A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.
After a young girl discovers a fascinating art museum, she becomes attached to the artwork she comes across. Although over time, there is a strange shift in energy the more time she spends with the artwork.
A prisoner belonging to a void known as “Lacuna,” longs to escape their entrapment. As they search for a way out, they confront the unchecked mental illness that plagued their former life.
A spell of time in the life of a family in rural Tochigi prefecture. Yoshiko is not an ordinary housewife, instead working on an animated film project. Uncle Ayano, a successful music producer, is looking to get his head together after living in Tokyo. Meanwhile, Sachiko is concerned with why she seems to be followed by a giant version of herself. As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.
"Resonances" is an abstract journey that invites diverse interpretations. For some, it’s the tale of an ant that delved too deep, for others, a puppet seeking freedom. The narrative evolves with the viewer, offering no single path but rather a multitude of meanings. Free and autonomous, "Resonances" challenges you to explore with your mind and question with your soul. Only through personal reflection will the answers reveal themselves, making the experience uniquely yours.
A married couple begins to drift apart after they discover the husband's doppelgänger lurking the streets of their neighbourhood.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
When a group of kids accidentaly origin the awakening of an old monster, the fun trip they where planning turnst out to be a horrorific nightmare...
Set in the dark depths of a strange and mysterious power supply complex, ELLIOT tells the tale of a conflicted humanoid (Elliot) struggling to maintain his reality and understand his true identity. Elliot is thrust into a disconcerting downward spiral of despair in which he is forced to recognize the perils of his own cognition and constructed ideals in a crumbling universe where the lines between fantasy, simulation, and reality are blurred, and the fibers of Elliot’s fragile existence are ruptured.
Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.
After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.
A man contemplates whether or not it is possible to do something unique.
Experimental short film that reflects through the voice of the protagonist, poetically, about a fateful intimate and personal event.
The last person on Earth revisits their memories as they wander a lonely world
A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.
World famous pop group the Spice Girls zip around London in their luxurious double decker tour bus having various adventures and performing for their fans.
A phone sex operator loses her grip on reality, caught in a hypnotic relationship with a caller making disturbing confessions.
General arrives in Baden-Baden with his stepdaughter Polina and his mother, seeking social standing and respite. Secretly, they chase casino fortunes alongside a French businessman and beauty. Alexej, Polina’s tutor, struggles with his own gambling past while falling for her. When the wealthy “Babushka” dies, the family’s financial woes vanish, freeing Alexej to court Polina. Yet he loses everything in a sudden winning streak that upends loyalties and reveals the world’s true stakes: love, money, and chance.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.