Olympic Park 2030, Saving the Country

In the near future, during a relentless summer break and with a solar eclipse approaching, 12-year-old Bego struggles to find her place within her family and among girls of her age. As the moon seems to eclipse the animals and people around her, she meets REN__, an online friend, who introduces her to “shifting” – a practice where teens believe they can enter other realities through lucid dreaming.

Lionel agrees to travel with his estranged father to visit his sister in France, a simple road trip becomes a turbulent reckoning amid unknown roads and unspoken memories.

A man takes a stroll in the city!

Soram visits her aging grandmother, who prepares dinner while struggling to breathe. Years later, after leaving home and taking on housework for the first time, she begins to understand the weight of "domestic labor." Reflecting on the invisible work carried by her mother and grandmother for decades, she questions how housework is divided, valued, and gendered. Through conversations with friends and care workers, she discovers the reality of domestic labor: essential to sustaining life, yet still unequally distributed.

A typical wedding morning. The groom wakes from a restless sleep, looks around, and calms down. The bride wakes with him, and they chat and kiss. The groom admires his bride, strokes her shoulder, and suddenly realizes that his right hand has frozen in an inappropriate gesture. He hides this from his bride so as not to upset her, and tries to resolve it during the wedding day, discreetly, without his beloved's knowledge. But no matter what he does, nothing helps until he runs to the park, where he accidentally knocks coffee out of the hand of a passerby. In desperation, he's ready to tell her his shameful secret, and lo and behold! Her hand unclenches. He joyfully rushes to the registry office. In the wedding hall, everything goes according to plan until the moment arrives to say "I do!" and the hand treacherously clenches again.

The sixteenth night of G1 Climax 36 took place on August 12, 2026, at Act City Hamamatsu in Hamamatsu, Shizuoka, Japan, and was headlined by an A Block match between Konosuke Takeshita and Ryohei Oiwa.

When “Sea,” a trainee artist who is about to debut, turns out to have a personality that the label doesn’t like, she is sent to a makeover program with “Perth,” an expert at turning aspiring artists into stars with great taste.

Struggling with the decision of whether or not to bring a child into the world, Annie and her husband Aaron become instant co-parents when their newly-divorced friend moves into their home with her 4-year-old. An ensemble comedy drama about the journey to parenthood... or not.

Bahman and Yahya, who are in prison, plan to commit the biggest robbery of their lives.

In this candid and clever stand-up special, Kelsey Cook explores "hangxiety," relives a plane bathroom nightmare and breaks down dating a literal Chad.

Haunted by visions of the future. Vilified by the political establishment. Charming beyond belief. Behold the dazzling ascent of Brian Mulroney, the “Boy from Baie-Comeau” who built a brand-new Canada.

Veteran filmmaker Mary Stephen digs into her own family past to uncover the long-hidden origins of her Western surname, revealing a story of culture shock, colonialism, and contested remembrance.

Language of Uiju

A Vietnamese–Thai wedding twisted into haunting and disturbing rituals. Inspired by a real massacre within a mysterious Thai family, Cô Dâu Ma follows Yến as she becomes a bride in Thailand for the first time—only to uncover terrifying secrets and horrifying rites awaiting her.

Daredevil. Rebel. Powerhouse. At 39, Yuja Wang stands among the most electrifying musicians of our time and she is falling out of love with the music. In Yuja, acclaimed filmmaker Lorna Tucker crafts an immersive portrait of an artist in flux. With unprecedented access, the film weaves together performance, memory, and reconstruction to explore the forces that shape Yuja, and the woman she is still becoming.

Cicatrizes I

Based on the book *Elis e Eu: 11 anos, 6 meses e 19 dias com minha mãe* (Elis and I: 11 Years, 6 Months, and 19 Days with My Mother) by João Marcello Bôscoli, the film seeks to deconstruct the myth and reveal Elis as a woman, mother, and professional.