La cancha no tiene la culpa

A documentary that chronicles the recent years of the famous C.D. Guadalajara, a Mexican football club commonly known as 'Chivas', their ups and downs, victories and struggles.

Documentary film commemorating the 40th anniversary of the Mexican team.

A documentary that covers the last 70 years of Mexican soccer club Rayados de Monterrey.

Club America

This movie is about a soccer team worker "Chanfle", who's in charge of having everything up to date for the team, soccer balls, uniforms, soccer shoes, you name it! Well he's been married for 10 years to a beautiful young girl but hasn't got the privilege of being a father! They are really poor and in the attempt to sell a gun that belonged to a diseased uncle, he's mistaken for a burglar by a drunk guy. From that moment on, he's contanstly harrassed by the drunk guy, who chases him everytime he can...

A former pro football player must retire after a life-altering injury, and as the years passes he wishes to know how his life would've turned out had he remained a star.

A documentary that chronicles the history of the famous 'Pumas', a Mexican football club that belongs to the the National Autonomous University of Mexico.

Que ta joie demeure is not a documentary about being a slave to the machine, alienation, dehumanisation or exploitation. Sound and image, editing and dramatic structure are merely employed to transpose workshops and factory floors into the cinematic space so as to explore the bizarre environments that workers adapt to and with which they skillfully interact, as if humanity had never done anything else since time immemorial.

The time of exposure is the life span of an object in frame. In this regard, no photo is just a two-dimensional graphic composition - it always has the third, temporal dimension. A photo is a time carrier, the vessel of memory... But whose memory? Of the Face or the Thing or the Landscape which are still on the photo? Of the photographer?

An imagined apocalypse is presented to us through portraits of people struggling to survive in a hostile environment, where they only have themselves and the only thing they have in common is the desire to live, no matter the cost.

A feature- length documentary on the life and work of jazz musician and composer Krzysztof Komeda.

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

The Palace is a documentary that follows the everyday life of seventeen women who live together, sharing a large house for emotional and financial reasons. They help each other to train for various jobs. Most become nannies, domestic workers and private nurses for elderly patients.

Joan Crawford narrates this documentary about the career of Greta Garbo.

The band’s acclaimed 29-song, 135-minute anniversary concert. Filmed in one of London’s Royal Parks to a crowd of 65,000 fans, The Cure presented a four-decade deep set on July 7, 2018. Adding to the experience, the band is back-dropped by giant screens displaying footage that complements the unique moods and emotive song writing that established The Cure as pioneers of alternative rock.

BRAVE NEW WILD is an offbeat chronicle of America’s Golden Age of rock climbing before and after the controversial ascent of the Dawn Wall in 1970. Some forty years later, Oakley Anderson-Moore, the daughter of a pioneering climber, stumbles upon her father's old hi8 tapes, and sets out to answer the question: why climb when there's nothing to gain -- and everything to lose? Wry humor and an eclectic original soundtrack punctuate the delinquent antics of the Vulgarians in the ‘Gunks, the larger-than-life rivalry of Yosemite’s rock gods, and the fruit tramping, freight train hopping hobodom of her dad’s climbing life. This film is quintessential viewing for those who long for adventure.

Portrait of the famous Lucha LIbre venue Arena Azteca Budokan and the family who built and runs it and their legacy.

Jacques Peretti sets out to find out what happened to the game that obsessed him as a kid. In this documentary, he presents an eye-opening account of the sport's heady popularity in the 1970s and 1980s.

With the help of Steve Bannon and Cambridge Analytica, Trump was groomed to appeal to those who have lost faith in media and politics. Bannon has admitted that he modeled his campaign on the one crafted for Hitler, who was a puppet of dark forces. Through meticulous investigation, John Hankey explores this, and how the media circus following Trump is a strategy for dividing a "United" States.

A tribute to John Hughes, featuring an archive interview with him from 1986 and those that have worked with him, including Matthew Broderick, Alan Ruck, Jon Cryer, Lea Thompson, as well as producers and others.