La cancha no tiene la culpa

A documentary that chronicles the recent years of the famous C.D. Guadalajara, a Mexican football club commonly known as 'Chivas', their ups and downs, victories and struggles.

Documentary film commemorating the 40th anniversary of the Mexican team.

Club America

A documentary that covers the last 70 years of Mexican soccer club Rayados de Monterrey.

Although he always wanted to become a professional soccer player, El Chanfle has settled for being the props boy and water boy for Mexican soccer's Club América, whose coach they both have trouble getting along with because of the Chanfle's heightened sense of honesty and cleanliness on the court, something the rigid coach does not share. When he is asked to cheat during a game he refuses and is fired from his job, but his friend, the team doctor will try to get him back. At the same time, his wife Tere announces to be pregnant, and trying to sell a gun in order to make money for their future, unintentionally scares a old man, Chato, with it, who now seeks revenge.

A former pro football player must retire after a life-altering injury, and as the years passes he wishes to know how his life would've turned out had he remained a star.

A documentary that chronicles the history of the famous 'Pumas', a Mexican football club that belongs to the the National Autonomous University of Mexico.

An educational film intended for children from 6 to 8 years of age. ‘We Grew A Frog, 1970’ tells the story of two schoolchildren, Lynne and Martin, who collect frog spawn from the village pond, take it to school, and there, in a tank, watch the spawn grow into frogs. The film shows in close-up the developmental stages of the spawn-to-frog process. This educational film features the pupils of Whatfield School in Suffolk. Headteacher, Gwen Dunn wrote and told the story.

O child, I know it can be bad. O child, sometimes you're be sad. O child, it can be true. O child, sometimes it can be all new. Here comes the sun.

Heïdi's Ice

Carlos Gesell, mi padre

The Foreigner Story: Feels Like the Very First Time

Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993. Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.

A film about a woman who doesn’t exist. Moroccan Hind was raped and consequently denied an official identity – she has no other choice but to work as a prostitute and traditional wedding dancer, but despite the odds of her situation, refuses to give up her dream of dignity, motherhood and love. This is a story of modern day outlaws, children of prostitutes, abandoned child brides and those who have had to escape to the fringes of patriarchal Moroccan society. Through the eyes of one young woman we see a life of constant struggle, but also a life free of the society’s norms and boundaries. The woman in the centre of the film, Hind, is both vulnerable and courageous as she tries to regain her life, her children and her mere right to live as an equal human being in the 21st century.

It never occurred to Syrian filmmaker Nidal Hassan and Lilibeth Rasmussen (Danish artist) that the day of their arrival to Damascus - March 16, 2011 - would be the day preceding the announcement of the uprising in Syria. Between Damascus, Sweida and Ein Al Arab, the film tries to gather details of stories of absent women and other women who would present their own testimonies about themselves and about love, life, death and sometimes about the revolution. Difficult months go by, friends disappear unwillingly in jails, and friends leave forcefully… and a longing to freedom, dignity and justice for which Syrians have conferred a lot of blood. Nidal moves around with his camera in attempt to record Syrians' daily journals subjected to pain, oppression, blood and hope. Between Damascus and Copenhagen, two filmmakers from two different cultures try to tell real stories of love, life and death in the age of the revolution.

Le train le plus difficile du monde

When Thomas Jefferson died in 1826, he left behind a mountain of personal debt, which forced his heirs to sell his beloved Monticello home and all of its possessions. The Levys of Monticello is a documentary film that tells the little-known story of the Levy family, which owned and carefully preserved Monticello for nearly a century – far longer than Jefferson or his descendants. The remarkable story of the Levy family also intersects with the rise of antisemitism that runs throughout the course of American history.

Music documentary about Billo Frómeta by director Rafael Marziano Tinoco from Venezuela.

The German film industry is afflicted with cancer. A young group of filmmakers wants to free it.

An underpass in the center of Warsaw, the camera selects one woman and follows her to her workplace - a telecommunications headquarters. The message "your call is being monitored" was broadcast from there.