Bastien Lardat and Jordi Noguere, two rope brothers, invite us to pay tribute to the pioneers of modern Pyrenees, through a new kind of sporting journey. Pierre and Jean Ravier opened the way several decades ago, drawing on the Pyrenean reliefs one of the most beautiful pages of amateur climbing excellence. In three days, climbing and connecting 3 legendary north faces by Ravier on foot is the crazy challenge that Bastien and Jordi have set themselves. 3 days, 3 routes, 85 km of pedestrian connection, to arrive at the end of the north face of the Tour de Marboré in Gavarnie, the Dièdre Jaune du Vignemale and the Embarradère du Pic du Midi d'Ossau.
In February 1966, Pierre Mazeaud and Lucien Berardini attempted a difficult first ascent to one of the summits of Garet El Djenoun, in the Hoggar massif, a mountain range located west of the Sahara, in the south of Algeria. The mountain has been preserved intact since Roger Frison-Roche's expedition in 1935. The documentary, superbly filmed by René Vernadet, won the Grand Prix at the Trento Film Festival in 1966.
TSR documentary on the 1979 expedition to Algeria in the Atakor massif (Hoggar desert), organized by Geneva mountaineer Michel Vaucher and Jean-Blaise Fellay. The climbers make a dozen ascents including the famous summit of Adaouda (which means "finger" in Tamasheq, the Tuareg dialect), by several routes. Then a new route on the peaks of the southern Tezoulegs. They discover the volcanic geological characteristics of the Atakor massif and meet the nomadic inhabitants of the region, the Tuaregs, who are increasingly settling in the town of Tamanrasset.
René Collet, skier member of the French team, guides a friend from the summit of the Aiguille du Midi. This descent is an opportunity to focus on the remarkable elements of the terrain: the cable car and its work still in progress, the surrounding peaks (Capucin, Mont Maudit, Mont Blanc). The two skiers stop regularly, here to observe climbers scaling the south face of the Aiguille, there to visit the Cosmiques Laboratory. They even take the time to rescue a skier stuck in a crevasse at the Séracs du Géant, before continuing their descent in style onto the Mer de Glace.
More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.
The image of French prisoners was very often evoked in Algerian cinema and literature, but until today, no Algerian or even European report or documentary had given voice to one of these French prisoners of the war of Algeria. In the interest of truth and writing history, we set out in search of one of these French witnesses. This witness is René Rouby, prisoner of Amirouche's group for more than 114 days in 1958 in the Akfadou region in Kabylia. This is the first testimony from a French prisoner of the ALN (the National Liberation Army).
Avoir 16 ans et toutes ses Andes
The latest film from the Belgian climbing team, following Asgard Jamming and Vertical Sailing Greenland, Venezuela Jungle Jam features Sean Villanueva O'Driscoll, Nico Favresse, Stephane Hanssens and Jean-Louis Wertz as they attempt a new free climb on the overhanging 500m wall of Amuri Tepul in the Venezuelan Jungle.
The climbing brothers Thomas and Alexander Huber (Germany) attempt to conquer free the infamous "Bavarian Direttissima" (upper tenth degree of difficulty) on the iconic Mt. Asgard on the Arctic Baffin Island (Canada). A 40 days expedition with polar bears, frostbite and climbing at the peril of their lifes.
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.
In this retrospective tribute, acclaimed filmmaker Jean Walkinshaw hails the 100th anniversary of Mount Rainier National Park in Washington by talking to those who know it best: the scientists, naturalists, mountain climbers and artists whose lives have been touched by the peak's far-reaching shadow. The result is a harmonious blend of archival material and high-definition footage celebrating an icon of the Pacific Northwest.
For decades, an elite handful of climbers have competed for the coveted speed record on the 3,000-foot Nose of El Capitan, risking big falls to shave mere seconds off the fastest time. When a record held by superstar Alex Honnold is broken by little-known climbers Brad Gobright and Jim Reynolds, Honnold drafts fellow climbing legend Tommy Caldwell to establish a new mark that will stand the test of time. Honnold pushes for perfection while Caldwell, a family man, wrestles with the risk amid a series of accidents on the wall that lay bare the consequences of any mistake.
Cesta k slnku
Are you tired of burning out on steep routes and unsure whether it’s due to lack of strength or poor technique? Do you still feel nervous about pushing above bolts or trusting your feet on slabs? If you’re fed-up with making the same old mistakes then why not settle the score using this two-part instructional video series, hosted by Britain’s leading climbing coach Neil Gresham. Whether you climb F5 or F7c, these films are packed with tips to help you improve every aspect of your climbing performance. Part 1 shows you how to develop your technique and how to train more productively and Part 2 shows you how to put it all together and get the most from yourself on the cliffs. There are right and wrong examples to help you identify your weaknesses and case studies from some of Britain’s best climbers. Those dream routes may be closer than you think and watching these films might be all you need to turn them into a reality.
The first ascent of the Matterhorn was made on July 14, 1865 by Edward Whymper, Francis Douglas, Charles Hudson, Douglas Hadow, Michel Croz and two guides from Zermatt, Peter Taugwalder father and son. Douglas, Hudson, Hadow and Croz are killed on the descent after Hadow slips and drags the other three men down the north face. Whymper and the two Taugwalders, who survive, are later accused of having cut the rope that connected them to the rest of the group so as not to be dragged into the fall, but the ensuing investigation finds no evidence of their guilt and they are acquitted. The Matterhorn is the last great peak in the Alps to be conquered and its ascent marks the end of the golden age of mountaineering. One hundred and fifty years later, a team undertakes the same expedition in order to unravel the mystery.
In 1950, the explorer Roger Frison-Roche made a crossing of more than a thousand kilometers on the back of a camel with the photographer Georges Tairraz II, in the heart of the Sahara, from Hoggar then Djanet in Algeria to Ghat in Libya. From their journey they brought back a large number of color films and documents. Among thousands of photos, they selected 47 images which reflect the various aspects of these immense spaces which occupy a third of Africa in the book "The Great Desert". “The Great Desert, 1000 kilometers on camelback” is the eponymous 85-minute documentary of this epic, released in 1950.
At the peak of her career as a rock climber, Catherine Destivelle goes to the United States to get away from the competitions and to recharge batteries. There, Destivelle travels by car through Utah and Wyoming to make spectacular free solo ascents in Indian Creek, where she soloes 'Supercrack' (5.10d), in Dead Horse Point State Park, and on the iconic Devil's Tower, where she climbs unroped the second half of the classic 130-foot route 'El Matador' (5.10d).
The word Pyreneism was invented by the writer Henri Beraldi at the end of the 19th century. Its definition did not come down to a simple practice of mountaineering in the Pyrenees. To be recognized as a Pyrenean, it was necessary to “ascend, write and feel”. An approach to the mountains, according to him, necessarily accompanied by an artistic or intellectual activity. This documentary looks back at the Pyrenees who have left their mark on history, before interviewing contemporary mountain dwellers who, through their mountain practice, consider themselves, or not, Pyreneanists. What prompted Beraldi to coin this term? Does it result from a Pyrenean complex facing the Alps? Chauvinism or a demand for identity? And today, does this word still have meaning? Beyond the reflection on the subject, this film is a wonderful tribute to the massif.
In 1994, at over seventy years old, Gilberte and William Sportisse, threatened by the FIS, arrived from Algeria. Of Jewish faith, he of Arabic mother tongue, they formed a fighting couple, started for the independence of Algeria, always with an unshakeable faith in humanity. They enjoy recounting the participation of Algerian Jews in the Second World War and the struggle for Algerian independence. They provide us with previously unpublished information on the public and clandestine struggles of the Algerian Communist Party before and after independence, and on the repression of activists who, like William and Gilberte Sportisse, were tortured and imprisoned after Colonel Boumédiène came to power. The film is an ode to understanding between people of different origins or cultures and a tribute to a couple whose youthful character and enthusiasm still astonish.
Le Pilier de la Solitude