Dillī Dallī Saules dārzā

Dillī Dallī Minku parkā

Three 11-year-old kids Scotty, Macon, and Tamika arrive at the Super Space Station. The station has been built to help save humanity. But not everyone wants the station to succeed, and there are competing corporations that will stop at nothing to see this.

After returning home from college, Sam realizes his little sister Janie may not be as little as he remembers.

"Miserable me. Two plates are screwed to my temples", Franz thought, closing his eyes. A dark abyss, the mad court, the sentence to be served in the form of everlasting insomnia.

After 20 years of living together, Carine, Fabrice and their son have a well-ordered daily life. While Carine is restricted to household chores, Fabrice watches TV all the time, each in their own space, their eyes no longer meet.

Mr Lam is an old man, losing his memory since his wife died. The last day of "the insects' hibernation", he receives an unexpected visit from Ms. Meng, Taoist exorcist determined to chase demons out of his head.

Part three of the trilogy, centred on the Swiss tenor August Schram, is now located in an opera house during a running performance of Donizetti's humorous melodrama "L'elisir d'amore" and furnished with a memorable cast of characters.

Works inspired by artists Basquiat, Banksy, Haring, and Ai Weiwei represent Bukowski's poem's theme of self-invention.

A dancer as filmmaker refrains from superfluous movement in a villa in Brittany, giving way to an individual as well as social state described by the French philosopher Paul Virilio as "polar inertia".

Japanese trains. Non-places. An intense travel experience through time and space. From Matsuo Bashō's haikus to images of a vanishing world created by Hokusai in Manga catalogues.

To an attentive passer-by, the activities of some painters seem very suspicious. As a result of their artistic efforts, the anti-occupier slogan AMI GO HOME appears to have appeared on the wall. The outraged citizen does not succeed in persuading the craftsmen to remove the writing - he only receives amusement. The police, who were finally alerted, and the representatives of the occupying power were unable to find anything offensive about the lettering, as the full company name "Armin Gotzschomer" had developed from the letters in the meantime. In the evening, however, the lettering does convey the presumed message AMI GO HOME, as the painters have highlighted some of the letters with fluorescent paint.

In a land without light, the sudden appearance of a strange, illuminated object causes a stir among the inhabitants. Egoism and greed infiltrate this dark world. A peculiar parable about the shortcomings of human behaviour.

A nine-year-old boy gets a plastic Indian and a cupboard for his birthday and finds himself involved in adventure when the Indian comes to life and befriends him.

Dumbo is a baby elephant born with over-sized ears and a supreme lack of confidence. But thanks to his even more diminutive buddy Timothy the Mouse, the pint-sized pachyderm learns to surmount all obstacles.

The second instalment in a four part series in which a city is explored through the daily behaviour of its citizens. Habitography (Three) is a place where time is what weighs the most.

Sorrow is an analog animation in which through black, red and gold ink the internal conflict of a being who tries to inhabit his own house, but how they do not allow themselves to do so. As they try to go about everyday activities, mysterious creatures interrupt everything they intend to do.

Inside everyone of us there is a box of wishes. Most have our name on them... But the most powerful wishes are those that lie in our hearts, and yet belong to someone else. When Lulú notices a troubled bird in the city, she conjures her magical and slightly clumsy, Guardian creature Kino. Together, they explore solutions in her surreal inner world. But although things dont always go as planned, they discover that small acts of kindness can go a long way in changing the world.

Basia is five years old and lives in the city with her parents, her brother and a stuffed friend. Sometimes, like any child her age, she faces big problems and does so with intelligence, curiosity and a particular sense of humor.

Tells the story of breasts post embodiment. It is a conversation about agency, and the relationship between fantasy and nightmare, necessity and desire.