Sofiane Pamart : An Evening at the Hôtel de la Marine

A washed-up '80s pop star gets a chance at a comeback when reigning pop diva Cora Corman invites him to write & record a duet with her, but there's a problem--Alex hasn't written a song in years; he's never written lyrics and he has to come up with a hit in a matter of days.

Celebrating the end of World War II and liberation of their city, a group of students is set on holding a cultural evening. They invite Ema, a reclusive piano teacher from the same building, to play for them. Ema declines, but starts reminscing back on her own life and the historical events that have seemingly overshadowed it.

A random librarian is pulled into a multiversal conundrum in this prequel to Tethered (2020).

Pollini plays flawlessly, with the greatest finesse and sensitivity, very much in tune with each composer's personal style. His performances are exemplary in every respect. The video and audio are quite acceptable, given their 1970s vintage. Böhm and Abbado are at home in this repertoire, and the Wiener Philharmoniker in excellent form, notwithstanding a few strange noises coming from the horns.

Emil Gilels is well known as a Beethoven interpreter. His approach is characterized by a full bodied sound throughout a wide dynamic range, complete virtuosity and a structural sense that gives clarity to both local and global musical events. His tempo choices make sense within a complete movement or entire sonata (he doesn't need to slow down dramatically for the second subject in Op.53's first movement) and he will mostly maintain a tempo with only slight fluctuations.

Under the guidance of famed American composer and conductor Leonard Bernstein, Polish classical pianist Krystian Zimerman and the Vienna Philharmonic deliver a rousing performance of Ludwig van Beethoven's Piano Concertos nos. 3, 4 and 5. Premiered in 1808, Beethoven's fourth concerto marked the last time the composer would take the stage as a soloist with an orchestra.

An aspiring classical pianist loses his hearing and, with the help of those closest to him, must find the strength to play again. . .

In his second acoustic music special, acclaimed pianist Arthur Hanlon once again joins forces with a roster of all-female artists to perform acoustic renditions of their most successful songs alongside Latin hits.

Set in 1980s Melbourne, a disgraced jazz pianist attempts to get back into his former band by sabotaging his replacement.

Although he is a highly regarded classical pianist, Francesco Tristano closes his concerts with a remarkable DJ set. With these unique performances, part classical music and part electronic, the Luxembourg-based artist proves he can stimulate both mind and body.

Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars. Paul Green teaches his students how to play music such as Black Sabbath and Frank Zappa better than anyone expects them to by using a unique style of teaching that includes getting very angry and acting childish.

Dillie takes a short break from her Fascinating Aïda gal pals with some brand new songs and some grand old favourites. With gorgeous songs of love and songs of disgraceful filth, Dillie will break your heart, mend it again and have it sent to the cleaners for pressing. And she'll give you her recipe for chutney while she’s at it. Dillie is accompanied by a band of brilliant musicians including the cabaret legend Michael Roulston on piano. Recorded live at the Soho Theatre, London in November 2016.

The Third Part of the Third Measure creates an encounter with the militant minimalism of black avant-garde queer composer, pianist and vocalist Julius Eastman. The film focuses on what The Otolith Group describe as ‘an experience of watching in the key of listening’, invoking political feelings of defiance and the collective practice of movement building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as ‘full of honour, integrity and boundless courage’.

Dillie, Liza and Adèle are celebrating 40 years with this BRAND NEW SHOW! Beautifully filmed at the Palace Theatre Southend-on-Sea, this triumphant show played The London Palladium and over 70 venues throughout the UK and in Australia. Fascinating Aïda have racked-up millions of internet followers, performed in the world’s most prestigious venues and been showered with awards and plaudits since they sashayed onto the scene back in 1983. Uniquely charming, with diamond-sharp satire, filthy, hilarious, belligerent, political, poignant and outrageous, this indomitable trio are still the mistresses of their craft. The show features much-loved favourites like Dogging and Cheap Flights plus wickedly hilarious new songs like AI, Tory MP and Citizenship Test ... Don't miss the chance to celebrate with these unstoppable performers in their glorious prime!

Multi-platinum recording artists release their first-ever live DVD. Recorded in April 2005, the shows were filmed in the band's hometown of Atlanta during two special sold-out performances featuring the Atlanta Symphony Youth Orchestra. The 20-song collection spans ninety minutes and encompasses hits from Collective Soul's seven studio albums, including their latest release, "Youth".

Released especially for Halloween, this video intended for an international audience of all ages will entertain you. Discover one of the most popular slashers playing on the piano 13 songs related to the Halloween theme in less than a minute and a half.

A guitar playing car thief meets an autistic savant piano player, and together they transform a group of reluctant halfway house convicts into The Killer Diller Blues Band.

Shuhei Amamiya transfers to Moriwaki Elementary filled with hope and ambition. But it doesn't take long before he gets picked on by the class bullies, and gets involved in a dare to play the mysterious piano in the forest. Igniting his meeting with an equally enigmatic child, Kai Ichinose, who seems to be the only one capable getting sound out of the thought to be broken piano.

A recording of Horowitz's historic 1986 recital in Moscow, the program also includes highlights of his return to his native Soviet Union--his first visit in 61 years.