Xu Xin’s film “Dao Lu” (China 2012) offers an exclusive “in camera” encounter with Zheng Yan, an 83 year-old veteran of the Chinese Red Army, who calmly relates how he has navigated his country’s turbulent history over three-quarters of a century.Born to a wealthy family in a foreign concession, Yan joined the Chinese Communist Party (CCP) in 1941 because he sincerely believed in the socialist project, and in its immediate capacity to free China from the Japanese yoke and eradicate deep-rooted corruption.
Directed by Patrick Gramm, 'The Pigeon People' (2023) takes you deep into Arizona's underground pigeon racing scene as racing rivals prepare for and compete in the Grand Canyon Classic - a 350-mile pigeon race from Utah to Arizona that crosses over the Grand Canyon.
A tour of the arid, inhospitable region of the southern California desert known as Death Valley, originally named because of the many travelers in the 1840s who died of thirst, starvation and/or exposure trying to cross it.
Bringing together the best of Fox Racing's motocross footage, the compilation features clips of some of the sport's most popular figures in action, including Carey Hart, Jeff Emig, Mike Cinqmars, Ricky Carmichael, Seth Enslow, and Travis Pastrana. Sound track features Arlo Guthrie, Eric B. & Rakim and others.
Palm Springs, a small desert oasis 100 miles East of Los Angeles was Sinatra's true home for 50 years. During his brief yet turbulent marriage to Ava Gardner his Palm Springs home was center stage. For the rest of his life, the Rancho Mirage compound on Frank Sinatra Drive, was the home he called "My Heaven". Palm Springs still feels the ghost of Frank Sinatra.
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
What happens when 300 lesbians from around the world attend the largest United Nations conference? How did two busloads of lesbians headed to an underground nightclub help spark the birth of a lala (LBT) movement in China? At the 1995 Fourth World Conference on Women in Beijing, the first ever lesbian tent at an UN NGO Forum was created. Emerging from hidden shadows of shame and invisibility, Chinese lalas began a hard-fought path of deliverance from themselves, from family, and from an apprehensive environment. In doing so, they sought empowerment and change as they explored concepts and issues from self-affirmation to rights consciousness. The film powerfully moves forward to the present day and shows the drastic change in today’s young feminist lalas – their challenging of sexism and homophobia with daring public street actions on subways – a parallel action to their forerunners in 1995, with much vigor and defiance 20 years later.
Before the Flood is a study of the final weeks of a dying city, as thousand-year-old Fengjie on the Yangtze River is reduced to rubble and its inhabitants uprooted to make way for the new Three Gorges Dam that will flood the entire valley.
Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.
An undercover documentary film produced and directed by British filmmaker Dominic Brown, about the struggle of the indigenous Sahrawi people of Western Sahara. The documentary covers the current human rights and political situation of the Sahrawi. There are several interviews recorded with human rights victims including an elderly lady who had been attacked in her home the previous day by Moroccan security forces. There is also a focus given to the alleged vested interests of countries in the region, particularly France. The film states that the French Government's close relationship with Morocco, their trade deals and their use of veto over the terms of the UN mission in Western Sahara are major factors.
Documentary-essay short film about a inner/outter trip to the flowery desert in the north of Chile. A student film by Gabriel Lizama AKA Liz Taylor.
An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.
In the summer of 2007, Gan Xiaoer led an independent film projection team, using projectors and self-made screens, to tour villages in Henan province to show his feature film "Raised from dust" for 8 times, and recorded the process. The 81-minute version of Church Cinema records only one stop, the Qiliying Church, where "Raised from dust" was shot.
Yu Tian (played by Hu Tian) is a senior this year. He hasn't returned home for a few years while studying in a big city. The estrangement between him and his mother (Lin Jiehua) is somehow getting bigger and bigger. He is immersed in his artistic dreams and is not practical, but his mother, who has always been conservative, does not understand. His friends remained the same, still the same young people in the small town. Friends booed that he would be the most promising one among them, but he himself was convinced. He told his sister (played by Sun Nan) that he would go to the big city to make a fortune.
Beyond the sprawl of the urban jungle, 150 race teams meet to do battle in the heart of the Mojave Desert in southern California. The format is "run what ya brung" Unlimited 4 Wheel Drive Racing, and the stakes are higher than ever. Only 20% of the teams that take the green flag will make it to the end, the remainder being left strewn across the desert floor in the wake of one of the hardest off road races on the planet, the King of the Hammers. Follow teams in 'Element of Survival' as they set out to conquer harsh desert at speeds in excess of 100mph, as well as some of the hardest rock crawling North America has to offer, all in an effort to be crowned "King" at the setting of the sun.
Eco-Terrorist: The Battle for Our Planet follows the most wanted environmentalist today, Captain Paul Watson. In this unique and groundbreaking film, Brown takes a deeper look into what really goes on behind the scenes in the deep waters of our world. More pranks, the glory of successful missions, and fiercer encounters with some of the most infamous and illegal marine hunters, while stopping at nothing to protect wildlife on a global scale. The film takes the audience right to the frontlines of the modern day environmental movement via those who started it.
Li Shouwang is the leader of a blind storytellers team, learned storytelling at the age of 19. His childernare living hard in other cities. Li's money amost goes to his children's pocket every year. But with urbanisation, the storytellers have lost almost all their audience. As the conflict between the storytelling team and the village team intensified, his son, who was far away from home, became the only spiritual sustains... When he was excited that his son would be taking his family home for Chinese New Year, what's await is a sigh.
Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.
Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.
Twenty-Five miles from town, a million miles from mainstream society, a loose-knit community of eco-pioneers, teenage runaways, war veterans and drop-outs, live on the fringe and off the grid, struggling to survive with little food, less water and no electricity, as they cling to their unique vision of the American dream.