Alexandre Barrette: Semi-Croquant

L'Autre c'est moi est le troisième spectacle de l'humoriste Gad Elmaleh, en 2005.

La Vie normale est un spectacle de Gad Elmaleh sorti en 2001 où sont dépeints les caractères de plusieurs personnages et où il joue son propre rôle.

"Décalages" is Gad Elmaleh's first show, where he humorously tells the story of his arrival in France and his cultural shocks. Blending stand-up and characters, he addresses themes of integration and the beginnings of his career.

A comedy about depression, alcoholism, suicide and the other funniest parts of life. Gethard holds nothing back as he dives into his experiences with mental illness and psychiatry, finding hope in the strangest places. An adaption of his one-man off-Broadway show of the same name.

George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.

Ahmed Sylla - Avec un grand A

The "at peace" Dieudonné no longer opposes the system: he absorbs and transcends it. After sating spirits with laughter through unworthy and immoral characters, the artist becomes a gangster of beauty and a slave to grace.

Between stand up comedy, skits and hilarious improv, Bun Hay Mean reveals why the Chinese Man is the future of humankind. The show "Chinois Marrant" ("Funny Chinese Guy") is a must-watch concept!

Les Denis Drolets: En Attendant le Beau Temps

La favola mia

Mustapha El Atrassi - Que Du Sale

Buster and his new cast now have their sights set on debuting a new show at the Crystal Tower Theater in glamorous Redshore City. But with no connections, he and his singers must sneak into the Crystal Entertainment offices, run by the ruthless wolf mogul Jimmy Crystal, where the gang pitches the ridiculous idea of casting the lion rock legend Clay Calloway in their show. Buster must embark on a quest to find the now-isolated Clay and persuade him to return to the stage.

French comic Gad Elmaleh regales a Montreal crowd with tales of awkward mix-ups and baffling customs he's encountered since moving to the U.S.

Actor Robert Vaughn takes on writer Dore Schary's acclaimed one-man play, "Sunrise at Campobello," bringing to life one of America's most beloved and influential presidents: Franklin Delano Roosevelt. Focusing primarily on the political figure's battle with polio, this made-for-TV movie reveals the humanity and grace of the man who led the country through some of its toughest times, including the Great Depression and World War II.

Pour cette nouvelle aventure, Jamel a invité des artistes, à participer à plus d’une douzaine de courts-métrages originaux créés par lui-même et son équipe. Au programme des parodies désopilantes (Low School Musical, Les Experts Ouarzazate, Les Smashin’ Pump Spin’s…), des sketches hilarants (L’interview de la Chaussure de Bush, la leçon de Jamel…) et surtout la présence de guest stars tels que Florence Foresti, Audrey Lamy, Stromae, Didier Bourdon, David Pujadas ou Gad Elmaleh.Au final, un voyage humoristique de plus d’1h15, revisitant l’univers du cinéma et de la télévision et tout droit tiré de l’imagination délirante de Jamel.

Kev Adams - Voilà Voilà

François Damiens once again tricks unsuspecting passersby. His new playground: Corsica.

Gad Elmaleh : Sans tambour

Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.

Monologuist Spalding Gray talks about the great difficulties he experienced while attempting to write his first novel, a nearly 2,000-page autobiographical tome concerning the death of his mother. Among his many asides, Gray discusses his problems in dealing with the Hollywood film industry, recounts the trips he took around the world in order to avoid dealing with his writer's block and describes his ambivalence about acting as stage manager for a Broadway production of "Our Town."