Filmed over 25 years, acclaimed photographer Alessandra Sanguinetti traces the lives of two inseparable cousins in the Argentine farmlands, beginning as a childhood game of fantasy and evolving into a profound collaborative study of time, memory, and womanhood.

The fourteenth night of G1 Climax 36 took place on August 9, 2026, at G Messe Gunma in Takasaki, Gunma, Japan, and was headlined by an A Block match between Shingo Takagi and Yuto-Ice.

William JOSÉ unwittingly attracts vultures. Disgusted, he hitches his belongings to a trailer and sets off, but an accident interrupts his escape. Unable to continue his journey, he must confront the beasts pursuing him in a tumultuous and revealing conflict.

In their small town, everyone believes that meeting chimney sweep Clare Ridley brings good luck—her friend Ashley, in particular, is convinced of this. Clare does indeed bring good luck when she pulls architect Josh Harding—with whom Clare had secretly been in love before he moved to New York—off the street just in the nick of time. He has now returned to help his widowed aunt Jessica. He asks Clare’s father, Daniel, who runs a small chimney and heating company, for his professional expertise regarding his aunt’s historic home. Clare has little desire to see Josh again, but her father needs the job.

Bill Fuller, originally from Ireland, is one of the most mysterious and influential music promoters of the 20th century. He had a Zelig-like ability to pop up at exactly the right time from the 1930s to the 70s. By the late 1950s he was one of the biggest music promoters in the world, handling acts such as Nina Simone, Patsy Cline, Carmel Quinn, Willy Nelson, Billie Holiday and Johnny Cash. At one point he owned 23 music venues including the iconic Fillmore West in San Francisco, The Electric Ballroom in Camden and Manhattan's City Centre Ballroom. What's known of Bill Fuller publicly is worthy of a documentary in itself but it's what he left unsaid that will astonish and surprise audiences until the end.

Over the past year, seven Neapolitan writers known as ‘I Nisidiani’ (Viola Ardone, Riccardo Brun, Maurizio de Giovanni, Daniela De Crescenzo, Antonio Menna, Valeria Parrella and Patrizia Rinaldi) have written a novel as part of a prison-based writing workshop which, amongst other things, changes both the authors and the young prisoners forever.

Eighteen-year-old Joe is caught in an emotional storm of identity, sexuality, and expectation. This crisis rips the heart out of a world that once seemed simply, now torn between the pressures imposed by a traditional working-class family and labels imposed by friendships groups and individuals. Joe embarks on a journey of discovery and introspection that threatens to destroy a family, a community, and ultimately a life.

Two synthetic entities play a game of exterminating humans, monitoring the progress of their plan via a network of surveillance cameras. Everything seems to be going according to plan, until a sudden uprising puts the mission at risk.

Iris and Ariel are 17-year-old twins, who live with their mother and older sister in an old house in the middle of a rocky island covered with molluscs and birds. The teenagers have grown up isolated from the mainland, in a sibling relationship that surpasses the limits of normal intimacy. The abrupt absence of their mother deeply wounds the three siblings, and Iris, moved by a strong need of separating herself from her brother, decides to go alone to the city for the first time.

Ten states. 10,825 miles. 123 theaters. In his latest feature The Last Picture Shows, filmmaker Rustin Thompson journeys into the American West on a search for traces of what was once a center of small-town life: the movie theater. On the trip, he finds long abandoned and forgotten cinemas; movie houses that have fallen into disrepair; theaters recently closed, theaters struggling to hold on, and theaters that—thanks to their thoughtful caretakers—are not only surviving but thriving. Between the stops along the way, Rustin poetically intersperses excerpts from Peter Bogdanovich’s 1971 classic film The Last Picture Show, as well as reflections on past and present hardships facing the film exhibition industry. The Last Picture Shows reminds viewers that even in vast cinema deserts, there are oases of community and gathering that remain, where the movie house continues to be a place of wonder, contemplation, and connection.

Ryan "Holli-wood" Holliger is a charismatic, pit bull of a man with six kids by five different women. His best friend AccRite is a rapper and laborer, dealing with an unimaginable loss. They have big dreams of making their own movie about fatherhood in their working class Missouri town. Over the course of one pivotal, madcap year, the film becomes something else entirely: a vehicle for accountability, healing and self discovery for their families.

At the Giza Pyramids, 14-year-old Saeed and his mother Ekram face the fate of their dying camel, Khufu.

In the sweltering heat of a Texas summer in 1974, Jim Estelle, head of the Texas Department of Corrections, plays a deadly game against the ruthless Federico Carrasco, a convicted heroin dealer who has taken over the Huntsville Penitentiary and holding dozens hostage after his pre-planned escape has gone awry. Lines between captor and captive, justice and survival, begin to blur as the siege spirals for eleven endless, terrifying days.

The film shows the work of Taida Butkiewicz-Gmerkowa, a doctor at Primary School No. 73 in Łódź.

Fabi, a housekeeper in Wisconsin, moves through her days balancing chores and a search for normalcy during a lonely, wintry holiday far from her home in Puerto Rico.

Estranged friends Daphne and Yinneli try to make amends one night over a weed-stuffed preroll, but their pleasant high turns into a wild nightmare when their drug dealer shows up with a gun and demands to be paid the rest of his money.

The lives of a young couple change as Cassian is diagnosed with stage 3 cancer.

Unable to accept her lover's suicide, a woman refuses to believe he is gone. She dismembers his body and insists he was murdered. Yet the world remains haunted by his presence. As she forms a strange communion with his scattered body, fragments of their shared past resurface. Reality, memory, and dreams gradually dissolve into one another, blurring the boundaries between grief and truth.