Sin lugares para el rosa

Dusty is convinced he has a terrible new ability.

Victor and Ana are enjoying their holidays at an idyllic lake. After having a huge row, the girl walks away into the forest. When he decides to go and look for her, Victor finds out that a man, hidden behind the trees, is watching him.

In a small city in the north, the time of midsummer is very short. Two boys get to know each other by chance and agree to meet by a lake. But one of them doesn’t keep the agreement, and it begins to rain heavily.

An experimental short film set to Sufjan Stevens' 'Futile Devices'. What meaning there is comes from what one sees in the images for themselves.

Today, Rosa celebrates the anniversary of her engagement with Roberto. While she waits for him for dinner, she spends the afternoon in the pool with her younger brother Angelo. They begin to comment on a news story happened a few days earlier: the body of a boy found in a field a few kilometres from the city. Roberto arrives before they expected: the glances between the three become enigmatic and restless.

In a gloomy era of Taiwan under Japanese rule, there's a noble family, the mother of the twins of different sexes died early, and their father works for the government away from home. YU, the twin brother, have nightmares every night about being drowned by someone. He is lonely and longing to talk to his sister, but he could not meet her. Because AMEKO, the twin sister, has been in illness isolation since childhood. Things become strange while their cousin WEN CHENG was returning from Japan. YU finds out a big secret of the whole family, about his sister and the killer in the dream.

Jon, a self-proclaimed 'dartist', wants to put down any suspicions of his girlfriend's infidelity by talking to his long-time friend Frank. Confined to a park bench in a seemingly empty and serene park, the idiosyncratic Frank forces Jon to confront his insecurities.

Cadillac

After escaping from a psychiatric hospital, Manu quickly reverts to his old patterns built around his passion for graffiti. When his brother threatens to send him back, Manu makes other plans.

Under the leaden sky of a summer day, Eric goes to work to defend a great issue. But, blinded by stress, Eric is forgetting the most important thing...

On new years eve Amanda (24) gets an ultimatum from her mother: "Either you'll look after Lana (6) or you can move out!" Can Amanda combine the responsibility for Lana and satisfy her own need for partying and freedom?

Two old men enter an abandoned synagogue, look at the decay around them, and pray.

Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.

This movie is a choral of mothers and grandmothers. The old women who rise above the world in supreme beauty with tended waist, their eyes with reflected light, shriveled skin, gnarled and twisted hands suffering from polyarthritis deformans. Our mothers say goodbye having life-long carried the burden of the world. This farewell is quiet and discreet like their whole life was...

A stowaway from Sierra Leone ends up as an asylum seeker in South-Wales

Short comedy

A filmmaker explores the 24 hours following his father's death, presenting visualisations of his emotions in film form.

Every generation has its own entry and exit. They have their own crisis and celebrations. This is an attempt to bring and connect the dotted lines between the generations. The collectively carefree voyage of everyone's day is "Sunday."

Why do we all get a little “rush” when we open our doors to see a shiny new package on our door step? Dopamine, and we’re all addicted. So what happens when they cut our supply?

In his film 'La tête dans les nuages' ('Head in the Clouds') Jean-Marie Teno criticizes the ills of the modern world and the regression of African societies. This short documentary shows the capital of the Cameroon, Yaondé, but might equally show other African cities: heaps of rubbish lie at the edge of streets, academics are out of work, officials unpaid, corruption is the norm, and misery everywhere. For Jean-Marie Teno 'colonization, civilization, independence, then humanitarian talk are merely excuses and theatrical gestures to ensure that Africa remains the place which foreign powers can exploit with a good conscience.'