Da qualche parte sulla Terra

Mulheres Compositoras na História de Passo Fundo (MCHPF)

As day turns to night, a solitary figure remains fixed before the camera while the world around him repeats itself in an endless cycle. As familiar moments return, the boundary between routine, memory, and inner unrest begins to dissolve.

As New York City is invaded by alien creatures who hunt by sound, a woman named Sam fights to survive with her cat.

This film is a ternary tale, a rumour. The protagonists try by all means to communicate, but they don't know what to say to each other. They may be deaf, but they're certainly not dumb. They wander around hoping that the environment around them will listen and respond. So, like bewildered surveyors, our two characters wander through urban and natural spaces, changing distances as they see fit. Moving from refuge to building, they see how fragile our environments are. In the beginning, they stand beside a waterfall. At the end, they face concrete and glass.

Two boys beg their parents for a television set, nagging them until all patience is lost. The parents order the boys to be quiet and the boys do exactly that--refusing to utter a word. The boys' silence ultimately puts the whole neighborhood into turmoil.

After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.

Mourning the Death of Ishan, Ashish relives the memories by playing his late brother's guitar cherishing and questioning his purpose. The

In the late 1960s, with the arrival of his bar-mitzvah, Michel was tasked with learning about his family's history.

A student who is a writer is experiencing an existential crisis and tries to cope with it by writing a book. Suddenly, he sees a girl dressed in white. He follows her in search of a way out.

Elizabeth Smart's harrowing abduction at 14 from her family's Utah home unfolds through her own words and never-before-seen material in this documentary.

A woman seeks quiet labor as a way out of institutional power, only to encounter the same hierarchies inside the homes she cleans. Instead of open resistance, she responds through private, invisible acts, leaving behind subtle traces that insist on her presence.

In February 2013, the New World Symphony presented Making the Right Choices: A John Cage Centennial Celebration, a spectacular three-day festival dedicated to the music and ideas of John Cage. As part of the festival, NWS hosted a new video installation entitled NWS: 4’33″, created by New York-based composer, director, performer and recording artist Mikel Rouse; which consisted of video performances contributed by Cage fans via a special YouTube site set up by Rouse. The public was invited to record and submit their own video, and visit the installation during the festival to see their work in the SunTrust Pavilion at the New World Center. These videos will be included in an online Archive of the event, a lasting tribute to this defining and seminal artist.

Inspired by the injustice and murder of George Floyd. It highlights a small insight, into being Black in today's society, and how those that are privileged, or have a platform to speak out are saying nothing, but are seeing everything.

A single mother. Her marriage ring. Her routine.

With his best friend Luca away at school, Alberto is enjoying his new life in Portorosso working alongside Massimo—the imposing, tattooed, one-armed fisherman of few words—who's quite possibly the coolest human in the entire world as far as Alberto is concerned. He wants more than anything to impress his mentor, but it's easier said than done.

Whilst still grieving the loss of a close loved one, Michael (Harry Murdoch) finds that his new friend, Lisa (Jenny Smith) has a past so unbelievable that he is forced to move on and learn to be himself again.

The film tells about the flight of the poetic mind, which can satiate the poet and throw him from the sky to the bitter reality.

Andre inherits a small fortune, which pushes him into a series of surreal and aimless encounters with eccentric strangers.

Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.

RIMANI IN (SILENZIO)