Revelation To The Disembodied

A strange wire-fingered homunculus navigates through his dreams of different faces and faces, traversing a subliminal and endless variety. They are all different faces, but all have huge eyes that are questioned as to what keeps them apart, perhaps left broken by an impossible love.

Beatrice Prior must confront her inner demons and continue her fight against a powerful alliance which threatens to tear her society apart.

Beatrice Prior and Tobias Eaton venture into the world outside of the fence and are taken into protective custody by a mysterious agency known as the Bureau of Genetic Welfare.

With his partner Caprice, celebrity performance artist Saul Tenser publicly showcases the metamorphosis of his organs in avant-garde performances. An investigator from the National Organ Registry obsessively tracks their movements, which is when a mysterious group is revealed... Their mission — to use Tenser's notoriety to shed light on the next phase of human evolution.

Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound.

The first feature-length animated film by Japanese stop-motion animator Shunsaku Hayashi, inspired by his experiences after the Great East Japan Earthquake of March 11, 2011.

An experimental short from Oskar Fischinger

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.

Abstract video art set to the music of Philip Glass.

A transmission of an algorithmic content stream called "The Feed" reveals the innermost desires and psychological underpinnings of a politically charged future- the year 2024.

An NTSC space opera.

It is a romantic story about giant Regoch and fairy Kosjenka on their surreal adventures through unknown world. This short experimental / animated film is based on a story written in 1916 by Ivana Brlic Mazuranic - the Slavic Tolkien. This film is one of the 8 fairytales from the collection of internationally recognized interactive book project "Croatian Tales of Long Ago" - www.bulaja.com/fairytales/ - FlashForward FF 2002 winner in Story category

In 2019, Lincoln Six-Echo is a resident of a seemingly "Utopian" but contained facility. Like all of the inhabitants of this carefully-controlled environment, Lincoln hopes to be chosen to go to The Island — reportedly the last uncontaminated location on the planet. But Lincoln soon discovers that everything about his existence is a lie.

Whereabouts is a riso-printed animated short that follows a woman’s journey through New York City, unfolding through small, intimate moments. From sunrise to sunset, Whereabouts becomes an observation on presence, connection, and the quiet magic of simply moving through the world.

Beneath the skeleton, the flesh that rustles, turns and returns to our heads before rotting in silence. This is the story of this flesh. This surrealist narrative draws us into a darkened world of the unconscious. No matter how bizarre the spectacles we watch are, thanks to superb animation they flow smoothly and surely.

Our hero, Halvar the Brave, seeks vengeance aboard a witch-born chopper, journeying across a psychedelic landscape on a quest to defeat the deadly beast Mördvél for the slaying of his bride.

Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.

One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with a video camera to then subject it to further manipulation.

Filmed on 16mm film, this visual expression is rooted in its archival materials and backed up by the poem by Hans Magnus Enzensberger. It speaks of the forgotten people, their lives and their deeds. These two Archives have been found on the flea market in Zagreb. One is of a famous architect and the other one is of a famous composer. This film ponders on this occurrence, on the vanishing of and forgetfulness of humans.