Taratata - Hommage spécial à Catherine Ringer

A couple receives a visit from a young man who begins to clean their apartment but, as doubt and desire take over, new dynamics soon emerge.

Hurry

Gilisauna

In Kyiv during wartime, four Ukrainians who exist outside the expected image of Slavic identity reflect on belonging, culture, and home. Built from audio interviews and accompanying visuals, the film weaves their voices into a fragmented portrait of identity shaped by language, memory, and place. Framed by the recurring motif of the “deep plate” —a linguistic substitute for a word that does not exist in Ukrainian—the film explores cultural absence, adaptation, and the experience of mixed heritage. As war reshapes both the city and the self, their stories reveal identity as something fluid, layered, and continually redefined.

A concert film and documentary capturing Zoé's six sold-out nights at the Estadio GNP Seguros in Mexico City. Directed by Rodrigo Guardiola, the movie brings the band's musical journey to the big screen, blending live performances of 27 iconic songs with intimate behind-the-scenes footage, stage production details, and their deep connection with the audience.

侠气云天

Doing as they are told by their parents, young girls swear in front of a top university that someday they will be admitted to it. Through a child’s perspective, home videos that presumably remain in the memories of mothers and fathers wishing for their children’s happiness are ironically transformed into an archive revealing the egotism of parents and the social structures that lie behind it. Stitched together out of home videos from the filmmaker’s own childhood, is this film a black comedy or a child’s small act of revenge?

A boy sent by his school to Koh Kret for one day encounters a group of bullies.

#MeToo scolaire - Après Bétharram, ils brisent le silence

Tsen Siegel, a burnt out ex assassin for the world wide authoritarian corporation Zenshiro, is called to action by a strange voice in his dream. His journey will take him to the far corners of the world in search for redemption for his actions to try and save those he cares for most.

O Menino Que Carregava Água na Peneira

A depiction of people living in the same riverside area in different eras: 1952, 1983, and 1995. Through long takes with horizontal movement, the scenery unfolds through time like a painted scroll, and the images of a fish and a girl jumping into the river connect memories across eras. Quotations from “The Orchid Pavillion Preface” also serve to subtly evoke the eternal flow of time and the transience of human life.

The newest work by OBITANI Yuri, who has been making unique, experimental films in the Japanese personal filmmaking scene since the 1990s. “I” run into a man playing a toy piano in the street looking for “Tenten,” and then… Incorporating entirely first-person shots and sound images that can be described as the pronoun of the filmmaker, the film draws viewers into a strange everyday world. The long take of a road cutting across farmers’ fields is particularly striking.

A rarely told queer love story from Indian mythology on Ila and Sudyumna, a being whose identity shifts with the phases of the moon.

A documentary by Farhad Khodadadzade, Vlucht follows Noisia and their manager Walter as they set out to explore new possibilities for the future following the start of their farewell tour in 2020, while pursuing their shared interest in birdwatching.

A girl avoids doing her homework.

In the final months of World War II, 14-year-old Seita and his sister Setsuko are orphaned when their mother is killed during an air raid in Kobe, Japan. After a falling out with their aunt, they move into an abandoned bomb shelter. With no surviving relatives and their emergency rations depleted, Seita and Setsuko struggle to survive.