A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.
The Garden is an experimental work that describes the inner worlds of two sisters manifested through their connection with the garden outside their home. While mourning the passing of their close relative, the sisters encounter a man in the garden, evoking a sense of mortality in one and awakening the sensuality in another. The film was directed by Ong Ann Meng (better known as Meng Ong), who went on to win numerous awards for his short films at the Singapore International Film Festival between 1991 and 1993. His first feature, Miss Wonton (2001), won the FIPRESCI Prize at the Locarno International Film Festival.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
The local pastor’s daughter escapes youth group to go to her first high school party.
With the good of the people in mind, Valery Legasov, a Soviet scientist called to the scene of the Chernobyl nuclear disaster, stands up to censorship behind the Iron Curtain.
A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the first of three parts, we follow Luper through three distinct episodes: as a child during the First World War; as an explorer in Mormon Utah; and as a writer in Belgium during the rise of fascism.
An incredible student movie. We are so talented and funny i hope none of us never go bald.
Two clerks in a night club, milk, stuffed head of an antelope, voices from afar, homo-erotic tension and the question, if it is possible to extricate from routine and emptiness with the help of a crime. A black and white nightmare in psycho bits.
Dirty Laundry illustrates the vulnerable reality of Burmese women forced to confront the deep-seated misogyny that surfaces in their everyday lives
Erisudar pits predeterminism against free will. The constant battle between these two concepts is a lifelong experience for the conscious mind, which yields no peaceful conclusion.
A young air stewardess navigates her new role as a caregiver for her grandmother while building a relationship with her distant father.
A narrative short film surrounding a rich man's funeral.
Showcases the humanity between two people of different cultures in the most extreme of situations.
A late-in-life coming of age tale of Tan You Yu / Yvonne Tan as she navigates through a transactional friendship with her new pal, Maggie.
The film explores the taboo subject of homosexuality within the Roma community through the personal story of a Roma activist who happens to be gay. Though his job has earned him respect among his peers, by coming out his status is in jeopardy. However, the desire to share his complex story prompted him to write a screenplay based on his life. Partly a documentary about his autobiographical script, the film switches between documentary and narrative storytelling. Owing to its distinctive style, the film offers a glimpse into the protagonist's world as he faces triple discrimination: as a Roma, as a gay man, and as a gay man in the Roma community.
Like every year, a group of friends arrives at a remote and secluded place to "celebrate their friendship". This is the 36th time now, but this year is going to be different. Stana has lost his battle with cancer and for the first time ever there are only five friends. Spring is blooming, they kill a lamb with their own hands and drink to Stana's memory. However, one of them, Dalibor, has a secret he does not want to share.
A man stuck at a dead-end job must reckon with a figure from his past.
After the end of a relationship, a young Belgian woman remains alone in an isolated house and turns silence, repetition, and solitude into forms of existence and resistance to forgetting.
After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.
Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."