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The people, the scenery and the industrial traditions of the Stroud valley and the growth of the woollen industry.

The Shipibo-Konibo people of Peruvian Amazon decorate their pottery, jewelry, textiles, and body art with complex geometric patterns called kené. These patterns also have corresponding songs, called icaros, which are integral to the Shipibo way of life. This documentary explores these unique art forms, and one Shipibo family's efforts to safeguard the tradition.

A new documentary that follows master Haida weaver Delores Churchill on a journey to replicate a spruce root hat discovered with the Long Ago Person Found. The 300-year-old traveler was discovered in British Columbia and DNA testing discovered living descendants in Canada and Alaska. Her search crosses cultures and borders, and involves artists, scholars and scientists. The project raises questions about understanding and interpreting ownership, knowledge and connection.

Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.

Set in Varanasi, an ancient city of India, Tana Bana offers a rare look at the hidden world of Moslem weavers and Hindu traders and how their lives are interwoven through the production of the silk and the beauty it creates. However, as the technology advances, the trade is threatened by computerization and globalization.

A Weaverly Path offers an intimate portrait of Swiss-born tapestry weaver Silvia Heyden. The film captures the inner dialogue and meditations of an extraordinary artist in the moments of creation. Heyden works for over a year to create works inspired by the Eno River in Durham, North Carolina. And she shares how nature, music, her Bauhaus inspired education at the School of the Arts in Zurich and her life experiences anchor and inform her art. Heyden was a 20th century modernist whose body of work redefines the art of modern tapestry.

A group of Macedonian women are shown hard at work.

Uses high magnification photography to demonstrate the processes of converting raw fibers into woven cloth.

This film explores the traditional crafts of Native American tribes, specifically the Hopi, Navajo, and Iroquois. It highlights the craftsmanship of Hopi basket weaving and pottery, showcasing their techniques and cultural significance. The Navajo's weaving of wool blankets and rugs, as well as their silver jewelry making process, is also detailed. Additionally, the film discusses the Iroquois tradition of carving ceremonial masks from basswood trees. Each craft reflects the unique heritage and artistic expressions of these tribes.

Set in a Burkina Faso organic cotton weaving cooperative, a cacophonous cotton-spinning apparatus eats, digests, and takes a breath. Threads become the organs of a whirling, burping, guzzling machine animated by hands, looms, vats, cogs, and feet. Where does the machine end and the body begin? The weaving cooperative promises equitable remuneration for workers in an industry beholden to its colonial predecessor: today, Burkinabè cotton farmers live in permanent debt to cotton companies financed by European capital. By focusing on the repetitive labor unfolding within a cooperative that claims to serve its workers, Everything Here Holds Its Inverse examines the tension between empowerment and evolving oppressions. Can the ties that bind and define also set free?

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The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers, scientists and avant-garde artists. Filmed at the State Tretyakov Gallery, the Moscow Zoological Museum, The Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration and conservation as a means of the material restoration of life, following an essay penned by Nikolai Federov on this subject in the 1880s. The film follows a cast comprised of present-day followers of Federov, several actors, artists and a Pharaoh Hound that playfully enact a resurrection of a mummy, a close examination of Malevich's Black Square, Rodchenko's spatial constructions, taxidermied animals, artifacts of the Russian Revolution, skeletons, and mannequins in tableau vivant-like scenes, in order to create a contemporary visualization of the poetry implicit in Federov's writings.

The last words of the gangster Dutch Schultz form the starting point for this animated documentary. The FBI noted these words down on Schultz’ deathbed, in the hope he would betray his colleagues. Here, spoken in the english version by Rutger Hauer, they accompany the sober, pencil drawn animation based on traced (film) images from Schultz’ time: the late 1920s, early 1930s.

The 94 minute documentary film “From the 50 Yard Line” presents the football field not only as a sports venue but also as a stage for the marching band. The viewer goes on an exciting adventure through band camp, auditions, the marching season, and the regional and national competitions in 2006. You see the great rewards of disciplined practice, the overlooked technical artistry of the group endeavor, and the important life changing effects of instrumental music education. Another layer delves into the misconceptions about marching band, showing "band nerds" in a whole new light.

An interview with actor Dan Zukovic about Hanging Heart (1989)

Aristocratic Italian roots, a close family connection to James Bond novelist Ian Fleming, wartime experiences in the British and Finnish military, post-war Nazi-hunting adventures and a side career as a heavy metal rock singer. And one of the most iconic actors of all time.

A young pair from Stuttgart fly to Shanghai to hop aboard the textile business of his father while she prepares for the birth of their son. A story about the ever more common movement of Germans into the East for professional gain.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Pablo, Angel o Demonio is the untold story of a man who changed our world forever. He created the multinational enterprise of cocaine trafficking and through terror brought a country to its knees, but through altruistic generosity he transformed the lives of his people, the underprivileged.