The Water Map is an essayistic journey through the ethnography and landscapes of the Region of Murcia. These places are in the process of disappearing due to the increasing and abundant agricultural exploitation. Water has marked the territory and the culture of the area, and with its disappearance, the memories of four characters fade away.
Gustavo, a young man passionate about the sea and photography, shares experiences about the strange meaning of being black through his memories, venting his feelings amid the materialities of life.
The documentary Sin Telón celebrates the national artistic values of Teatro La Candelaria, recognized both nationally and internationally as one of the leading Latin American experimental theater groups. The film highlights the extensive career of Santiago García while also portraying the everyday life and unique working methods of this dedicated ensemble of artists from Teatro La Candelaria.
Short film about the Manzanar Japanese American internment camp. Preserved by the Academy Film Archive in 2011.
Explore the mysterious Amazon through the amazing IMAX experience. Amazon celebrates the beauty, vitality and wonder of the rapidly disappearing rain forest.
The Academy Award® nominee Cosmic Voyage combines live action with state-of-the-art computer-generated imagery to pinpoint where humans fit in our ever-expanding universe. Highlighting this journey is a "cosmic zoom" based on the powers of 10, extending from the Earth to the largest observable structures in the universe, and then back to the subnuclear realm.
Actors work with a director to find the rhythm of a scene.
African American filmmaker David A. Wilson decided to look into his family's history during the slave era. The result is this documentary, which provides a unique perspective on the long shadow cast by slavery in America. Wilson travels to North Carolina to visit the plantation where his ancestors once toiled and to meet its current owner -- a white man named David Wilson, whose slave-owning ancestors originally occupied the property.
Suellyn thought the Department of Community Services (DOCS) would only remove children in extreme cases, until her own grandchildren were taken in the middle of the night. Hazel decided to take on the DOCS system after her fourth grandchild was taken into state care. Jen Swan expected to continue to care for her grandchildren but DOCS deemed her unsuitable, a shock not just to her but to her sister, Deb, who was, at the time, a DOCS worker. The rate of Indigenous child removal has actually increased since Prime Minister Kevin Rudd delivered the apology to the ‘stolen generations’ in 2008. These four grandmothers find each other and start a national movement to place extended families as a key solution to the rising number of Aboriginal children in out-of-home care. They are not only taking on the system; they are changing it…
A documentary exploring social life in Yaffa before 1948 through a miniature portrait of a Palestinian couple, Wadee’a Aghabi and Naim Azar, constructed through the oral histories presented by their daughters and relatives.
A working day for a group of young open-pit miners by a quarry in Apulia, Italy.
LA CASA DELLE VEDOVE portrays a group of widows who, he thinks, lived in a constant ‘dialogue‘ with death. In the house where they all lived ‘every colour was saturated with that special reddish shade that you see everywhere in Rome, and furthermore the rooms were filled with a stale, musty smell.‘
This last testimony of Robert Kramer (1939-1999) is a moving documentary with the independent American film director, in which he speaks of his political activism, his way of filmmaking, his relationship with Portugal and the revolutionary movements.
We meet big Jack Taylor, who hasn’t left his little flat in Bradford, West Yorkshire for 25 years. Jack’s become something of a celebrity, with German camera crews flocking to visit him. But the last time Jack got weighed was many years ago, and then he clocked in at 48 stone. So how much does he weigh now? We’re introduced to Barry, a young man of 41 stone. Barry makes nightclub appearances and talks about the fame that fatness brings. But now he’s determined to lose weight and consults his doctor to discuss medication and diet. Meanwhile, Jack talks about the tragic deaths in his past and his decision to stop inside the house for a quarter of a century. Eventually Barry and Jack meet to discuss the impact of the media on their lives. Determined to confirm Jack as Britain’s fattest man, the director eventually coaxes Jack onto a vast set of scales. So who is the fattest man in Britain? The tale of the scales causes surprise and quivering outrage…
Of The Mountains sees three snowboarders of unique and uncommon backgrounds come together for a lifetime trip to the iconic backcountry of Hokkaido, Japan. It is a story of mentorship, unlimited possibility, and the transformative power of perfect powder.
Captures the spirit and essence of the great San Francisco Human Be-In of January 14, 1967. Ten thousand people imbued with peace, love and euphoria. Set to hard rock such as only San Francisco blues can produce. BE-IN contains Allen Ginsberg, Lawrence Ferlinghetti, Timothy Leary, Michael McClure, Lenore Kandel and Buddha. Music by Blue Cheer.
Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.
Searching for the root of generational trauma, the director takes a camera into his estranged grandfather’s funeral.
Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.
In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.