Tayls and Cate, two paramedics with strikingly different personalities, ride together to save people from life-threatening and sometimes bizarre medical emergencies, while figuring out their attraction for each other along the way.
A four-star general begrudgingly teams up with an eccentric scientist to get the U.S. military's newest agency — Space Force — ready for lift-off.
30-year-old single Mary Richards moves to Minneapolis to start a new life after a romantic break-up. There she reacquaints with Phyllis who rents her a room, and meets her upstairs neighbor and new best friend Rhoda. Mary unexpectedly lands a job as associate producer at the TV station WJM, where she works alongside her bristly boss, Lou; the comical newswriter, Murray; and the newscast's often-incompetent anchor, Ted.
A long-running dramedy centering on the Winslow family, a middle-class African American family living in Chicago, and their pesky next-door neighbor, ultra-nerd Steve Urkel. A spin-off of Perfect Strangers.
Hi-de-Hi! is a British sitcom set in Maplins, a fictional holiday camp, during 1959 and 1960, and was written by Jimmy Perry and David Croft, who also wrote Dad's Army and It Ain't Half Hot Mum amongst others. It aired on the BBC from 1980 to 1988. The series revolved around the lives of the camp's management and entertainers, most of them struggling actors or has-beens. The inspiration was the experience of writers Perry and Croft: after being demobilised from the army, Perry was a Redcoat at Butlin's, Pwllheli during the holiday season. The series gained large audiences and won a BAFTA as Best Comedy Series in 1984. In 2004, it came 40th in Britain's Best Sitcom and in a 2008 poll on Channel 4, 'Hi-de-Hi!" was voted the 35th most popular comedy catchphrase.
夢をかなえるゾウ
An office story about the Why Not Communications marketing team who have more time for rumors and relationships than work and promotions.
Set at a boutique New York ad agency where generational divides see the established C-Suite and rising Gen Z employees collide. After a company decision spirals out of control, the agency's reigning executives are pushed out and the Z-Suite employees are suddenly put in charge, ultimately testing both generations' skills and patience.
A London talent agency’s employees must scramble to keep their star clients happy and their business afloat after the sudden death of their founder.
An earnest young feminist joins forces with a low-rent publisher to make the world's first erotic magazine for women.
Brody, a young hot-shot banker at Whitestone Trust, thought he was just having a one-night stand with Jennifer, a beautiful woman he met at a bar. But when he discovers that she works in maintenance for the building where he works, their worlds begin to collide in the most unexpected way. Facing Brody’s critical boss, Mr. Mansfield, as well as annoyed colleagues, the pair must find a way to deal with their growing feelings for each other in this modern take on Romeo & Juliet.
Take a Letter, Mr. Jones was a short-lived British sitcom from Southern Television starring John Inman and Rula Lenska which aired in 1981.
Whoops Apocalypse is a six-part 1982 British sitcom by Andrew Marshall and David Renwick, made by London Weekend Television for ITV. Marshall and Renwick later reworked the concept as a 1986 film of the same name from ITC Entertainment, with almost completely different characters and plot, although one or two of the original actors returned in different roles. The series has a big cult audience, and copies of videos are heavily sought after. The British budget label Channel 5 Video released a compilation cassette of all six episodes edited together into one 137-minute chunk in 1987. In 2010 Network DVD released both the complete, unedited series and the movie on a 2-DVD set entitled Whoops Apocalypse: The Complete Apocalypse.. John Otway also recorded a song called "Whoops Apocalypse", which was used as the theme song for the film. He occasionally performs it live.
Barney Miller is an American situation comedy television series set in a New York City police station in Greenwich Village. The series originally was broadcast from January 23, 1975 to May 20, 1982 on ABC. It was created by Danny Arnold and Theodore J. Flicker. Noam Pitlik directed the majority of the episodes.
Nightmare boss. Tedious colleagues. Pointless tasks. Welcome to Wernham Hogg. Fancy a tea break with David Brent? Classic comedy from the archive.
Operation Good Guys is a British mockumentary, a fly-on-the-wall documentary series about an elite police unit's bid to snare one of Britain's most powerful crime lords.Blurring the line between fact and fiction, it witnesses, on camera, the total breakdown, professionally and personally, of the Operation Good Guys team. Throughout the operation, The 'Good Guys' have an unfortunate habit of embroiling into their calamitous world some of the country's best-known celebrities, from actors and footballers, to TV presenters and even the odd ex-convict.
Drew is an assistant director of personnel in a Cleveland department store and he has been stuck there for ten years. Other than fighting with co-worker Mimi, his hobbies include drinking beer and not being able to get dates. To make a few extra bucks he has a micro-brewery going in his garage with his buddies.
Claude Casey moved up in the secretarial world of television news, from temp to the anchor's desk. After her boss hires her full time, Claude realizes she may be in over her head in this world of assistants fighting to get ahead. But Claude is determined to prove that though she may not be perfect, she's not going down without a fight.
The story about a blue-collar Boston bar run by former sports star Sam Malone and the quirky and wonderful people who worked and drank there.
Good Times is an American sitcom that originally aired from February 8, 1974, until August 1, 1979, on the CBS television network. It was created by Eric Monte and Mike Evans, and developed by Norman Lear, the series' primary executive producer. Good Times is a spin-off of Maude, which is itself a spin-off of All in the Family along with The Jeffersons. The series is set in Chicago. The first two seasons were taped at CBS Television City in Hollywood. In the fall of 1975, the show moved to Metromedia Square, where Norman Lear's own production company was housed.