A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".
Saru Latar Biru
Michel wants to go home.
Based on real stories, using both actors and non-actors, and filmed on location in Dublin, A Week in the Life of Martin Cluxton (1971) is a rare example of Irish social realism. After years in an industrial school, Martin Cluxton (Derek King) returns home to Dublin but finds considerable prejudice and little opportunity. Broadcast on RTÉ, it was directed by Brian MacLochlainn, co-written by Caoimhín Ó Marcaigh and MacLochlainn, with music by jazz great Louis Stewart.
Sonia and Arturo live in a house that appears safe but is too large and silent. One night, three armed men violently break into the couple's property. Arturo manages to escape and capture the youngest and most inexperienced of the thieves, deciding to kidnap him and discipline him in the basement of the house. Gradually, the anger dissipates, and strange familial ties emerge that Arturo and Sonia believed were long gone. "Salvajes" is a violent portrayal of a divided society, in an unequal social fabric where the boundaries between victim and perpetrator become blurred.
Angie is a working class woman. After being fired, she decides to set up a recruitment agency of her own, running it from her kitchen with her friend, Rose. Taking advantage of the desperation of immigrants, Angie builds a successful business extremely quickly.
The film follows the story of Ellie, a young girl from a violent home. The 9-year-old seems to escape from her harsh reality by spending her days in the woods of a nearby scrapyard with her friend, Pete. There, the pair have built a new home for themselves. One night, after witnessing the horrifying abuse of her mother, Ellie decides to come back home and confront her stepfather.
The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world. A reserved community has been set up here. Despite the modern technologies and a spaceport nearby the people of the village live the way they would in the Neolithic Era. There is neither government nor social services or jobs. The postman's beloved woman escapes the village life and moves to the city. Postman's outboard engine gets stolen and he can no longer deliver mail. His normal pattern of life is disrupted. The postman makes a decision to leave for the city too but returns before long with no certain reason. The script is based on real characters' stories. People from the village play their own parts in the film. The search for the protagonist lasted for over a year.
Young, impulsive Rosetta lives a hard and stressful life as she struggles to support herself and her alcoholic mother. Refusing all charity, she is desperate to maintain a dignified job.
The story of a young mother with a failed marriage behind her, who fights daily for her dream to open a hair salon, challenging her fate in an effort to free herself and gain independence and right to happiness.
In South Yorkshire, a small group of railway maintenance men discover that because of privatization, their lives will never be the same. When the trusty British Rail sign is replaced by one reading East Midland Infrastructure, it is clear that there will be the inevitable winners and losers as downsizing and efficiency become the new buzzwords.
Juana moves with her son Juan from the country to Caracas in search of better work and educational opportunities. When they get there they have to live in a poor home in one of the slums located in the city's outskirts, where they encounter a horrible world full of promiscuity and misery, that is quite different from what they expected and that eventually will lead Juana to self-destruction and Juan to reconsider his life in the city.
Viveca is 31, divorced, and has a son of 6 years. She and her friend Aud have left the hectic everyday life and moved in with bohemians and artists. We follow these two women for five days, as they come in contact with many different people.
A day in the life of photo model Liv. But it's no ordinary day. She breaks up with her fiance, father and her own empty life as a model, and has to find a new place to live. But is it that easy to make a clean break?
Speech Day is a bit of a laugh if you are not one of nature's prize-winners. But now that they've finished with school and school with them, what comes next for Ronnie, Wally and Rob?
Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.
Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends -- Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.
Lorna is a young Albanian woman in a marriage of convenience with Claudy, a heroin addict. Just as Lorna is about to be granted Belgian citizenship, Claudy finds the strength to detox; this presents a problem not only for Lorna, but for the criminal who brokered the deal.
An American remake of the iconic Italian neo-realist postwar masterpiece. When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.
Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers' union has assigned organizer Sam Shapiro to bring its "justice for janitors" campaign to the building. Sam finds Maya a willing listener, she's also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.