Out of Place

BURN GENTLY is an exploration into the ins and outs of the music industry, its growth, pressures, expectations and its hardships, through the lens of Australia’s many influential artists, contributors and industry professionals.

A behind-the-scenes look at P!NK as she balances family and life on the road, leading up to her first Wembley Stadium performance on 2019's "Beautiful Trauma" world tour.

After his long-time girlfriend dumps him, a thirty-year-old record store owner seeks to understand why he is unlucky in love while recounting his "top five breakups of all time".

The final episode in our Mini-Docs series comes from musician and writer Jake Anderson, who explores the niche music genres which find an increasing audience in the North East. On a mission to discover outside-the-mainstream sounds and the driving forces behind their creation, Jake chats with musicians Me Lost Me, SQUARMS and Mariam Rezaei, along with some of the major players keeping these sonically-engaging sound makers doing what they’re doing, including Simeon Soden from Kaneda Records and Lee Etherington of TUSK. This mini-documentary features reflections on some of the most unique acts in the North East, what genre boundaries actually mean and artists’ hopes for the future of the North East’s alternative scene. This is an Art Mouse film for NARC. TV, written and directed by Jake Anderson.

The film details the early years of the legendary Siberian Punk/Rock group 'Гражданская Оборона' (Grazhdanskaya Oborona), and its frontman, Egor Letov.

Los demenciales chicos acelerados. Pt 2: Barcelona y alrededores

Everything changes for a rising hip-hop star, SEMBRÉ, and his manager, MARLENE, a talented indie artist in her own right; as they are dealing with the collapse of their five-year romance, a new producer shows up with a major record deal, forcing them to confront their past while navigating the price of loyalty and fame in the underground Chicago music scene.

A multi-awarded 23 minute short film about pansexual punk rockers in a toxic relationship in London’s underground music scene

Popp í Reykjavík (Pop in Reykjavik) is a film about the vibrant Icelandic music culture of the late '90s. It was released in 1998 and features interviews and concert footage of promising Icelandic bands like Gusgus, Bellatrix, Maus, Ensími, Quarashi, Botnleðja and Sigur Rós.

In 1976, CFNY launched in a small suburban house just north of Toronto and went on to become one of the most influential punk, new wave and alternative radio stations in the world. This is the story of their mission to bring the most exciting music in the world to the masses. It's also a story of the personalities, lawsuits, bankruptcies, concerts, and listener protests that went along with it.

A star football player and a girl struggling at home find ways to cope with the pressures in their life.

Documentary based around performances of mostly Melbourne-based bands, including: My Disco! (Melbourne), Love Of Diagrams (Melbourne), Tucker B's (Sydney), Colditz Glider (Melbourne), Mukaizake (Perth), Aleks And The Ramps (Melbourne), Eddy Current Suppression Ring (Melbourne), Bang! bang! Aids! (Melbourne), Die! Die! Die! (New Zealand), The Tigers (Perth), Baseball (Melbourne)

Rowland S. Howard, the Primitive Calculators, Ollie Olsen, Phillip Brophy and many others proffer their recollections and air their animosities in a tribute to the underground music scene of '77-'81 in Melbourne, Australia. This is a warts and all look at the Melbourne underground music scene of 1977 to 1981 that spawned the likes of Nick Cave, Rowland S. Howard, Ollie Olsen, The Birthday Party, the Primitive Calculators, The Ears as well as venues such as the Crystal Ballroom and others that fostered what became known as the Little Band scene.

Bill Bartell was a multifaceted individual who traversed the punk rock scene, law enforcement, rodeo riding, and country music. Known for his unique contribution to punk rock through his label Gasatanka Records and band White Flag, Bartell's life defies conventional boundaries, blending hyper-masculinity with subcultural rebellion. His story, filled with mysterious and seemingly contradictory roles, offers a compelling narrative about identity, transformation, and the unexpected paths life can take.

“Saigon on Wax" is a vibrant and engaging community documentary that pulls back the curtain on Saigon's burgeoning and often overlooked vinyl culture. Moving beyond the city's well-known culinary and shopping attractions, the film delves into a passionate community of collectors, musicians, DJs, and record store owners who are shaping a unique sonic landscape. The film incorporates rich archival photos and videos, breathing life into the history of vinyl in Saigon while also showcasing its dynamic present.

Portrait of Debbie Harry, co-founder of Blondie, punk rock pioneer, that was one of the few feminine icon in rock music at that time.

During the rise of the music video era in the 80s, Canada launched "MuchMusic", a low budget TV network that revolutionized how the world's biggest stars connected with their fans and influenced the culture for the next three decades.

Akademija Republika shows a group of people gathered around the club from 1981 until 1995 and how it changed and influenced the cultural and night life around them.

Thee Hypnotics were one of those late 80's / early 90's bands that dug deep into the roots of rock, filling the gap between alternative rock and metal with their retro-garage sound. Originally from High Wycombe, they set about tearing up the local scene before before spreading their disease across the UK, Europe, and beyond. Three parts loose 'n loud garage rock, one part grungedelic progpunk, Thee Hypnotics produced the kind of uplifting vibe that most of the big-league rock 'n rollers had lost years ago, and most of the newer bar-room gutter rock and tripped-out psyche revivalists could only dream of.

A documentary about the groupie scene in the 1970s.