We Are Your Grandfather

When You Come Home was Randle’s seventh feature film, and sees him recount his life as a music hall odd job man to his grandaughter.

An elderly man goes about his daily routine until his grandson shows up and is eager to play football with him. Their mismatch on the football pitch is quickly apparent, with the youngster running rings around his senior. The old man with a bruised ego and full of reminiscence of his youth begins to prepare for their next encounter.

Newly married Kay Dunstan announces that she and her husband are having a baby, leaving her father to come to grips with the fact that he will soon be a granddad.

81-year-old millionaire Jack Watson switches bodies with his 18-year-old grandson David, leading the two to experience life on opposite ends of the age spectrum. But when David, trapped in Jack's aged body, ends up in a coma, his grandfather must use his meager knowledge of the youth to prevent his family from pulling the plug.

José Manuel Ortiz, 32, has had a great interest and sensitivity towards music since he was very young. He grows up listening to the anecdotes of his great-grandfather Carlos Amable Ortiz who was the first academic musician in Ecuador. After the death of Carlos Amable Ortiz, his fame begins to fade, but his 237 scores have managed to survive time. Upon recovering the works, José Manuel's interest in studying and deepening the music found is awakened.

Silvia and Andrés, two siblings who live with their grandfather in a house in the middle of the forest, unleash the wrath of a dark entity that will relentlessly pursue them until it catches them, during the course of one night. The children must use the entity's weaknesses to survive until dawn and get rid of the curse.

Thomas de Frémont, a precocious child obsessed with action films, sets himself up for a terrifying Christmas Eve after he unwittingly makes contact with a deranged psychopath who claims he's Santa Claus.

Mario and Gonzalo are father and son, they're unseen for years, now both will have to settle unfinished issues from the past, issues that Gonzalo unforgiving of his father, and from himself.

Heidi is orphaned and her uncaring maternal Aunt Dete takes her to the mountains to live with her reclusive, grumpy paternal grandfather, Adolph Kramer. Heidi brings her grandfather back into mountain society through her sweet ways and sheer love. When Dete later returns and steals Heidi away to become the companion of a rich man's wheelchair-bound daughter, the grandfather is heartsick to discover his little girl missing and immediately sets out to get her back.

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

An ignored older man makes a dramatic and reckless bid for attention with success.

Young Pud is orphaned and left in the care of his aged grandparents. The boy and his grandfather are inseparable. Gramps is concerned for Pud's future and wary of a scheming relative who seeks custody of the child. One day Mr. Brink, an agent of Death, arrives to take Gramps "to the land where the woodbine twineth." Through a bit of trickery, Gramps confines Mr. Brink, and thus Death, to the branches of a large apple tree, giving Gramps extra time to resolve issues about Pud's future.

Jacob Kaplan lives an ordinary life in Uruguay. Like many of his other Jewish friends, Jacob fled Europe for South America because of World War II. But now turning 76, he is grumpy and in need of adventure. An unexpected opportunity to achieve greatness comes in the form of a quiet, elderly German, who Mr Kaplan believes to be a runaway Nazi. Determined to capture this Nazi, as Eichmann was captured before him, Mr Kaplan surprises everyone when he takes up this challenge.

Huang , a Chinese retired general, lives alone in the city center. Traditional and conservative, he hardly leaves the house. One day, Huang receives an unusual visit from his grandson.

Every year the Chincoteague fire department rounds up the wild ponies of Assateague Island and holds an auction to thin out the herd. The young children set out to raise enough money in hopes that the Phantom will be caught in this years round up. They soon realize they will get more than they bargained for when the Phantom has a surprise for everyone: a foal named Misty.

A kindly shop owner whose overwhelming gambling debts allow a greedy landlord to seize his shop of dusty treasures. Evicted and with no way to pay his debts, he and his granddaughter flee.

Peter is thrilled that his Grandpa is coming to live with his family. That is, until Grandpa moves into Peter's room, forcing him upstairs into the creepy attic. And though he loves his Grandpa, he wants his room back - so he has no choice but to declare war.

Martha is unhappy with her life as it is at the moment, and among other issues, she has decided to give up her writing career. Along with that decision comes a need to get away from her husband and from her psychiatrist, with whom she has had more than just a doctor-patient relationship. As Martha travels through a deserted city landscape in a storm, the external world reflects something of her inner turmoil. Flashbacks are interspersed throughout the film to enhance the suspense of Martha's inner and outer journey.

Olaf is to take care of the family's cleaner's store, while his dad is away on a fair. In the evening he runs into three Brazilian ladies thrown out of a limousine not knowing where to go. Olaf invites them to stay with him and his deaf pot-smoking grandfather, which at first just causes some confusion as he soon is to marry his girlfriend Vera. The next day it's topsy-turvy all over.

A man reminisces on his Grandfather's life in an old abandoned building.