Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).
For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.
The wish was father to the thought: instead of asking Mr. Reagan conventionally worded questions about his candidacy, as he had done Messrs. A discussion full of substance-on topics ranging from Yugoslavia and Czechoslovakia, to the way government bonds should be issued, to the still-ongoing energy crisis, to the still-high unemployment-but also a delicious dress rehearsal.
The making of the hoax film Miracles of Evolution.
Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.
This documentary film is about one of Georgia's regions - Racha. The title of the film is taken from the name of one of Racha's high mountain villages. It tells about the poorest in society living in the mountains and the rise of the SSSR. The product of a remarkable collaboration between the first Georgian female filmmaker and the leading Georgian avant-garde artist David Kakabadze.
Stop The Tour discovers the extraordinary story of how sport helped bring an end to Apartheid which paved the way towards the multi racial 2019 Springbok champions.
Comprised of two interviews with President Barack Obama conducted both before and after the 2016 Presidential election, The 44th President: In His Own Words is the President’s first-hand account of his time in office–his successes, his failures, his unfinished business–and what he hopes will be his legacy. Including additional interviews with members of his staff, Congress, and the press, The 44th President: In His Own Words is a unique examination of the Obama presidency from the inside out, and a profound and candid historical record that will stand for generations.
African Adventure: Safari in the Okavango
A short film made with the film end rolls of 'Du côté de la côte'.
The remarkable true story of Donald Trump's family history - one of the most extraordinary immigration success stories ever told - and what it reveals about the United States' 45th President
Why does the word “lesbian” feel toxic to some queer women? “Lesbian.” – a powerful film from poet lisa luxx and director Rosemary Baker – is a call to arms to take the word back.
An obituary for Victor Jara, the Chilean folksinger who was murdered in a football stadium by the military junta during the days of the September 1973 coup.
Alcoholism and its Ill-Effects was considered to be one of the most popular science propaganda (or educational) films produced in Russia before the revolution of 1917. Alexander Khanzhonkov, the most prominent Russian film producer of that era, financed a special department dedicated to non-fictional cinema, despite the fact that such films were not commercially successful. Unfortunately, not a single copy of the film has survived to the present day. All that remains are 12 frames, which were used by Izvolov to create this reconstruction. He also used extracts from critical reviews, published at the time of the film’s release, to produce a soundtrack.
Computer animation and footage from NASA space missions explain how our solar system evolved and the place Earth has within the system.
This beautiful and poignant film was commissioned by TENI (Transgender Equality Network Ireland) and is a conversational piece which explores gender identity and transgender experiences in Ireland.