Robó y ganó

A month after the Hamas attack and Israel's bloody retaliation, which marks the beginning of the genocide of Palestinians in Gaza, an Israeli illustrator living in Spain breaks up with her long-term partner, a Spanish filmmaker of Syrian origin. Omar decides to continue working on the film they had been making together, using footage shot in the Middle East and the unfinished drawings left behind by his beloved. A story about religious fanaticism and its absurdities, and a painful dissection of the relationship between two people who wanted to be together despite their cultural differences.

Dineo and Noni — besties meant to take on the party scene together — suddenly face their biggest fear when Noni's boyfriend spontaneously propose.

O felo

Angelica has fallen in love with John, a prisoner whose letters and photos have sparked fantasies of a dangerous, forbidden love. When John is granted a 24-hour release and they finally meet for the first time, her illusion shatters - John has catfished her. Despite the betrayal, Angelica decides to give him a chance, if only for those fleeting 24 hours.

Tomorrow is the funeral of Benedicte’s stepfather. She is 43, a psychologist, and a mother. She has to deal with her children’s anxieties about what to wear, see her patients before leaving, prepare sandwiches for the trip, and put up with her husband’s sarcasm. So far, she’s holding it together.

Des gens face à la mer

On a winter afternoon, with a storm about to break, Dani follows her cousins ​​Nora and Inés to a cube-shaped shelter in the middle of the woods. There, they perform a ritual to hold back the rain and save their friend—"the Presence." Dani must follow a set of rules for the ritual to succeed, but the moment Nora sacrifices an earthworm, she can no longer bear it and breaks the cardinal rule: never leave the cube.

A feature documentary about a relationship often overlooked: the bond between humans and animals—not a substitute for human connection, but a profound one in its own right. Through three lives transformed by an animal, it reveals a bond that heals and connects us as deeply as any human relationship.

After ignoring his friend’s warning about a psychopath on the loose, Denis finds himself hunted through the dark corridors of his own home. When Adit comes to save him, Denis begins to question whether he has truly escaped—or is trapped in his own fear.

In 1981 Allen Moore completed “The Shepherds of Berneray,” a study of the centuries-old crofting traditions of the island of Berneray, and a portrait of the Gaelic speaking people whose lives reflected the underpinnings of this heritage. Moore has continued a decades-long friendship with the islanders, and beginning in 2016, he spent 10 years revisiting the community to document what traditions have remained and how life has changed on the island. Weaving together 16mm outtakes from the late 1970’s with contemporary HD digital material, “Returning to Berneray” is a personal portrait of a place and a filmmaker’s relationship to it.

Exploring the human realities of immigration through the intertwined journeys of three women—nurses who leave their home countries, the Philippines, Ghana, and India, to join the healthcare workforce in the United States. Their stories illuminate the emotional, economic, and cultural complexities of migration, revealing what it means to live between worlds while sustaining deep ties to families and communities across continents.

A teen discovers a vintage camera filled with photos of her own escalating, deadly fate. She must find a way to fight the curse before time runs out.

When Federico invites his friends Vera and Nico to try a mysterious new drug, the experiment quickly turns into a disorienting psychological journey. As the substance takes effect, reality begins to fracture and hidden tensions emerge. Between hallucinations and memories, the three friends are forced to confront the fragile boundaries between perception and truth.

Thriller/ Drama

The Return of Magnus Kirt

Young participants in Escuela Dentro Cine make a collective visual alphabet, using self-filming and the image of clouds to explore freedom, rebellion and their own ways of seeing.

A Brazilian filmmaker in Berlin re-enacts past sexual abuse in different versions to process the trauma.