The House of Shades

This last testimony of Robert Kramer (1939-1999) is a moving documentary with the independent American film director, in which he speaks of his political activism, his way of filmmaking, his relationship with Portugal and the revolutionary movements.

The school play is in trouble and these scrappy theatre kids are determined to save it.

A two parts making of documentary, following José Augusto Silva and his film crew during the shooting of a university short film called Castelo.

The Vampire Attack

A boy uses a professor's liquid to make objects transparent.

A bizarre cartoon based on English nursery rhymes.

The cartoon is based on one of the famous Ukrainian lullabies. It tells the story of a newborn baby, which is surrounded by the maternal care and affection. In the video sequence, unusual ornament is replaced by fairy tale characters and animals that appear near the baby lying in his cradle.

The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Johanna has lost her savings book. Can the finder now withdraw the money? How secure is a savings book and what advantages does it offer the owner? What does the bank actually do with the money while it has it in safekeeping?

How manipulable are people? Mr. O. considers himself to be uninfluenceable. His daily routine with the corresponding decision-making situations and behaviors gives two commentators cause to take different positions on human dependence on external influences: While one wants to declare Mr. O. a will-less object of advertising, for example, the other believes his freedom is never at risk.

Lamento

An unflinching look at the plight of immigrants victimized by violent crimes and the obstacles they face as they seek justice - told thru the eyes of one victim.

Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.

An examination on the effect of Franco-era religious schooling and sexual abuse on the lives of two longtime friends.