PRÓXIMO!

As a woman attempts to outrun her intrusive thoughts, her evening begins to unravel alongside her mind.

A person spends some time in a room

The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.

Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with an up and coming dancer, Nora.

Catherine is a woman in her late twenties who is strongly devoted to her father, Robert, a brilliant and well-known mathematician whose grip on reality is beginning to slip away. As Robert descends into madness, Catherine begins to wonder if she may have inherited her father's mental illness along with his mathematical genius.

Tamara Rojo, dancer and artistic director of English National Ballet, explores Giselle - the first great Romantic ballet, and a defining role for any ballerina. Through two radically contrasting 2016 productions - a traditional 19th-century recreation, and a gritty reimagining of the work by celebrated Anglo-Bangladeshi choreographer Akram Khan - Rojo examines the cultural and social background to the ballet’s genesis in 1840s Paris, and the spiritual themes that have fuelled its success over the last 175 years. Giselle is the story of a young peasant girl who personifies all that is good in life, and ultimately forgives the aristocrat who has seduced and betrayed her. With Giselle, the look and emotional heart of ballet was transformed forever, from mime-based storytelling to a fusion of emotion, music and movement, formulating a tradition that has inspired audiences, dancers and choreographers ever since.

Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.

Grady is a 50-ish English professor who hasn't had a thing published in years—not since he wrote his award winning 'Great American Novel' 7 years ago. This weekend proves even worse than he could imagine as he finds himself reeling from one misadventure to another in the company of a new wonder boy author.

In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.

Jaebum and Hyunchae have been a couple for many years. They decide to get married and buy a house before the wedding. When they start decorating their home, they have quarrels over everything because they have nothing in common; neither their way of thinking nor the banal taste. Hyunchae can't sleep due to anxiety about the future, so she leaves home.

When young dockworker Jude leaves Liverpool to find his estranged father in the United States, he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy, who joins the growing anti-war movement. As the body count in Vietnam rises, political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad.

In 1960, American dancer and actor Gene Kelly created for the Paris Opera Ballet an original choreography that was highly acclaimed at the time, yet rarely performed thereafter; a genius work that the Scottish Ballet, accompanied by the stirring and evocative score by composer and pianist George Gershwin, epitome of orchestral jazz, brings back to life sixty years later.

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

After his death, a young man stuck in purgatory attempts to cope with the afterlife.

The history and trauma of two men, brought together by war, is exposed when a mysterious visitor treads familiar ground.

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

Njafweniko is a tender and tense short film about caring for a loved one suffering from mental health issues by First Acts filmmaker Emma Taonga Sayers. Through contemporary dance, Emma calls attention to how race interacts with perceptions of mental health.

Shaun Brumder is a local surfer kid from Orange County who dreams of going to Stanford to become a writer and to get away from his dysfunctional family household. Except Shaun runs into one complication after another, starting when his application is rejected after his dim-witted guidance counselor sends in the wrong form.

Dance teacher and mother Nadja left her son Mario with her own mother when he was little. Now she has reappeared on his doorstep, seeking a closeness that knows fewer and fewer boundaries. An uncompromising film about family relationships.