Dark Romance

An unhappy middle-aged banker agrees to a procedure that will fake his death and give him a completely new look and identity; one that comes with its own price.

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

The life and death of the fictional star Wilma Montesi is reported in the form of a staged newsreel. Excerpts from films of various genres and eras are juxtaposed with "documentary material" about the star's public and private life. By stringing together clichés and cinematic quotations, a certain reporting and narrative style about the glamor and misery of show business is presented in a critical and ironic, but at the same time entertaining way.

It's summer. A group of teenagers decide to go on a camping trip. They drive far up in the country until they find a small place were they rent canoe's for a cheap price. The group paddle for a long time before they find the perfect island to set up camp on. They have sex, do drugs and drink alcohol. But the next morning they notice that one of them has disappeared. They split up to go looking for her, but that proves to have horrifying consequences...

A man with a mission climbs the stairs of a haunted apartment building.

Silly, amateur Swedish horror spoof reuses the original HALLOWEEN score and opens with theater patrons viewing the final reel of the original John Carpenter film. In a nearly-abandoned office building, a psycho in a jumpsuit and white mask cuts his way out of a package and proceeds to chase a clumsy clerk around while killing off anyone who crosses his path.

An experimental film shot with the purpose of trying to create a hostile alien environment using only shots of nature, color correction, and sound design.

When a power-cut ruins Ruby's bedtime routine she finds herself haunted by embarrassing past versions of herself. The only way for Ruby to get a peaceful night of sleep is to confront her visitors and accept herself just as she is.

From the 17th floor of an office building, Pierre is staring out a colleague that is here for hours.

A petty thief who robs the very rich at speakeasies, and gets away with it because the rich don't want the bad publicity, is finally caught and sent to Sing Sing. After good behavior, he gets an emergency permission for a return home, so that he may save his daughter from the hands of her disreputable mother. However, he must first promise not to kill his wife while he is out of prison.

It's 1975, and John Dykstra, a lowly college professor, with not much confidence but a semi-successful author, is on his way home from his monthly meet up group with fellow authors, when he decides to pull off to the nearest rest stop. What he encounters there is an unnerving domestic assault, that will force him to embrace his alter ego, Rick Hardin, the hitman in his novels, and finally decide what kind of man he wants to be.

A Japanese family is confronted with the mother's disease. The profoundly symbolistic images of this short film show us how Yù and his father perceive the possibility of the death and how it affectsa young boy and his vision of life.

This is False Creek, perhaps an insignificant point on a map. Its happenings won't splash across the front page of your morning newspaper, but the daily affairs of this little neighborhood are the main headlines to the people that live here. Their source for these stories is Bill, a wheelchair bound man with paraplegia who devotes his time and ambition to seek out those local chronicles that his neighbors so desire. But with Bill's responsibility to entertain comes certain jealousy from Igor, who thinks he's better suited for the job. And from Doug, who just craves the respect it brings. Today, dressed with a shirt he found in the free-box, and with hope in his heart, Doug sets out to gain that respect.

A film buff's obsession with an elusive, possibly nonexistent film spirals into a dangerous descent, blurring the line between reality and madness.

It was the first film version of the Hunchback of Notre Dame.

In a near future, four criminal psychotics divides themselves from society in a road trip of random ultra violence upon anyone that crosses them. Their violent nature soon forces them into the Swedish country-roads on their flight from the police. What they don't know is that their murderous joy-ride soon will turn into a desperate fight for their lives as they end up in a village that have been cut off from the rest of the world since the age of the Vikings, and where the government have disposed radioactive waste that has turned the villagers into mutated, cannibalistic monsters! And this is a fight our band of outlaws are not sure to win.

The social democrats of the sixties and seventies worked on their grand plan to build a highway network in Germany that every German citizen could reach within five minutes of their home. The little film hangs around between and on the streets of this network - where the country discos, pedestrian zones, shopping centers, hospitals and roads home are behind noise barriers.

Four friends trapped on a boat, drift through a series of terrifying encounters.

Two teen boys meet each other in Copenhagen and team up to find one of the boys' mother. Instead they end up finding themselves - and each other.