Reflection

A couple returns to Aghdam, the city they once fled 32 years ago due to the war. It's a story about memory held in people, and about the small, powerful ways the past resurfaces when you finally face it.

The film is about war in Garabagh and when we look at wounded solider we see our son, brother or father.

Sequel to Fəryad (1993). The film tells the story of Azerbaijani victory in the 44-day Patriotic War for the lands of Karabakh, which the Armenian invaders had occupied for nearly 30 years.

At the end of the Garabagh war, a young Azeri man, who has been witness to the martyrdom of many people and the dispatch of his friends and relatives to the war front, mounts a white horse and without informing his family sets out for the front, He joins the relief work group in spite of the objections of the commander of the forces, until...

An Azerbaijanian veteran of battle for Brest fortress takes gun again 50 years later - to defend Nagorny Karabakh from Armenians.

The film tells the story of a man, who was in prison when the invaders occupied his native land. When he gets out from prison, he tries to find ways to visit his parents’ graves, which are located on the occupied lands now.

"Endless Corridor" is the definitive account of an agonizing human rights tragedy in which hundreds of Azerbaijanis massacred after Armenian Forces stormed the city of Khojaly during the Nagorno-Karabakh War. It happened in 1992, but the full story never been told throughout the world until now.

Using unpublished photos taken by Italian war photographer Enrico Sarsini, and the reconstruction of key events, this film examines the battle for a strategically-located church that was defended by Azerbaijani teenager Natig Gasimov. After his surrender and interrogation by Armenian forces, he was never heard of again. This film finds out what happened to Natig and who may be responsible. Filmed over a period of three years, filmmaker Karan Singh spoke to witnesses in Armenia, Azerbaijan, Italy and Russia in his search for the truth.

The film is about the breeding of the famous Karabakh horses at the Aghdam equestrian factory.

As a result of the second Karabakh war, a village should be ceded to Azerbaijan since a new highway is built through the Lachin corridor. The family of Narine, like many other Armenian families, needs to find a new place.

The film tells the story of the Karabakh veteran, cavalier of the Order of the "Azerbaijani Flag", National Hero of Azerbaijan, and commander of the intelligence unit, Ibad Huseynov.

The film takes place in Karabakh, where Baku students come to help build a settlement for refugees. Among them are two young lovers, Tural and Gunel. One night, they witness a failed sabotage attempt by Armenian militants, which Tural manages to record on his video camera. The footage shows explosions, armed extremists, and an unmarked helicopter, becoming key evidence. Realizing this, the enemies decide to eliminate the unwanted witness.

The ghost of a music teacher pushes a young mechanic to start a career in music.

33-year-old Roman decides to tackle his drug addiction by undergoing group therapy as part of a community holed up on an isolated farm in the Šumava mountains. Twelve people, men and women of varying ages and social status, voluntarily subject themselves to a tough regime under the supervision of three therapists. Many of them have stared death in the face already – overdoses, suicide attempts, and aggression heightened by the use of hard drugs, outwardly affecting even the strongest of them. Each brings something of his past into the group, which he has to experience again, both for himself and for those assembled. Past anguish, wrongs and guilt give rise to new problems: in this thickening atmosphere of suspicion and lies, who can still be trusted? This intimate psychological drama deliberately sets out to break up the tight narrative form through retrospectives in which we learn about the past life of each individual.

The story of Lafayette, the 19 year old pacifist who takes the side of the Colonials during the American war of Independence.

In a lighthouse off the coast of Brittany, a young man slowly goes mad following a bite by a rabid dog while his father looks on helplessly. Thwarted by a raging sea, they are prisoners of the lighthouse. In a rustic Brittany village, a young bride waits, unaware of the tragedy.

An eccentric teacher (Marie-Chantal Perron) causes children at her elementary school to change the way they look at themselves.

Former boxer Iwano, teamed up with Sada and Maru, who live in the same apartment building, makes his daily living as a punching bag for drunken businessmen in some corner of the amusement quarters. The three have continuously avoided putting themselves in a situation that could tie them down, especially Iwano, who is totally clueless about what he wants to do with his life. One day, they receive notice that their apartment building will be torn down. As a compensation for the eviction, their remaining rent is considered as settled. Having lost their place to live, the three each try to find their way.

The true story of explorer, journalist and writer Isabelle Eberhardt, originally from Switzerland. She moved to Annaba in Algeria in 1897 with her mother, who preferred to live in the Algerian neighborhoods rather than the European neighborhoods that she hated, and converted to Islam. Her lifestyle shocked the French colonialists: she dressed like a man, frequented cafes and smoke shops. Fascinated by the desert, she traveled the Sahara under the identity of Si Mahmoud, she published articles and books on the world she discovered in southern Algeria, strongly criticizing the colonial authorities. Arriving in El Oued, the soldiers prevent him from continuing his journey. She disobeys and overhears officers shooting Arab prisoners. Arrested, she was accused of espionage and was expelled from Algeria. She married Slimane, a Muslim non-commissioned officer in 1901. Having become French through this marriage, she could now reside in Algeria.

Although he was once a colonel in Argentina, the principal character in this film is now a wealthy exile living in Paris with his beloved wife, who has been unable to bear children. To fill this void in their lives, he feeds and clothes abandoned children, raising them in his mansion as if they were his own. As would never be the case in real life today, in this fantasized story set in 1925, no one objects to this behavior, and they live pleasantly and enjoyably together. Things grow considerably more animated when a stage magician places his very attractive daughter in the colonel's household, which stirs a lively romantic interest from his boys and from the great man himself.