The biggest, most populated, and frantic city in South America. While Cariocas are like tropical birds, Paulistas are like frenetic ants. Distances are longer and they're always in a hurry. A busy journey through this beautiful Brazilian beast which cannot help but beating irregularly.
A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.
Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.
"In A MILLION IN DEBT IS NORMAL, SAYS MY GRANDFATHER, Gabriele Mathes traces the consequences of the decline of her father’s furniture factory via her family’s Super-8 footage(..)" (Viennale)
On the beach at sunset a man waits for his one true love. When she arrives, a bittersweet romance ensues.
A cowboy is badly injured after a Super 8 shootout and begins to hallucinate.
During the most magical day of Finnish summer, two young maidens practice folk magic and dance around a Midsummer bonfire.
Jamie, a young queer Black DJ, belongs to an underground nightlife scene in New York City where he no longer feels like an outsider. He is part of a community that expresses itself through music, dance, and fashion.
This experimental short traces the lifespan of the graffiti and murals present at the occupation of NYC’s City Hall in June and July of 2020. The encampment formed to demand the abolishment of the NYPD and the reallocation of its resources to housing, education, and other social programs.
A SOV remake of The Exorcist, made by children.
A rapper is given creative advice from his best friend.
Two friends, hiking in the Yorkshire Dales, take the Cove Road home. But is the Cove Road out to take them?
A group of punks steal weapons from a military base.
A charcoal animation of the meeting of a woman and a man.
A high school student has a mental breakdown and brings a gun to class. A standoff against the police ensues.
Indifferent landscapes, refracting light, some lonely bird and the window to the sebum-laden living room made of patterned wallpaper and trivialities. Cut. Tenacious sequences inflate moments to cliff-hangers and shatter their tremulous spectatorship. Thundering leitmotifs – in constant intoxication by German disinterest – with no backrest or lederhosen. Black-red-gold at full mast, the cinema is dead.
The first film by Chantal Akerman, a short silent 8mm film shot during the Brussels summer Midi Fair, that was one of four short films she made as a short of entrance exam at INSAS were she studied for just a couple of months.
'A Swing in Atayfiyah' dwells in the memory of homes and friendships left behind in Iraq, the irrecoverable sense of belonging, and the dissonance of diaspora. Atayfiyah, Baghdad, a place of peace and heartbreak.
Paying tribute to artist Noah Purifoy and his Outdoor Museum, Matthew’s film ‘A Desert Moment with Noah’ rapidly animates 78 still Super 8mm images like a slideshow gone haywire. Exploring the of elasticity of time, the film manipulates the essence of a moment as it periodically pauses to allow the viewer a space with various objects, surfaces, and textures within Purifoy’s Joshua Tree sculptural environment.
Mid '80s slasher with teens being picked off one by one by a masked killer.