Edwin Lutyens Master Architect

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

Thousands of tourists come to Barcelona from far and wide to admire the work of the great architect, Antoni Gaudí. What they don't know is that many of the photographs they take home with them are of works by Josep Mª Jujol, a forgotten architect and the other great genius of Catalan Modernisme.

Paris, les grands travaux de Napoléon

L'île de la Cité, le cœur de Paris

Drahý mistře

A film about non-territorial office space, multi-mobile knowledge workers, Blackberries and Miles&More. A road movie discovering the working world of tomorrow. This documentary will take you on a journey through the post-industrial knowledge and services workshops, our supposed future working place. In this new world work will be handled more liberally. Time clocks cease to exist. Attention is not compulsory any more. The resource “human“ comes into focus. The film closely follows the high-tech work force – people who are highly mobile and passionate to make their work their purpose in life. Further episodes resume this topic and lead into the world of modern office architecture and into the world of Human Resource Management.

Île de la Réunion - L'incroyable route qui défie l'Océan

An award-winning wordless documentary that explores the architecture of the then new St. Peter's Seminary which is now seen as one of the most important post-war buildings in the United Kingdom. The film was made in celebration after architect Jack Coia was awarded the RIBA Gold Medal in 1969. Winner of the Medalla de Bronce at the Fifth Union of International Architects Festival in Madrid (1975).

Paris : l'incroyable chantier de Haussmann

Immigrant workers build a shopping mall for the upcoming 1972 Olympic Games in Munich. In 2016, nine people with migrant backgrounds are killed in a racist attack at the same mall.

The geometry of circles and ellipses is explored using the Roman Colosseum as an example. Using the Pantheon as another practical example, this program explores the concepts of central and intercepted angles, arc segments and chords. The Etude du Cinéma de l’Ecole de Barcelona (a short-lived group that appeared in Spain in the 1960s) offers the opportunity to consider the distrust of the avant-gardes with regard to narrative. The lacunar narration whose principle the School of Barcelona adopts goes against the traditional narrative and its quest for coherence and continuity. She invites the viewer to make the disconcerting experience of unbinding and emptiness. Such an approach involves an ethical posture. The Barcelona School follows in the footsteps of a modernity that intends to move away from an alienating authoritarian discourse and claims to make the spectator a partner in creation.

Images of crowd simulation are faced with testimonies from Liverpool Football Club’s supporters who recall their experience marked by a tragic event: the Hillsborough stadium disaster in 1989, which changed the nature of the game of football.

Ascenseurs : Une technologie XXL

Aalto is one of the greatest names in modern architecture and design, Aino and Alvar Aalto gave their signature to iconic Scandic design. The first cinematic portrait of their life love story is an enchanting journey of their creations and influence around the world.

Simetrias

Can a single building impact the career of an architect, the image of a global company and even the skyline of a big city? Just a month and a day after the disastrous attack on the World Trade Center in New York, the first steel beam of a new tower is erected in London. One question is on everybody’s mind: is it the right decision to build a new iconic tower in the midst of London’s financial district, on a site that has already been bombed before? The 40-storey steel and glass tower sparks further controversy. Norman Foster, one of Britain’s most visionary architects, calls his design for the new Swiss Re London headquarters ‘radial – socially, technically, architecturally and spatially’. In fact, its size and shape are so radical that it is almost immediately nicknamed ‘the erotic gherkin’. Will the Gherkin become the landmark they all dream of?

Vzácný klenot města Prahy

Architect Todd Saunders’s buildings on Fogo Island, Newfoundland embrace the excitement of being on the edge of nature and contemporary design while fulfilling the goal of doing ‘new things with old ways’. Saunders and commissioner, Zita Cobb, provide a personal account of the ideas and traditions that inspire this bold and socially ambitious architectural venture. Gorgeously photographed over the Island’s seven seasons, the film is a flowing, visual narrative that unfolds over time as the principal stage of the project, the Fogo Island Inn, approaches completion.

Founded in 1919 by Walter Gropius, Bauhaus was supposed to unite sculpture, painting, design and architecture into a single combined constructive discipline. It is a synthesis of liberated imagination and stringent structure; cross-medial concepts that embellish and enrich our existence, illumination and clarity, order and playfulness. But Bauhaus was never just an artistic experiment. Confronted with the social conditions of that particular time, as well as the experience of WWI, the movement concerned itself with the political and social connotations of design from the very outset. Hence, Bauhaus history is not just the history of art, but also the history of an era that stretches from the early 20th century to the modern day.

A collaboration between Jem Cohen with writer Luc Sante made in Tangier, Morocco, a city where neither of us had ever been. En route from the airport to the city center, we found ourselves amazed by the landscape outside of the car windows; a massive construction project under way in all directions. While not in itself unusual, we were by struck dumb by the epic scale and seemingly incomprehensible plan of the development and were drawn to return together to this puzzling zone. This project was commissioned by TAMAAS, a small foundation based in Paris, as part of their Tangier project, The 8.