Flowers for My Father

A slug climbs small mountains at the peak of Mount Greylock (3,489 ft).

A close look at flowers and pollinators on a sunny summer morning.

Mountain wildflowers in a dense fog.

A formally free poetic documentary filmed through a summer depression in northern Portugal.

Somewhere between the mountains and valleys a small autumn flower bloomed.

A memorial mourns as time passes

Every summer on Mondello Beach in Palermo, more than a thousand cabins are erected to house the same number of groups of bathers who will spend the season in them. For these people the “huts” are the perfect setting in which to hide behind the memory of a social status that the crisis of recent years has undermined. A family gets into debt to go on a seaside vacation and to look well-off among the bathers, three women sunbathe in order to feel as if they are still young and to become the stars of the summer, while on the same beach a barman thinks about earning as much money as possible to get through the winter. Everyone is waiting for the night of August 15 to play a leading role in the summer Vanity Fair and to keep on pretending that the economic crisis doesn’t exist.

During Summer 2000, the mayor of the Greek island of Lesbos tried to ban 26 lesbians from arriving on a package holiday from the UK; but he ended up biting off more than he could chew. This programme follows the love, lust and laughs over the course of their holiday as the women drink, dance and snog their way around the island. Despite being shadowed by the papparazi and some negative islanders, nothing can stop our women from fighting for their right to party.

Ces chansons de nos vacances

Beauty on the Wing: Life Story of the Monarch Butterfly is a 56-minute narrated film that unfolds along the shores of Cape Ann and in the heart of Mexico’s forested volcanic mountains. Every stage of the butterfly’s life cycle is experienced in vibrant close-up, from mating to egg to caterpillar to adult, and set against the backdrop of sea and forest, sun and wind.

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

Summer 2024, a TSW story

In 1772, Englishwoman Mary Delany wrote to her niece: “I have found a new way of imitating flowers.” The imitation in question was the art form called decoupage, based on cut-outs and reshuffling of pictures. The charm and botanical precision of these works attracts attention of even today’s artists, among others by an anonymous programmer who is trying to invent a way of capturing the flowers’ vivacity in pictures. With this aim in mind, she has created an algorithm, which would combine science and beauty, similarly to Delaney’s efforts, whose illustrations it is meant to animate.

Women workers stand up to the toxic flower industry in Colombia.

L'été des 20 bougies

Four friends embark on a journey to California where they discover the beauty of friendship amidst the stunning landscapes of the West.

L'école des fleurs

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

Is the end of the school year, the heat comes, and with it regular power cuts in the suburbs of Rio de Janeiro. Karol, Junior, Ronaldo and Caio have a harsh summer ahead of them. In a country where living conditions are increasingly precarious, these four young people will faced with the uncertainties of adulthood, invent new ways, perhaps unthinkable, to continue growing and dreaming.

A short film about the daily holiday life of an enigmatic and rather luminous creature. "La journée de Milenka" is a footage of her holiday in Italy. We decided not to record it as usual footages, but instead, focus on the time and space surrounding the character. It represents a day, in the afternoon, that reflect the peace, itself represented in the slowness, which Milenka aspires (and finds) to achieve.