When the leader of an isolated and elitist society goes missing, the remaining residents are left with his responsibilities, and his prisoners, trapped in the vacuum of immense desolation.

Decadencia

Forms of the universe, rocky landscapes, and a green and lush human-made city. It originates from a dream I had; it is both mine and from a traveler aboard a spaceship. The dream and traveler belong within the universe of my film Fractais Tropicais. Here, the hopeful and utopian human-centric imaginary of space travel and the future, filled with surveillance, control, and illusions, all fleeting like the images a dream can contain.

C'est ici que l'on meurt

Kristofers un divu pasauļu atslēga

ALEA IACTA EST

A strange woman attempts an extremely unorthodox escape method during a home intrusion.

Apuntes para una ficción consentida

The Artek International Children's Center has always been a land of sunshine and loud laughter, but these camps will be special. While an obsessed astronomy professor scours the surrounding area in search of a fallen meteorite for long-awaited glory, inexplicable things begin to happen at the camp. One by one, the most active children turn into "shadows": they lose interest in games, friends, and life, sinking into a frightening apathy. A group of teenagers uncovers an incredible truth: aliens are lurking within the camp, literally draining the children of their joy and happiest memories.

An accountant struggles with his job as his headspace and self-perception begin to slip and his work and personal lives collide.

“Life passes through films.” In this deeply intimate documentary, Quebec filmmaker André-Line Beauparlant turns the camera on her own life to better understand the work and the existence of her partner, filmmaker Robert Morin. As the image — composed of film excerpts, behind-the-scenes footage, conversations, and personal archives — reveals both the inner workings and the hidden underside of their collaboration in cinema and in life, the narration unfolds as a dual biography, reflecting on love, obsession, the passage of time, and death. Guided by a profound desire to truly encounter the other, Mon amour, c’est pour le restant de mes jours is a love letter, a diary of everyday life, and a resolutely feminist proposition: one that envisions creation as a plural, shared act.

A continuously running installation of two video monitors on pedestals, overlooked by a green Kit-Cat clock. A small and large monitor display two different video collages of footage from the Emerald Square Mall and the strike during its 1989 construction with interferences of Channel J's Emerald City TV (1976-1979): the self-proclaimed "world’s first television show for gay men and women", Huge Video's Heat in the Night (1989), Genet's Un Chant D'Amour (1950), cigarette commercials, The Wizard of Oz, and a performance of a mylar-clad figure wrapping up the television in videotape.

A sweeping yet intimate journey across a planet in flux. Moving from the sinking shores of North Carolina’s Outer Banks to the windswept deserts of Mongolia, from the subterranean dwellings of Coober Pedy in Australia to the thawing coasts of Greenland, the film enters the “rooms” of our shared global home. In each place, lives unfold at the fault lines of change: a family planting trees against encroaching sand, communities building underground to escape relentless heat, fishers navigating uncertain waters.

Mr Cranberry, stuck in a monotonous time-loop does the same things day in and day out. However, this normality does not persist, as someone with unclear intentions also seems to be trapped in this time prison unbeknownst to Cranberry, and they are much closer than he realises.

A young *special* student discovers he can read minds, what happens next is shocking (very scary)

Orion and Lio are working as sex workers when a violent argument breaks out between them, but in a world plunged into chaos, Orion realizes that Lio is more precious than anything else and is willing to face anything to find their friend.

Two journalists head to the Pont Neuf, the oldest bridge in Paris, to interview young people about how often they frequent this place and what motivates them to go there.

New cartoon by Anna Volochkova and Maria Piskunova.