The How We Look Project is a collection of three short narrative films about dwarf culture and identity, created and performed by Little People (LPs). Each film centers one act of image-making, from renaissance portraiture, to sideshow photography, to medical imaging. APPOINTMENT: three LPs named Avery visit a doctor who is more fascinated with his own medical technology than the patients before him. CARNIVAL: Jessica and her “ Midget troupe” pose for a 1924 souvenir postcard. But this moment of commodification also offers Jessica rare hope to reach her disappeared lover and the outside world. COURT: While Fabio, a Court Dwarf in 1572 Italy endures the uncomfortable act of being painted, he wonders if this image can be a means of communicating with future dwarfs.

MAKIN' CAKE is a story of access and privilege in America told through the histories of baking and cake. Join multi-hyphenate artist and Milwaukeean, Dasha Kelly, as she travels the country talking to bakers, scientists, and historians, witness her nationally touring stage show of the same name, and maybe learn a few things about baking along the way. This doc is one part Food Network, one part history lesson, and 100% Dasha.

After a deadly fire in a Beijing migrant workers’ housing block in 2017, authorities launched sweeping safety inspections, forcibly evicting residents and demolishing homes. The filmmaker follows workers across urban villages, observing their livelihoods and reflecting on class realities under China’s household registration system.

When Daniel receives an opportunity to be promoted at the office, there’s only one thing he must do to prove his worth and reach the next step of his career... kill his closest colleague.

Happy are those who, like Sekou, have had a great journey. A storyteller like his parents, he perfects his apprenticeship on a pilmigrage through West Africa before returning home. The journey puts his vocation to the test and examines the need for this ancient art in modern society. Throughout his odyssey, the ancient legend of Sundiata accompanies and guides him.

Through POV storytelling, Parasomnia follows a data analyst in the 90s whose solitary lifestyle has been derailed by sleep paralysis and constant nightmares. As the nightmares escalate it becomes clear that something is watching – and it's getting closer.

Sensing his reanimated partner slipping away again, a lonely gardener clings to their fragile connection while battling the fraying edges of his sanity.

The voice we hear comes from far off-screen, thousands of kilometres away from the vistas of Toronto unfolding before us. These are countless voicemails from Colombia left by the director’s loving grandmother.

Below the surface, the alien is us. Filmed entirely underwater with natural light and ambient sound, MARE SAPIENS moves through the Bay of Marseille as a space where living forms, infrastructures, and machines coexist. The film assembles a sensory field without commentary or hierarchy, letting the sea appear not as background or resource, but as a milieu that absorbs, resists, and persists.

A newly married couple living in a Chinese megalopolis navigates the tricky waters of the traditional expectations that quietly surface in their most intimate exchanges.

What is the legacy of Myspace? Pulling at the heartstrings of millennials and curious newcomers alike, this nostalgic portrait traces how this pioneering social networking platform shaped the digital world we now inhabit, from online fame to social media overload.

May Day! is a feature-length documentary which follows Oxford's thousand-year old tradition of May Morning, the largest celebration of its kind, regularly attracting over 15,000 people each year. It is a collage-like portrait of the tradition, attempting to find out how the celebration has survived the separation between the land and its people, what the pagan festival means thousands of years after its inception, and how it shapes and contributes to our nation's sense of self.

Two of Hollywood’s loneliest creatures form an unlikely bond.

Amateur MMA fighter Song-ha blacks out during a match, losing all memory of the fight. Soon after, he receives news of the solitary death of his father, who abandoned him 22 years ago. With fragmented memories and hollow emotions, Song-ha begins to trace the echoes of a long-severed past.

Paralyzed by the fear of the misty unknown, the protagonist was self-imprisoned, only to break free from their confines after confronting the reality of their stagnant self.

Woo-jin heads to Amidong to find a director who went into hiding to receive a video. In the journey, he meets the assistant director and hears about Park Chun-bong. The previous film, "A Carpenter Catching a Whale" was canceled. Woo-jin doesn't believe how a student can make film like it. However, he witnesses a moment when a fantasy that he has denied becomes a reality.

When a teacher leaves two students alone, a simple fight over a charger escalates into a full-blown battle.

A conceited guitarist, insecure about his mark in the world of music, isolates himself in his apartment to write a masterpiece. But as time passes and inspiration wears thin, his sanity spirals, and his body undergoes an unexpected transition.