Overlooked follows Matt Iman as he returns home from a two-year LDS mission and begins navigating adulthood while living with Congenital Adrenal Hyperplasia (CAH), a rare genetic condition that leaves his body unable to produce cortisol. Though he appears healthy, every day is shaped by medication, emergency preparedness, and the constant risk of a life threatening adrenal crisis. Through intimate observational storytelling, the film offers a deeply personal look at life with an invisible illness while exploring resilience, family, and the invisible realities of living with a rare disease.

Finding love in a big city is very difficult. Open-air dance events, including zouk, bachata, and kizomba, are regularly held in downtown Yekaterinburg. People come here hoping to find a partner. How do women and men in the city's dance community find each other, how do they meet, and how do their first feelings develop? This is what our film explores.

70-year-old Larisa and 65-year-old Oleg are lonely members of an amateur "Theater of Honor" for the elderly, where neither is taken seriously. Larisa is denied roles and is made fun of, while Oleg also remains invisible to those around her. At some point, they notice each other, and a romantic connection develops between them, which may be their last attempt to escape their loneliness and feel needed.

One day, I found myself in the largest Chukotka village, Lorino, and filmed a short sketch about one of the residents of this amazing and difficult place. Seven years later, by a happy coincidence, I decided to recompile the footage and submitted it to a festival.

Svetlana wants to make peace with her brother, but all her efforts are thwarted by mutual resentment until a family tragedy gives them a chance for one last frank conversation.

In the Urals, on islands in the middle of a lake, lives the Petruk family, a large family. This is their home and their business. But their children are growing up, and their eldest daughter, Sonya, no longer wants to live in the forest. She's growing up and wants to study in the city. This summer, her parents will have to grow up too.

Without education or experience, acting intuitively, local residents in Yakutia are beginning to develop beekeeping. They are the world's northernmost beekeepers, cautiously checking their apiaries all summer long, delighted by the buzzing of bees. By autumn, these people have formed a beekeepers' association and are beginning to extract their first honey.

As Victoria’s Treaty process gathers momentum, a young Indigenous teenager, Amelia Austin, begins to locate herself within an intergenerational fight for sovereignty.

Kwak

Azulín y Rojín: la caja

In the peaceful kingdom of Umuani, where honor, integrity, and sacred traditions guide the people, the use of dark spiritual forces is strongly condemned. But when a powerful man rises through forbidden powers and tests the resolve of the entire kingdom, the very foundation of their way of life is threatened. As the people suffer under his influence, the king and elders come under immense pressure to restore honor and preserve their sacred traditions.

The story follows a spoiled, wealthy city girl who is counting down the days to a glamorous, supersonic 16th birthday party where she expects a car as a gift. Her world is turned completely upside down when she is unexpectedly tricked and sent to live in a village for her summer holidays. Forced onto a journey of humility, she must use her sassiness to bring redemption to the village and discover her true self.

Moi et l'Autre is an experimental short film exploring the shifting boundaries between the Self and the Other through a series of symbolic encounters. From nature to nation, from belief to family, each confrontation reveals the mechanisms of fear, projection, and separation that shape our perception of otherness. Through masks, shadows, and reflections, the film invites viewers into a sensory journey where the Other gradually emerges as a mirror of the Self.

FRAGMENTATION

A potential one night stand takes a turn.

The documentary "Master" is dedicated to one of the most prominent figures in the history of Russian cinema—the brilliant film scholar, Chairman of the Russian State Cinematography Committee, professor at VGIK, and longtime president of the Window to Europe film festival—Armen Nikolaevich Medvedev. The film's central focus is the 1990s, a turning point for the country and a pivotal moment in Medvedev's career. Separate chapters are devoted to VGIK and the Vyborg Film Festival, the film's subject's beloved creative outlets. The film draws on the recollections of colleagues, friends, and students, who speak with sincere warmth and gratitude about the master's role in their lives and the life of Russian cinema.

With 5 Months of J.K. Being gone, Braxton’s family and friends are dealing with struggles of people not believing in the stories. Loosing, jobs, houses, and even Elizabeth.

A story about a naive squirrel who wanted the sun to always shine.