaning of struggle. The female characters in the play also experienced the ups and downs in life, and their destinies were closely intertwined. By depicting the transformation and growth of these characters against the backdrop of reform and opening up, the play presents the rapid development of the country, interprets the precious friendship and love between people, and encourages people to work hard with a positive attitude.

Hotshot Nagase Saichi is Tosaka Real Estate’s top realtor. He lies through his teeth and will stop at nothing to seal a deal. One day, he disturbs a monument located at a construction site. Cursed with the inability to tell a lie, he is forced to run his mouth off with things that are better left unsaid. With so many angry clients, he's got no hope of surviving as an honest realtor.

Story of two best friends Lu Ke and Shen Si Yi, who has contrasting personalities but are each other's closest friends. Their relationship broke down during graduation but nine years later they meet and reconcile. The two encouraged each other, faced difficulties, and overcome the setbacks in work and life together.

Hiroko Matsukata’s determined to work her way to the top, and at only 28, she’s now an editor at Jidai Weekly. But she’s had to dedicate her life to work while suppressing her feminine character traits to blend in with her uncouth male coworkers.