"Don't Scream Now"

Protagonist is faced with an internalized feeling that emerges in a moment in memory

An Art and a Short Film in which the director records his childhood experiences and memories through the mischievous activities of a boy named Mohammad Saadh.

Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.

Silent Breaths Beneath Electric Glow is an evocative exploration of beauty and solitude, set entirely within a neon-lit aquarium. Through mesmerizing visuals of luminous marine life and the soft hum of electric currents, the film captures the quiet poetry of existence behind glass walls. Each frame radiates a dreamlike melancholy, celebrating the fragile connection between life and its artificial surroundings. A meditative journey through light, color, and the silent breaths of a world suspended in electric glow.

In this unofficial sequel to "Every Single Minute", the boy finds himself lost in his sleep state.

A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of 16 years leaves her for a younger woman.

A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.

In this silent short film, we follow three stories grappling with grief. As the characters within these stories take action and process their feelings, we see the intertwining nature of these peoples lives.

From Malkuth to Kether and back, the whole spin of the wheel. A retelling of a series of dreams and visions experienced by the director in her Great Quest.

Upon using a modern art museum as the setting for a role play game that goes hopelessly awry, a deaf couple desperate to rekindle their spark finds the reconnection they seek in their shared experience over an abstract sculpture.

The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.

A tale about a kid, a samurai mime, and a stripper who all try to defeat a warlord and an evil clown who have successfully turned a countryside into a never ending nightmare filled with horrible monsters.

The short film tells the story of a frustrated priest when faced with an apparently impartial friend, who was wearing a "social mask"

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

Proceso creativo de una mente sin ideas (PCDUMSI)

Based on the poetry collection by writer Robert Rodríguez, Gray Stage is a triptych that composes the author's creation in images that transcends the literary. A woman, who will narrate the poems, will guide with her words and superimpositions the different echoes of the writer.

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

How heavy is an emotional relationship in TRANSit? Giving love? Losing love? Having, in my chest, not only a heart but also longing? That's why I record you this: for us to continue.