The story of Astral, champion show jumping and his path to national competitions.
In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.
Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. Sally purchases a horse, she used to train when her parents had a farm before the depression and with to ex-vaudevillians, Sonny Ledford and Peter Trott she trains it to win a race, providing the money Steve needs for his show.
Erin Go Bragh, a small Connemara stallion, gets ready to compete in Combined Training, “the triathlon of horseback riding.” The three day competition consists of dressage, cross-country, and stadium jumping. Erin Go Bragh himself narrates as he and his rider, Carol Kozlowski, compete in two competitions.
In a remote stretch of Patagonia, Argentina, there is a family - the Dickasons - who speak a language from a country 7,000km to the east. They are part of a 114-year-old Afrikaans Boer community - South Africans of Dutch descent who sailed across the ocean to South America after the destruction of a war with the British. Today, less than 50 still speak the language and they struggle to keep their culture alive. Patriarch "Ty" Dickason, 82, is a cowboy who has never flown in a plane - and yet he yearns to one day visit the country of his blood before he and his compatriots pass away. This multiple SAFTA award-winning documentary is a portrait of the last days of the community - a parallel world where Afrikaans was never linked to Apartheid - and one family's journey to reconnect with South Africa.
As a poster boy for hedonism, his whole life was one big party. A journalist, filmmaker, director, producer, actor, novelist, ladies' man and prolific father... Roger Vladimir Plémiannikov, a.k.a. Roger Vadim, tried everything until his death in 2000. Portrait of a man at the cutting edge of fashion and trends.
Follow ocean legend Sylvia Earle, renowned underwater National Geographic photographer Brian Skerry, writer Max Kennedy and their crew of teenage aquanauts on a year-long quest to deploy science and photography to inspire President Obama to establish new Blue Parks to protect essential habitats across an unseen American Wilderness.
A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.
A look back at the girl-group craze of the 60's through archival footage and interviews with those involved.
In the almost six decades that Bown worked for The Observer, she became renowned for insightful, highly individualistic portraits of the famous. Some of these portraits are now regarded as classics of the genre - Samuel Beckett, Queen Elizabeth II, The Beatles, Bertrand Russell, Mick Jagger and Margaret Thatcher. For the first time, she spoke candidly about her career and revealed how her very personal approach to the taking of portraits is informed by a deep sense of loss and abandonment. This private portrait is enhanced by a series of insightful interviews with Jane’s peers, family, colleagues, friends, and of course some of her subjects.
A documentary based on the book Umbanda no Brasil by the scholar Mata e Silva, who is interviewed by the director. The book studies the Brazilian religion known as spiritism, a syncretism of African beliefs and magical rites, Indian beliefs and images, and Catholic symbols.
Agüero is able to look at the scene in all it's complexity around architectonical brutality that Santiago de Chile underwent around the year 2000.
Wolfgang Beltracchi got away with forging art masterpieces for over 40 years. He may be egotistical and nihilistic, but his genius in undeniable. He managed to fool gallery owners, historians and investors with the stroke of a brush. This documentary follows his last days as a free man.
A movie following a small selection of talented cos-players as they took part in May 2011 MCM Expo and showcased their costumes in the Masquerade.
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
For decades, American touring ice shows dominated family entertainment with their dazzling production and variety acts. This documentary honors them through interviews and archival footage, and depicts one skater's quest to keep this history alive.
A documentary recounting Sam Campbell's journey to create Chess Ham, the Chesham Chess Ham.
Through some notes and thoughts of a soldier in service.
Le Polyhandicap : Une immersion au plus près de l'humanité
Harambee: The Weight of Division is a 2025 short documentary that revisits Kenya's 2007-2008 post-election crisis, a violent chapter triggered by disputed presidential results. Over 1,100 lives were lost, and more than 600,000 people were displaced in the chaos that followed. Through a carefully curated blend of archival footage and observational storytelling, the film avoids sensationalism and blame. Instead, it shines a sober light on the emotional toll of political unrest, how fractured trust, grief, and fear ripple through generations and communities. By focusing on the human stories behind the headlines, Harambee becomes more than a historical recount it's a reflective, urgent reminder of what is at stake when national unity is compromised. The film concludes not with answers, but with a call to confront painful truths, to heal, and to recommit to the ideals of democracy, peace, and patriotism.