Nasrin

The Last Word (Persian: حرف آخر‎‎) is a 2009 social drama Iranian film Written And Directed By Hossein Shahabi. This is a film about Iranian champion athletes.

The Photo (Persian: عکس‎‎) is a 2001 Iranian drama film Written and directed by Hossein Shahabi

Rain Tree (Persian: درخت بارانی‎‎) is a 2001 Iranian drama film Written and directed by Hossein Shahabi.

Echo (Persian: پژواك‎‎) is a 1997 Iranian Drama film Written and directed by Hossein Shahabi.

Wars and Treasure

Broth Soup (Persian: آش نذری‎‎) is a 2000 Iranian film written and directed by Hossein Shahabi .

Ghost (Persian: شبح‎‎) is a 1998 Iranian drama film written and directed by Hossein Shahabi (Persian: حسین شهابی)

An Iranian journalist couple wants to move to America to escape the difficulties of their country. The woman receives her visa but her husband doesn't. He stays in Iran and watches his wife find success on television and falls into a state of depression.

Sans nous

On Jan. 22, 1965, the day before the Iranian prime minister is assassinated, a car drives up to a shipwreck. Inside the wreck, a banished political prisoner has hung himself and the walls are covered in diary entries, literary quotes, and strange symbols. Fifty years later, the evidence, including intelligence tape recordings, is found in a box. The contents attest to the fact that the inspector and his colleagues were arrested, but why?

Many women are killed in the city during the night by one and the same killer but his identity remains unknown. A young man will therefore want to do his own investigation in order to avenge them.

In 2009, Iranian Canadian journalist Maziar Bahari was covering Iran's volatile elections for Newsweek. One of the few reporters living in the country with access to US media, he made an appearance on The Daily Show with Jon Stewart, in a taped interview with comedian Jason Jones. The interview was intended as satire, but if the Tehran authorities got the joke they didn't like it - and it would quickly came back to haunt Bahari when he was rousted from his family home and thrown into prison.

Iran : rêves d'Empire

L'Iran à court d'eau

A welder discovers his wife has disappeared. He sets out to look for her.

Excited to attend Fareed's birthday party, Danny finds out why his mom is concerned about this friendship. Danny has to decide between satisfying his mom or keeping the friendship.

Amir, a young Iranian, signs on with a fisherman on the rugged Caspian Sea coast in order to earn the money he needs to marry his sweetheart, Narges. But in so doing, he becomes entangled in the criminal machinations of caviar poaching. Piece by piece, a complex hierarchy is revealed in a parallel realm that becomes ever more constricting and oppressive, endangering Amir’s relationship with Narges as well.

Dadi manages an extended family in Haryana, Northern India, where daughters-in-law face loneliness and unrealistic expectations. The film delves into family dynamics, highlighting Dadi's firm control amidst tensions. Social and economic shifts challenge traditional values, exemplified by Dadi's son marrying outside the village. Despite clinging to tradition, Dadi adapts to her children's modern aspirations. This narrative reflects the clash between generations and gender roles in 1980s rural India, offering insight into the evolving concept of family.

After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.

Maryam (Negar Javaherian) and Reza (Shahab Hosseini) are different from other people, it's not just a simple difference, but a very big difference. They must try to prove to others they have solved the big difference with the miracle of love ...