On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.
A young shepherdess and a chimneysweep plan to get married and escape the clutches of a tyrannical king in love with her, assisted by the guile of a cheeky mockingbird, the king's archenemy.
In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.
Works inspired by artists Basquiat, Banksy, Haring, and Ai Weiwei represent Bukowski's poem's theme of self-invention.
Pour ne pas oublier l'invisible
An animated telling of Kobe Bryant's titular poem, signaling his retirement from the sport that made his name.
Tim Burton's original poem narrated by Christopher Lee.
Rosie Ming, a young Canadian poet, is invited to perform at a Poetry Festival in Shiraz, Iran, but she’d rather be in Paris. She lives at home with her over-protective Chinese grandparents and has never been anywhere by herself. Once in Iran, she finds herself in the company of poets and Persians, all who tell her stories that force her to confront her past; the Iranian father she assumed abandoned her and the nature of Poetry itself. It’s about building bridges between cultural and generational divides. It’s about being curious. Staying open. And finding your own voice through the magic of poetry. Rosie goes on an unwitting journey of forgiveness, reconciliation, and perhaps above all, understanding, through learning about her father’s past, her own cultural identity, and her responsibility to it.
A cellist attempts to rescue a woman swept out to sea, only to find he must battle a series of overly possesive sea creatures.
相思(上)
As of his early childhood Robinson Crusoe has wanted to become a sailor. And when he does become one bad luck has it that the vessel he sails on gets shipwrecked. Being the only survivor of the catastrophe, he manages to take refuge on a desert island where he will spend several years, learning how to survive...
After meeting one day, a shy boy who expresses himself through haiku and a bubbly but self-conscious girl share a brief, magical summer.
Rupert, a ten year old boy, falls hopelessly in love for the first time. When it all goes terribly wrong, he wishes never to experience heartache again. Turning to a book of magic, he invokes a spell to shield him from emotion forever.
In the adaptation of a poem by Taras Shevchenko in the last third of XVIII a small fraction of 300 Cossacks who were enslaving their own people for Turkey and were executed by other Zaporizhian Sich Cossacks are reanimated as living dead at one cold night.
Voir le soleil se lever dans la lune
The main morality is the chronic desire for rest Within the historians, filmmakers, astronomers and the bread Which once was dough front to back Relationship stops along the way You are not a wax-work in a glass Become the concept of freedom Freedom exists and must bring fruit The universe glancing for purchase reasoned
A narrative poem brought to life and an ode to a grandfather's passing, NAMOO—which translates to “tree” in Korean—follows the journey of a budding artist from beginning to end.
A small film based on a poem by Osip Mandelstam. What the poet is thinking about, sitting in his apartment.
Musicians inspired by the Moon. Since the Apollo landings, the Moon has entered popular consciousness like never before. A journey through pop music's lunar obsession.
Through meticulous cut-up, collaging and stop motion, Nico Vassilakis makes words dance across the screen, moving our eyes in all different directions. This video poem is dynamic and colourful, and brings into question what happens when we 'see' a word - where do we distinguish between the image a word forms in our minds, and the image it forms on a page or screen?