June 1st

Ten-year-old Laure isn't like most girls. She prefers football to dolls and sweaters to dresses. When Laure and her family move to a new neighbourhood, local girl Lisa mistakes Laure for a boy. Indulging in this exciting new identity, Laure becomes Mickaël, and so begins a summer of long sunny afternoons, playground games and first kisses. Yet with the school term fast approaching, and with suspicions arising amongst friends and family, Laure must face up to an uncertain future.

The story of two youths – one Algerian, one French – who become juvenile delinquents in a Paris suburb.

Julien and his mum care for each other very much. But Julien has committed a deadly sin: he is growing into a teenager! Worse, he has found himself a girlfriend of his age. "Mummy" is not going to tolerate such an ignominy. Julien is HER baby and will remain HERS for ever, encouraged in her "crusade" by her bovine husband and barely thwarted by the more courageous interventions of Suzanne, Julien's sympathetic big sister.

An omnibus film based on Kim Oki's album Hip Hop Retreat. Twenty characters share the same table at different times, in different emotional states, each with their own story. Shot in one day, edited in one day.

A teenager in an English town struggles to come of age, braving sexual awakening and fighting her controlling parents by refusing to eat...until a nightmarish ghost appears that may be real, or may be a deadly creation of her starving body.

12-year-old Barbara dreams of meeting her idol Venus, a one hit wonder from the 80s who has gone missing. When a mysterious person moves to her neighborhood, Barbara sees an opportunity to finally solve the mystery of Venus.

One summer evening in a small town in France, two teenage boys, Clarinet and Piano, say goodbye. For twelve years, they rejoin each other at irregular intervals in the same town, discussing their ambitions as they drift apart. Michaël Dacheux's 'Here and There' is a delicate exploration of the eager aspirations of two young men, wise beyond their years yet still innocent in their experience.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

A troubled teenager attempts to conquer the girl he's in love with, who seems out of reach. He's lured into criminal activities and becomes alienated from family and friends.

A young man from a wealthy family learns mechanics on his own initiative at the School of Arts and Crafts. Unexpectedly, the family falls into ruin,the boy became then the main supporter. In order to keep supporting his family, he installs a workshop in a town near Santiago.

Evelyn and her oblivious son Ziggy seek out replacements for each other. As Evelyn tries to parent an unassuming teenager at her shelter, Ziggy fumbles through his pursuit of a brilliant young woman at school.

Onizuka, a former motorcycle gang member turned high-school teacher is assigned to a private academy full of troubled students. The issue at this high school revolves around an exposé-style influencer who has nearly 2 million followers who specializes in exposing and spreading rumors, causing controversies and uproar, regardless of whether the individuals involved are celebrities or ordinary people. Several teachers and students from the academy have been exposed so far, and due to being targeted so frequently, there are rumors circulating within the school that there might be a culprit impersonating the influencer. As a result, students live their school lives while constantly observing each other’s expressions, becoming increasingly suspicious and paranoid.

Geoffrey Baseball is struck with tragedy at the death of his mother. He is always living in his father’s shadow, living his father’s dream. Against all odds, he combines his mothers love with his fathers hate resulting in the perfect lunch time sport: sandwich baseball

When fourteen-year-old Maggie and her two best friends hang out with older guys they meet on Facebook, a crush on a complicated boy unravels into a twisted trance fueled by Four Lokos and naive infatuation.

One day in the life of Angelos and Ioanna, each dealing with last night's fight.

Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.

A delicate family situation puts José Carlos to the test as he dreams of becoming the “Master of Katana,” the first samurai warrior from Barbate.

Botchan, a recent graduate, sets out for his first teaching assignment - never anticipating what awaits him. He must contend with students who spy on him and pull nasty stunts and with a landlord who constantly tries to sell him worthless antiques. While on a fishing trip to boost his spirits, Botchan suspects Hotta, his one friend in the village, as the cause of all of his misery. But this is just beginning of his problems - During a meeting to discuss the students' disrespectful behavior towards Botchan, the proposed punishment is surprisingly mild despite the severity of the acts. Yet, Botchan's suspected adversary defends him. Were the other faculty members lying about Hotta? Botchan may soon discover the truth, for when evidence of the dean's activities surface, Botchan and Hotta must team up to corner the dean in his own scandalous game. Based on Natsume Soseki's 1906 novel, which was one of Japan's best-selling books.

Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.

Petra's seemingly perfect life unravels when her husband has an affair. Meanwhile, young Petra embarks on finding true love. Two women's journeys of self-discovery span different life stages, offering a hopeful yet painful view on love.